Author: tsunami
The house is not mine, the dust is mine;
The disease is not mine, but the pain is mine;
The night is not mine, but the dream is mine;
The grave is not mine, but death is mine;
Winter is not mine, but the cold is mine;
The city is not mine, and the congestion is mine;
Rain is not mine, disaster year is mine;
Food is not mine, hunger is mine;
Love is not mine, loneliness is mine;
The sky is not mine, but flying is mine;
Time is not mine, aging is mine;
The diploma is not mine, but the knowledge is mine;
The movie is not mine, the plot is mine;
The sun is not mine, the shadow is mine.
In addition, there is the lovely China.
Extended data:
Cultural reflection
Lovely China is an extremely sharp opposition, as precise as a scalpel, which cuts through the chest and time. In these contradictory and unified poems, the tsunami closely reflects the difficulties, pressure and embarrassment of our real life.
In the helpless self-mockery and self-mockery, they even tend to be a cruel psychological "self-abuse" and emotional whipping, so that they can feel pain, reflect and forge ahead in pain, and show the strength of youth and the will to life with a more positive attitude towards life.
At the same time, we should also see that the appearance of "tsunami body" is not only people's deep concern about the return of poetry to life, but also their real expectation of poetry as a kind of "present" existence.
In this sense, The Lovely China is an excellent work that effectively reveals and recognizes the humanistic ecology of an era in the form of poetry, and it is a pioneer work that strongly appeals to the humanistic spirit.