The second breakthrough point to appreciate China's classical poetry should be the beauty of language. Because China's classical poetry is also the art of language, the most refined language and the most beautiful language. People say that this language is beautiful, that is, the language is like poetry, so the language of poetry is a very beautiful language, and the language of poetry is like paint in painting. No matter how beautiful this painting is, it depends on language to describe it. Therefore, the linguistic beauty of poetry can make the works present a kind of painting beauty. Ancient poetry has strong generalization and small system, so it requires accurate, concise and vivid language.
The third breakthrough point of poetry appreciation is formal beauty. China's ancient poems are the most formal. In the long-term development process, various laws and systems have gradually formed. Combined with the language characteristics of Chinese, ancient poetry has a kind of musical beauty and architectural beauty in form, which is pleasant to read and cadence. There is also a kind of architectural beauty, and the poems are very regular and neat, just like the building we are building now, which is square from top to bottom. Western poetry or other foreign poetry, pyramid-shaped or stepped, also has its arrangement form. Of course, a word has long sentences and short sentences, and it is also a form and a form, so it shows a unique beauty of music and architecture, which is also unique in the poetry garden of the world. China's classical poems were stereotyped as "four-character poems" in the early stage. As we all know, the earliest eight-part poem in The Book of Songs is a four-character poem, which means four words and one sentence, but there is no special metrical requirement. In the Han, Wei and Six Dynasties, "five-character poems" and "seven-character poems" rose; During the Qi Dynasty in the Southern Dynasties, it was found that Chinese characters had four tones, namely, flat tone, upper tone, lower tone and entering tone. According to the rules of these four tones and two rhymes of Chinese characters, some people study the coordination of rhyme and intonation of poetry, demanding that poetry should be written simply, with different rhymes, and pay attention to duality. Therefore, in the Southern Dynasties, a new poetic style appeared-"Yongming Style", which paid attention to temperament. "Yongming Style" has a far-reaching influence on the formation of later metrical poems and the emergence and development of later literary styles such as parallel prose, ci and qu. In the early years of the Tang Dynasty, it was on this basis that metrical poems and quatrains, the so-called "metrical poems", were produced.