Put down the rope
See through the vanity of floating life and ridicule others. This body is like a tidal wave in a tidal wave, passing through a thousand waves.
I'm glad to be back safely, a pot of spring wine. Rain, smoke, hats, and fishing in rocky areas are not suitable.
A clump of flowers
I'm still haunted by dreams, but I still hate my quiet life. I have never been used to tears in spring, and I am covered in clothes for Iraq. What's more, when playing the flute in the billiard hall, Qing Zi was eclipsed.
Cloister curtains are uneven day and night, so it is appropriate to sleep. You can't tell where the clouds and dreams are, but they are gorgeous, theoretical and lovesick. From now on, I am very haggard and want to know for myself.
Go to the west building (meet Huan)
The river is black and red, and swallows fly. I suddenly went to the office that year and hated Yiyi.
It is against one's will to weep and sigh. Full of jade pots and dew, send spring home
Dashengle
Electricity turns to thunder and sighs, forty-two years. Try to think back to the past, everything is like a dream, mixed with sorrow and joy, as if it were a passing smoke. The sea of pain is boundless, and love is bottomless. Wandering around, looking at hundreds of leaking ships. Who knows, ask impermanence. In fire, iron makes the body strong.
Huadian will be there later. So I can get my body back to nature. Why bother to think about it? Want a family, be an official and die for fame. It is a shame to live long and poor, which is all arranged by heaven. From now on, be a flying fairy.
Magnolia slowness
Read the dream of Handan, sigh the blue silk temples, and the early frost invades. It is the flower moon burning Dan, Qingxi watching cranes, but still the initial heart. Over the years, in the turbulent world, the secret of knowing the truth is absolutely profound. Raise Nine Treasures and grow into a thousand trees.
The starry altar is a toddler at night. Dew is cold and transparent. For Cuifeng, Qingluan returned to the moon, and the palace was desolate. Let's play a letter and I'll be your bosom friend. However, it is arrogant, and the years on earth are fleeting.
within walking distance
The wild goose didn't return, and the treasure was broken. That's even more frozen, as if human feelings are thin.
This is a lonely city in dark rain. I am at the corner of Chushan Mountain. I'm tired of asking Bo for information, but I'm afraid it's still empty.
well
Alone in Boshan, the peak is small and the green fog flies around. I'm afraid I'll learn the clouds and do spring dawn on the balcony. Xiao Chun, Xiao Chun, full of green in the courtyard.
Copy of
Red crisp hands, yellow wine. Willow trees on the palace wall in spring in the city. The east wind is evil, and the feelings are thin. A sad mood, a cable that I haven't seen for years. No, no, no.
Spring is as old as ever, and people are empty and thin. Tears flooded her face. Peach blossom falls, idle pool pavilion. Although Meng Shan is here, it is hard to trust Jin Shu. Momomo.
2. Ask the master to write long and short poems. The glassy sky was stained with a few faint clouds. The mountains and rivers in the distance are like your Gherardini face looming. The notes left on the desk remain in a carefree childhood. Once upon a time, every page was filled with thoughts and memories. Outside the window, the green willows shook their bodies and painted sheep all over the sky. Occasionally, it begins to rain lonely. I talked to myself in my dream. The cold rain beat against the window. I suddenly stopped breathing, fearing that it would break the residual chrysanthemum on the window. I don't know how long it will take for all the pain to heal. Who forgot a memory in the cold ink? I thought I could forget it forever.
3. What are the characteristics of new poems with long and short sentences? "New poetry" should be poetry first. Compared with classical poetry, it is not bound by strict rules and formats, and its language is more free and vernacular.
Therefore, new poetry has another name for free poetry and vernacular poetry. Freedom and vernacular are the meanings of the word "new" in new poetry.
It is the dividing line between new poetry and classical poetry. All poems written in daily language, including some classical Chinese words that are still alive today, break through the constraints of classical poetry's meter and format and belong to the category of new poetry.
Including poems with neat words and neat sentences. It also includes poems with different words in each sentence and different sentences.
Because since it is a free poem, we can't preach freedom and stipulate that it can only be this way and not that way. Make the form of new poetry more monotonous than classical poetry.
In particular, it should be pointed out that the lack of rhyme, punctuation, clauses and sentence breaks does not meet the requirements of modern Chinese norms, which is not the characteristic of new poetry. This is not the characteristic of poetry.
4. What are the names and sources of the inscriptions? 1: Wang Jiangnan: real name Xie Qiuniang, written by Li Deyu for Xie Qiuniang, dead prostitute. Because Bai Juyi's ci can't forget Jiangnan, it was renamed as "remembering Jiangnan", also known as "dreaming of Jiangnan", "looking at Jiangnan" and "being good in Jiangnan".
2. The soothsayers are also known as Baichilou, Meifengbi and Chu Tianyao. According to legend, it borrowed the nickname of the Tang Dynasty poet Luo.
Luo's poems can be named after numbers and called "divination symbols". 3. There was "Caisang" in the original "Tang Jiao Fang Daqu", and then a single line of "Time" was intercepted as a word.
Also known as Ugly Slave Order and Luo Fumei, 44 words. Song Ci also created slow words, such as Slowly Picking Mulberry Seeds, with 90 words.
There is no such inscription in the Tang Dynasty, which began with Yan Shu. 4. Chai Toufeng was originally named "Xie Fangci", which is said to be taken from the name of Jiefang Garden in Zhenghe Palace in the Northern Song Dynasty.
Later, Lu You was named after the word "poor and lonely as a hairpin". 5. The inscription name of Sauvignon Blanc.
Tang's original name was later used as a tune. Also known as "Sauvignon Blanc Order" and "Acacia Order".
It was named after the saying "On the words of Sauvignon Blanc, on the words of farewell" in Yuefu in the Southern Dynasties. 6. The inscription name of the ugly slave.
From the Tang Daqu "Picking Mulberry", it is commonly known as "Picking Mulberry", also known as Ugly Slave Preface and Luoqu. 7: The name of the juggler's epigraph.
In the name of smashing clothes. The tone of this word existed in the late Tang Dynasty.
8. Dunhuang Quzi Ci named Tang Jiaofang, and there is a sentence of "Ask Confucian scholars, who dares to be romantic". The original name of this song is to quell the rebellion.
Also known as "wind" and "storm". 9. "Heart Bitter" was originally named "Walking on Shakespeare's Shoes" and was named after the word "red clothes make the heart bitter".
10: Tang Priest Jiao Ran has a song "Wind Becomes Pine", which was later used as a tune. 1 1: Klang Ganzhou: Adapted from Ganzhou in the frontier fortress song dynasty in the Tang Dynasty, it was named Klang because of its eight rhymes.
12: Huanxisha is also called "yard flower". Emperor Xuanzong of the Tang Dynasty was the name of Jiao Fang, which was later used as the tune of lyrics.
Subtract the inscription of Huanxisha. Subtraction, the terminology of Tang and Song Quzi words, is generally filled in according to the score, but the poet has the freedom to expand and contract the number of words in the vocal cavity in order to create new sounds from old songs.
This word has not been reduced, and the last word "you" is a modal particle, borrowed from Chu language. 13: The name of Jiao Fang in Tang Dynasty in Langtaosha.
Also known as "Langtaosha Order", "Crossing the Dragon Gate" and "Flower Selling Sound". This word was first coined by Liu Yuxi and Bai Juyi in the Tang Dynasty.
14: fisherman's song: also known as fisherman. The title and intonation of Tang are both created by Zhang.
15: Six Ugly Zhou Bangyan created it himself. Later generations found that the six ugliness was indecent and renamed Ganon.
Legend has it that Li Shishi, a famous prostitute, sang this song for Song Huizong. Hui Zong thought this song was round and beautiful, so he asked. "Who wrote it?" Li Shishi said, "This song is called Six Ugliness. It's a new song written by Zhou Bangyan."
When Hui Zongzhao met Zhou Bangyan, he asked, "Why are you named Six Ugly?" Zhou Bangyan replied, "Because it violates six palace tunes, which are the best, but it is not easy to sing well. In the past, there were six people in the Levin family who were both talented and beautiful, so this was the name of the song. "
16: the inscription name of Liuzhou. It was originally an advocacy song in the Tang Dynasty.
Song Dynasty entered the era of epigraph. The six countries refer to Iraq, Liang, Bian and Wei.
The six states have their own songs, which are collectively called "six states". The song begins with a song.
17: The original name of the green silk skirt was "raw faults", and it was named after the sentence "Remember the green silk skirt". 18: flower-selling epigraph name.
Don's name is. Also known as Langtaosha, Langtaosha Order and Crossing Longmen.
This song was written by Liu Yuxi in the Tang Dynasty. It was originally a poem with the same form as the seven-character quatrain.
Its content is dedicated to the waves and beaches. From the Five Dynasties to the Song Dynasty, this tune developed into long and short sentences with wider contents.
19: Inscription name of Man Fang Ting. Because Liu Zongyuan has a poem called "I get peace occasionally, and everything is in flowers".
Also known as "full court frost", "good Jiangnan" and "full court flower". 20: Magnolia also wrote "Yulouchun" and "West Lake Song".
Magnolia in Tang Dynasty has different sentence patterns from five pronouns. Song people defined it as seven words and eight sentences.
2 1: Niannujiao Niannujiao was a famous geisha in Tianbao period of Tang Dynasty. Because of its wonderful tone, Nian Nu Jiao was used as a tune by later generations. 22. Broken Array was originally a song in the large-scale military dance music "Broken Array" created in the founding of the Tang Dynasty, and later changed to a epigraph.
23. Bodhisattva Man was originally a song by Tang Jiao Fang. "Du Yang Zaben" by Su E in the Tang Dynasty said: "In the early years, the female barbarian country paid tribute, wore a golden crown and tassels, and was called the Bodhisattva Mandui.
At that time, "Bodhisattva Manqu" was written in favor of Excellence, and the literati often talked about its words. "24. The name of the jade inscription.
Excerpted from Zhang Heng's Four Sorrow Poems in the Eastern Han Dynasty: "The beauty gave me a piece of brocade rust, why should I report the jade case?" 25. Qingping Music, formerly known as Tang, was named after the two tunes of "Le Qing" and "Pingle" in Han Yuefu.
Also known as Qingping Leling, drunk in the east wind and remembering the moon. It is said that Li Bai once wrote "Qing Ping Le" for fear that future generations would falsely entrust it.
26: The inscription name of "Queqiaoxian". Because Ouyang Xiu has a word "Queyingqiao Road meets Tianjin", it is named this word.
It is also said that this song is named after the meeting of cowherd and weaver girl. 27. After The Legend of Dream Preface, Tang's own Song was named after the phrase "Like a dream, the waning moon fades away".
28: Ruan Langgui's inscription name. Since the Eastern Han Dynasty, Liu Chen and Ruan have collected herbs and met fairies in Mount Tai.
Zhou Bangyan started in the Song Dynasty, and its style is uneven. 30: There is no such tune in Datang Youth Tour. In Yan Shu's Zhu Yu Ci in Song Dynasty, there is a sentence that looks like a teenager, hence the name. Also known as "small stem" and "eucalyptus branch".
3 1: Inscription name of Two Feet in the Sky. Also known as "the moon is the window" and "stepping on the moon".
This piece of music was first seen in Qian Ji, the Northern Ancestor of Fang Quan. Lin Bu, a poet in the Song Dynasty, took the artistic conception of his previous work as his inscription. 32: The title of Shuidiao Song is also known as Hui Yuan Song, Kaige Song and Taicheng Tour.
According to legend, when Emperor Yang Di opened the Bianhe River, he made Shuidiao, a big song performed by the Tang people. Daqu is divided into three parts: preface, middle sequence and breakthrough.
The title is the first chapter of the preface. 33: Water is also called "Long Yin Qu".
It was named after Li Bai's poem "Drinking Water on the Flute Dragon". 34: The name of the teaching workshop when Su Mu covered Xuanzong of Tang Dynasty.
The original song originated in Qiuci country in the western regions, and "Su Mu" means "Xirong Huyu". 35: The inscription name of "Looking at Jiangnan".
Originally named Tang, it was later used as an inscription. This piece of music, formerly known as Xie Qiuniang, was written by Tang Li Deyu for the late Ji Qiuniang.
After entering the teaching workshop. 36: Xi Fenfei is also called "Xi Shuang Shuang" and "Xi Fang Fei".
Cat fat is the main melody in music. Therefore, this inscription may have been written by Mao Wei himself.
37. Cherish Nu Wa's "Korea Xerox".
5. What are the ancient poems? There are five musts and seven musts in ancient poetry.
Five laws, seven laws
Poetry in ancient style
Absolute poetic style of modern poetry. Before the formation of modern poetry, all kinds of poetry genres except Chu Ci. Also known as ancient poetry and ancient style. Classical poetry is well-organized, flat and even, with wide rhyme feet and unlimited length. There are four words, five words, six words, seven words and miscellaneous sentences.
Four-character poems once ceased to exist in modern poetry. Although the word "ancient" is not added, it is obvious that they are ancient poems. The ancient poems included in The Book of Songs are mainly four-character poems. Four-character poems were still written in Han Dynasty and Wei and Jin Dynasties. Cao Cao's Looking at the Sea and Tao Yuanming's Stopping Clouds are typical four-character poems.
There are many ancient poems with five words and seven words, referred to as five ancient poems and seven ancient poems for short. The ancient Five Dynasties first occurred in the Han Dynasty. Nineteen ancient poems, all five-character poems. There are many people writing five-character poems in Han Dynasty. Most of the poems in the Southern and Northern Dynasties are five-character poems, and there are more five-character poems in the Tang Dynasty and its current ancient poems. The seven ancient times can occur before the five ancient times. But before the Tang Dynasty, it was not as common as the Five Dynasties. In the Tang Dynasty, these seven ancient books were given in small quantities, which were also called long sentences in the Tang Dynasty.
Miscellaneous poems are also unique to ancient poetry. Poetry varies in length, from one word to more than one cross. Generally, it is a mixture of three, four, five and seven characters, and seven characters are the main ones, so it is customarily classified as ancient seven characters. There are many miscellaneous poems in The Book of Songs and Han Yuefu folk songs. Since the Han and Wei Dynasties, Yuefu poems have been accompanied by music, including songs, lines, songs and poems. Many Yuefu poems in Tang Dynasty were unhappy. There are many kinds of miscellaneous poems in Tang and Song Dynasties: there are seven words mixed with five words, such as Zhang Ji's Difficult to Go; There are seven words mixed with three words, such as Zhang Lei's Cowherd; There are three or five sentences in the seven words, such as Li Bai's "Into the Wine"; There are seven words mixed with two, three, four, five words to more than ten words, such as Du Fu's "The Hut is Blown by Autumn Wind"; Men chant foreigners, six or eight words, five or seven words, such as Li Bai's "Difficult Road to Shu".
In addition, ancient quatrains also had authors in the Tang Dynasty. All belong to the category of ancient poetry. There is an interactive relationship between ancient poetry and modern poetry in the process of development. In the early Southern and Northern Dynasties, there were new-style poems, which emphasized rhythm and duality, but the rhythm had not yet been formed, which was between ancient-style poems and modern-style poems. Some ancient poems in the Tang Dynasty tend to be legalized, and even ancient works are often integrated into modern sentence patterns. However, there are also some ancient poetry writers who are unconscious and close to the body, and often use awkward sentences or sporadic civilizations to evade the law.
Classical poetry is a poetic style that is absolutely related to "modern style". Before the formation of modern poetry, all kinds of poetry genres except Chu Ci were also called ancient poetry and ancient style. This is written according to the practice of ancient poetry, in a more comfortable way, not bound by meter. Informal and straightforward. The rhyme foot is wide, except for the rhyme foot of seven-character white and bright sentences, which generally rhymes with other sentences. The rhyme foot can be flat, flat or variable. There is no limit to the length of space. Sentences can be divided into four-character, five-character, six-character and seven-character fonts, and they can also be mixed with long and short sentences, changing at will and being miscellaneous.
There are many ancient poems with five words and seven words, which are referred to as "five ancient" and "seven ancient" for short. Miscellaneous words range from one word to multiple crosses. Generally, three, four, five and seven characters are mixed, with seven characters as the main character. Therefore, they are classified into the category of seven ancient characters. Since the Han and Wei Dynasties, Yuefu poems were originally accompanied by music, including songs, lines, songs and words. The Tang Dynasty imitated previous Yuefu, such as Li Bai's Difficult Road to Shu, and some famous works with new themes, such as Du Fu's Three Officials, Three Farewells and Bai Juyi's New Yuefu, which were out of step and belonged to the category of ancient poetry. In addition, before the Tang Dynasty, there were quatrains that were recited in units of different sentences, or "archaic quatrains", and there were also writers in the Tang Dynasty, which were also a kind of archaic poems, which were different from the elegant and plain quatrains of recent styles.
There is an interactive relationship between ancient poetry and modern poetry in the process of development. In the early Southern and Northern Dynasties, some poems began to emphasize rhythm and duality, but they did not form perfect rhythm, which was a way of transition from ancient style to modern style poetry, or "new style poetry".
Some ancient poems in the Tang Dynasty tend to be legalist. For example, Wang Bo's Tengwangge is an ancient poem, but it is flat and harmonious, with eight sentences, which are similar to two seven-character quatrains and two rhymes. After the Tang dynasty's metrical poems were finalized, the poets' ancient works were often integrated into the modern sentence pattern. Such as Wang Wei, Li Qi, Wang Changling and Meng Haoran, there are quite a few rhymes and couplets in the five ancient books. There are also many sentences in Bai Juyi's famous songs such as Song of Eternal Sorrow and Pipa Xing. Some poets, on the other hand, are unconscious and close to the body, often using awkward sentences and occasionally spreading civilization. Li Bai, Du Fu and Han Yu all made inventions. Later, scholars in Ming and Qing dynasties blindly noticed that ancient poems were merged into regular sentences, and awkward sentences were used to avoid the scene of regular sentences. In Qing Dynasty, Wang Shi-Even thought that ancient poems were even numbers, so Zhao Zhixin, Weng Fanggang and others specially studied the tones of ancient poems. Their discussion on the blind distinction between ancient and modern rhythms in poetry creation is not without dedication, but because they ignore the fact that ancient poems are mainly natural syllables, so they are not dedicated, but because they ignore the fact that ancient poems are mainly natural syllables, so they are quite far-fetched, so that they are ridiculed as "it is useless to read them without reading the secrets."
6. What are the poetic styles of ancient poetry compared with modern poetry? Before the formation of modern poetry, all kinds of poetry genres except Chu Ci. Also known as ancient poetry and ancient style. Classical poetry is free in meter, without antithesis, even in level, wide in rhyme and unlimited in length. There are four words, five words, six words, seven words and miscellaneous sentences.
Four-character poems no longer exist in modern poetry. Although the word "ancient" is not added, it goes without saying that it is an ancient poem. The ancient poems included in The Book of Songs are mainly four-character poems. Four-character poems were written in Han, Wei and Jin Dynasties. Cao Cao's Looking at the Sea and Tao Yuanming's Stopping Clouds are typical four-character poems.
There are many ancient poems with five words and seven words, referred to as five ancient poems and seven ancient poems for short. The ancient Five Dynasties first appeared in the Han Dynasty. Nineteen ancient poems, all five-character poems. After the Han Dynasty, many people wrote five-character poems. Most of the poems in the Southern and Northern Dynasties are five-character poems, and there are more five-character poems in the Tang Dynasty and later. The appearance of the Seven Ancient Dynasties may be earlier than that of the Five Ancient Dynasties. But before the Tang Dynasty, it was not as common as the Five Dynasties. In the Tang Dynasty, seven ancient books appeared in large numbers, which were also called long sentences by the Tang people.
Miscellaneous poems are also unique to ancient poetry. Poetry varies in length, from one word to more than one cross. Generally, it is a mixture of three, four, five and seven words, and seven words are the main ones, so it is customarily classified as ancient seven words. There are many miscellaneous poems in The Book of Songs and Han Yuefu folk songs. Since the Han and Wei Dynasties, Yuefu poems have been accompanied by music, including songs, lines, songs and poems. Many Yuefu poems in Tang Dynasty were unhappy. There are various forms of miscellaneous poems in Tang and Song Dynasties: there are seven words mixed with five words, such as Li Bai's Difficult to Go; There are seven words mixed with three words, such as Zhang Lei's Cowherd; There are three or five sentences in the seven words, such as Li Bai's "Into the Wine"; There are seven words mixed with two, three, four, five words to more than ten words, such as Du Fu's "The Hut is Blown by Autumn Wind"; There are four, six and eight characters mixed with five or seven characters, such as Li Bai's "Difficult Road to Shu".
In addition, ancient quatrains also had authors in the Tang Dynasty. All belong to the category of ancient poetry. In the process of development, classical poetry and modern poetry have an interactive relationship. In the late Northern and Southern Dynasties, a new style of poetry appeared, which emphasized rhythm and duality, but had not yet formed a complete rhythm, and was between classical poetry and modern poetry. Some ancient poems in the Tang Dynasty tend to be legalized, and even ancient works are often integrated into modern sentence patterns. However, there are also some ancient poetry writers who consciously distinguish themselves from the near-body, and often use awkward sentences or occasional essays to avoid the law.
Classical poetry is a kind of poetic style as opposed to "modern style". Before the formation of modern poetry, all kinds of poetry genres except Chu Ci were also called ancient poetry and ancient style. This is written according to the practice of ancient poetry, and the form is relatively free, not bound by meter. Informal and straightforward. The rhyme foot is wide, except for the rhyme foot of seven-character white and bright sentences, which generally rhymes with other sentences. The rhyme foot can be flat, flat or variable. There is no limit to the length of space. Sentences can be unified into four-character, five-character, six-character and seven-character fonts, or long and short sentences can be mixed and changed at will, which is miscellaneous.
There are many ancient poems with five words and seven words, which are referred to as "five ancient" and "seven ancient" for short. Miscellaneous words range from one word to many crosses, which are generally a mixture of three, four, five and seven words, mainly seven words, so they are customarily classified as seven ancient words. Since the Han and Wei Dynasties, Yuefu poems were originally accompanied by music, including songs, lines, songs and words. The Tang Dynasty imitated the previous Yuefu, such as Li Bai's Difficult Road to Shu, Du Fu's Three Officials, Three Farewells and Bai Juyi's New Yuefu, all of which were out of step and belonged to the category of ancient poetry. In addition, there were quatrains in units of four sentences before the Tang Dynasty, or "archaic quatrains", and there were also writers in the Tang Dynasty, which is different from the recent quatrains, which pay attention to flat and even lines.
There is an interactive relationship between ancient poetry and modern poetry in the process of development. In the late Northern and Southern Dynasties, some poems began to emphasize rhythm and duality, but they did not form a complete rhythm. They were a form of transition from ancient poetry to modern poetry, or "new poetry".
Some ancient poems in the Tang Dynasty tend to be legalist. For example, Wang Bo's Tengwangge is an ancient poem, but it is flat and harmonious, with eight sentences, which are similar to two seven-character quatrains and two rhymes. After the Tang dynasty's metrical poems were finalized, the poets' ancient works were often integrated into the modern sentence pattern. Such as Wang Wei, Li Qi, Wang Changling and Meng Haoran, there are quite a few rhymes and couplets in the five ancient books. There are also many sentences in Bai Juyi's famous songs such as Song of Eternal Sorrow and Pipa Xing. However, some poets are consciously different from the modern style, often using awkward sentences and occasionally prose, and Li Bai, Du Fu and Han Yu have all created something. Later, scholars in Ming and Qing Dynasties consciously noticed the phenomenon that ancient poems were merged into regular sentences and strange sentences were used to avoid regular sentences. In Qing Dynasty, Wang Shiping thought that ancient poems were flat, so Zhao Zhixin, Weng Fanggang and others specially studied the tones of ancient poems. Their research has contributed to consciously distinguishing ancient and modern rhythms in poetry creation, but it seems far-fetched and even ridiculed as "invisible and useless" because it ignores the fact that ancient poems are mainly natural syllables.