When Han Wo returned to Chang 'an, he saw that he was more arrogant than Li and was very dissatisfied. On one occasion, Zhu Quanzhong and Cui Yin announced things in the palace, and all the officials stood up, except Han Wo, who sat still and said "nothing to do with the banquet", which angered Zhu Quanzhong. Zhu Quanzhong was angry at Han Wo's rudeness, and then he was jealous of Zhao Zong's favor. He consulted the parliament and worried that it would be bad for him, so he reprimanded Han Wo in front of Zhao Zong. Cui Yin listened to rumors and refused to be saved. Zhu Quanzhong wanted to kill Han Wo, but fortunately he was dissuaded by Jing and Zheng Yuangui, and was demoted to Sima (now Ganxian County, Shandong Province, Puyang South, Henan Province). Soon, he was banished to Yi Rong (now north of Tongzi County, Guizhou Province), and then to Sima in Dengzhou (now Dengxian County, Henan Province). Han Wo left Beijing, leaving Zhao Zong without relatives or friends.
In the first year of God Blessing (904), Zhu Quanzhong became Emperor Zhaozong and Emperor Ai. In order to buy people's hearts, Jiao Zhao pretended to be enlightened and called Han Wo back to Beijing to be reinstated. Han Wo knew that once he arrived in Chang 'an, he would be in the jaws of death, so he fled south to Fuzhou, Jiangxi with his family as soon as possible.
Our army is vast, which makes Wang attach importance to recruiting talented people and send people to Fuzhou to invite Han Wo to Fujian. In August 905, Han Wo entered Fujian from Jiangxi.
After Han Wo entered Fujian, he once lived in Changting and Shaxian for a period of time. God bless for four years (907), usurped the Tang Dynasty, changed the name of Liang, and paid tribute to Wang. Han Wo has a problem with this and wants to go back to Jiangxi. When he walked from Shaxian to Shaowu, Wang quickly sent someone to stay. However, Han Wo rejected Wang's appointment because he felt that "the official career was sinister and unpredictable" and the concept of fame and fortune had faded. After returning to Shaxian from Shaowu, he quickly went to Taolin Farm (now Yongchun) via Youxi, and then entered Quanzhou. In Quanzhou, I was received by the father and son of the secretariat Wang Shenluan, and I lived in the Zhaoxian Hospital in the western suburbs of Quanzhou, where I had a rest after years of fatigue. While enjoying the local scenery, he lamented that "you may not be poor if you do your best" and wrote many famous sentences when you are in the mood.
Soon, Hanwo roamed Nan 'an and thought it was an ideal place to stay in his later years. So he built a house next to Hongji at the foot of Kwai Mountain (also known as Huang Qishan) and thought it was a place to settle down, so he called it "Hanyu". Here, Han Wo plowed in the fields, went up the mountain to cut firewood, and claimed to be "a firewood man in Yushan", claiming that he had "separated from the disease and stayed behind, and he was not too familiar with the doorway" and lived in seclusion. In the third year of Liang Longde (923), Han Wo died of illness, and the mighty military envoy checked the history of the school and shot Fu Shi as his camp burial. His tomb was in the grandson of Kwai Shan.
Among Han He's poetry creation in his life, the most valuable one is the poetry of feeling the time. They almost reproduce the decline and fall of the Tang Dynasty in the form of chronicles. The author likes to write current affairs in the form of close body, especially the seven laws, which are combined with chronology and narration. With standardized works and cutting, it has a depressing taste and is good at putting the feeling of desolation in the beautiful and elegant lyrics, which is sad and gentle, soft and firm. Most of his works describe the political turmoil in the upper class, and few people touch the sufferings of people's livelihood. But in art, without Du Fu's great pen power and Li Shangyin's profound and subtle thoughts, sometimes superficial and delicate ideas will inevitably appear.
Han Wo's landscape lyric poems are ingenious in conception and exquisite in brushwork. Moreover, the biggest feature is that the feeling of life experience is integrated from the landscape picture, that is, the scenery is lyrical and there is no trace to be found. The seven laws "Cherish Flowers" are written about sadness and pain, which is considered to hide the hatred of national subjugation. Some landscape poems, such as Drunk and Wild Pond, depict objects with simple techniques, clear composition and light colors, just like poetic ink painting. As for "from Shaxian county to Youxi county, after Quanzhou army arrived, all villages were empty because of stunts", which reflected the scene of chaos and collapse in rural areas and was a combination of current events and history.
Han Wo's Fragrant Collection describes the love between men and women in a delicate style. This has been evaluated differently. The existing block-printed edition of Ji Gu Pavilion in Ming Dynasty "Han Nei Han Bie Ji" 1 volume, addendum 1 volume. In addition, there are three volumes of Yuan Magazine handed down from ancient times and Qijiage 1 volume.
Among Han He's poems, the most valuable one is the time-sensitive poem. They almost reproduce the decline and fall of the Tang Dynasty in the form of chronicles. The author likes to write current affairs in the form of close body, especially the seven laws, which are combined with chronology and narration. With standardized works and cutting, it has a depressing taste and is good at putting the feeling of desolation in the beautiful and elegant lyrics, which is sad and gentle, soft and firm. Most of his works describe the political turmoil in the upper class, and few people touch the sufferings of people's livelihood. But in art, without Du Fu's great pen power and Li Shangyin's profound and subtle thoughts, sometimes superficial and delicate ideas will inevitably appear.
Han Wo's landscape lyric poems are ingenious in conception and exquisite in brushwork. Moreover, the biggest feature is that the feeling of life experience is integrated from the landscape picture, that is, the scenery is lyrical and there is no trace to be found. The seven laws "Cherish Flowers" are written about sadness and pain, which is considered to hide the hatred of national subjugation. Some landscape poems, such as Drunk and Wild Pond, depict objects with simple techniques, clear composition and light colors, just like poetic ink painting. As for "from Shaxian county to Youxi county, after Quanzhou army arrived, all villages were empty because of stunts", which reflected the scene of chaos and collapse in rural areas and was a combination of current events and history.
Song Jiyong's Chronicle of Tang Poetry (Volume 65) Hanwo Chronicle: "Small print Dong Lang, a mountain cloud: it is not surprising to taste an impromptu poem, and every sentence has the wind of the ages. Because there is a poem that says,' When I was ten years old, I cut the poem and turned it into a horse. The cold ashes and candles were far away from my feelings. On Danshan Road in Wan Li, Tonghua, the little phoenix is clearer than the old one. "Hey, the word is Yao, and now it is light, which is wrong."
(Xiang Lian Ji, written by Han Wo, describes the love between men and women with delicate writing. This has been evaluated differently. The existing block-printed edition of Ji Gu Pavilion in Ming Dynasty "Han Nei Han Bie Ji" 1 volume, addendum 1 volume. In addition, there are three volumes of Yuan Magazine handed down from ancient times and Qijiage 1 volume. )
"There are a series of colourful words with Liu Gongning, called" Fragrant Collection ". After coagulation, it is expensive, which is what Ning did to marry him as Hanwo and spread Hanwo's "fragrance collection" in this life. Ning's life works are divided into six episodes: Yan Lun, Entertainment, Filial Piety, Suspected Prison, Incense and Gold-plating, and Preface to Entertainment Collection: "Incense and Gold-plating are two episodes, which are not suitable for the world. "Coagulation in * * *, avoid discussion, keep its name secret and want to be known to future generations, so in the preface to entertainment, this coagulation also refers to. I was in Xiuzhou, and the great-grandson family collected all the books, all of which were old things and unmarked at the end. "
From the poems related to Taoism, we can see that there is a close relationship between Korea and Taoism. Like other poets in the Tang Dynasty, Han Wo also had some contacts with Taoist priests, such as rich Taoist priests, Sun Renben and Wu Dian. Look at Qian Daochang first. Han Wo has a poem, "Being with money, being drunk with teachers, has become a cross." It says, "Brewmaster is a hermit, so why bother Changsha?" In the beautiful spring, he and Qian Daochang got drunk, and * * * was called "",so they were very speculative. Look at Sun Ren, a Taoist priest. "His teeth are as thick as ice and snow and he has been drunk for hundreds of years. The world struggles for gains and losses, and there is a ladder before going to bed "("To respect the teacher "), perhaps because of his attitude and personality of fighting for gains and losses, it aroused Han Wo's * * * Song. For Taoist Wu Dian, Han Wo is even more important. In "To Teacher Wu Dian", he said that he was "sincere but ignorant" and was willing to worship Wu Dian as his brother. In addition, Han Wo also had many contacts with reclusive Chu Shi such as Cui Jiang and Li Siqi. From To Chu Shi, a Step of Cuijiang River, and To Chu Shi, Li Siqi, Hunan Province, we can see that they also made serious research on Taoism. In addition, we can also see the relationship between Han and Taoism from the following points:
Familiar with Taoist classics. What Han Wo is most familiar with and loves are the South China True Classics and the Huangting Classics. The so-called "non-arable material in South China" (one step), "Huang Ting in hand" (making the wind). Han Wo has repeatedly mentioned the South China Classic (namely "Zhuangzi"), and the cloud "Why not use materials when adjusting the tripod", the cloud "I wish to go to the deep village to fix the material" and "lean on the South China to repair the material" (later station) are all taken from "Zhuangzi Trilogy". It can be seen that the author has accepted Zhuangzi's thought of "Qi Yi" in the interviews of Li Langzhong in Danger, Sorrow and Mourning Department and Silver. Rong Sheng's geometry has been drifting for a long time, so he sent someone to hold him and float it carefully. "Floating life" deliberately comes from Zhuangzi, which means to rest when you are alive and rest when you are dead. Interview with Gong Ming Dade said that "everyone has a sweet spring in his heart", and "sweet spring" drinks "unless it is a sweet spring" with the story of Zhuangzi Qiushui. In Shaxian County, Zhou Ting City, Yu Yu ... I still feel that the cloud "Zi Mou Huan Yan promotes travel" is used by the opposite of Zi Mou in Zhuangzi Jean Wang.
Participate in Taoist practice in person. Han Wo once personally participated in the Taoist practice of "crossing the valley". In To Chu Shi, Li Siqi, Hunan Province, it is said that "if you know more than one grain, you can see the medicine stove in the famous mountain", and in Autumn Village, it is said that "if you know nothing, you will be immortal". The so-called "complete grain" means "avoiding grain" and not eating grain, which is one of the important cultivation methods of Taoism. Han Wo participated in the Taoist breathing method, and the poem "Get up early on October 7, and the qi disease begins to heal" said, "Yang essence is about to fall, and heaven and earth contain purple gas", that is, at dawn, the yang is born and the yin is weak. At this time, the practitioners practice with conviction, get rid of the old and get rid of the new, and achieve the effect of attacking the body with qi. Han Wo's cultivation should be mainly spiritual cultivation and inner alchemy. Han Wo's "resting", "throwing away troubles", "getting rid of material desires and simplifying the complex" are exactly the spiritual cultivation of "keeping the spirit of enlightenment" and "leaving the country and forgetting the scenery" that Taoism pays attention to. Huang Ting Jing, mentioned in Make the Wind, is one of the most important classics of the Shangqing school that pay attention to "Inner alchemy". Because by the end of the Tang Dynasty and the Five Dynasties, more people realized the absurdity and harm of taking Dan medicine, the external Dan gradually declined, and the internal Dan, which paid attention to the cultivation of "spirit", gradually flourished. However, Han Wo should also be familiar with foreign medicine. For example, in A Gift for Chu Shi, Li Siqi, Hunan Province, it is mentioned that "I'm going to see a medicine stove in a famous mountain", and in Sending a Taoist couple from a neighboring village, it is said that the Taoist couple from the neighboring village are also alchemists, and the image of "mica" is also mentioned in Dragonflies.
Respect for Taoist seclusion and yearning for immortal life. Han Wo's interest in seclusion can be seen from his previous contacts with Taoism and Chu Shi, including Sun Renben's praise of "the world won't fight for gains and losses" and Cui Jiang's admiration of "taking retreat as progress". This kind of mentality can be more directly manifested as "sending people to abandon their official positions and enter the Tao", which is a warm support attitude towards Han Wo, a friend who abandoned his official positions and entered the Tao. He feels that "his country is like a patchwork Russia" and "it is good to get rid of it without ambition". Finally, he sent a message to his friend, "One day, like fasting, show me the capital". Han Wo is also full of longing for the immortal life, but also full of curiosity about the immortal realm in the Taoist pot. "What will the sun and moon in the pot do?" ? Lend it to idle people to see "("To Chu Shi of Ibtri River "). One of them, "Two Poems about Man Zuo", wrote, "Why wait for a ride when Xiao Dan can get to the next level? "It's not a very difficult thing to climb the Xianjing of Xiao Dan, and you don't have to go for a ride in the sea." "Fairy Mountain" says that "one heart is fragrant, and the hole is wide open". The author says that only when you are sincere can you feel the immortal, just like burning incense. The poem "Dream Fairy" shows his Taoist belief more directly and profoundly. The poem first describes the beautiful scenery of the purple clouds, then laments Ruan Zhao's return from fairyland too quickly, and deeply envies Zhang Qian for taking tea from Tianhe. At the end of the poem, he said that "the jade emperor can only know the skill of practicing pure yang in the bath", expressing his sincerity and desire to cultivate immortality.
Self-identification with Taoism. When Han Wo was a bachelor of Hanlin, he used to be a "crane, star, crown, feather and guest costume" ("Returning Books"), which was completely a Taoist image. Han Wo wrote a poem "Send a Taoist couple to a neighboring village", calling his friends or partners "Taoist couples", which is exactly what Taoists call each other. "Send the Monk" says that "his heart is clear and the same here, he uses it wisely, but forgets words and understands", which means that Taoist thought and Buddhist thought are interlinked; In a word, Han Wo regards Zen master as a representative of Buddhism and himself as a representative of Taoism. It can be seen that Han Wo has a certain sense of identity with Taoism.
Where is the screen of Han Woshi? Huai Su is clearly visible. Although it is covered with dust, there is still thick ink on it. Strange rocks rush to the autumn stream, and Han Teng Gu Hangge. Close to the water tower, you get the moon first, and every word is good. -The cursive screen of Han Wo's cursive screen in the Tang Dynasty
Where a screen, clear Huai Su. Although it is covered with dust, there is still thick ink on it.
Strange rocks rush to the autumn stream, and Han Teng Gu Hangge. Close to the water tower, you get the moon first, and every word is good. The wind and rain are not self-sustaining, and the whole body is unable to hang down to people. Jade fiber is folded, like the hand of Guanyin. -Tang Han Wo's "Liu Yong" Liu Yong
The wind and rain are not self-sustaining, and the whole body is unable to hang down to people.
Jade fiber is folded, like the hand of Guanyin. Liu Yong's eyes and mind are still alive. He plans to have a secret date with Qin Lou. Time is negative, people and emotions are not free, and it is difficult to meet each other. Covering your knees at night is too fragrant. Scratch your head when you are bored. Cherry blossoms and pear blossoms make you heartbroken. -Han Wo teenager in the Tang Dynasty's "Teenager"
Eyes, brain, heart and death are not over yet. They secretly plan to date Qin Lou.
Time is negative, people and emotions are not free, and it is difficult to meet each other.
Covering your knees at night is too fragrant. Scratch your head when you are bored.
Cherry blossoms and pear blossoms make you heartbroken. Women are lovesick. See more poems by Han He >>