On how to grasp the charm of poetry

The charm of poetry is an important feature that distinguishes poetry from other literary genres, which can be described as the charm of poetry. Because of the unique beauty of "verve", poetry has a special artistic conception that ordinary prose and novels do not have, that is, it presents an infinitely broad ideological connotation and emotional space with the most refined language. Then, in poetry creation, grasping the charm of poetry through "listening, watching and associating" is the key to improve poetry creation.

First, the general understanding of the charm of poetry

The literal interpretation of the word "lasting appeal" can be roughly understood as "implicit meaning" and "humorous artistic conception". "Rhyme" can be felt by the senses, and it is the beauty of phonology of words related to vision and hearing. The rhyme extended to poetry should be a catchy, melodious, gentle, graceful, uninhibited or powerful direct feeling that readers naturally feel through the rhythm of words and vocabulary in the process of listening. And "taste" is a profound meaning deeply felt by readers through the rhythm of sound through the medium of "rhyme", which not only makes readers excited by rhyme, but also makes readers memorable. Therefore, learn the charm of "listening" first.

Second, the connotation of poetic charm

Poetry is one of the most refined literary styles, and the author must cherish words as gold in his creation. So how to make poetry more attractive in the use of uncommon words and vocabulary? It is very necessary to pay attention to the charm of poetry.

Ai Qing saw the Berlin Wall when he visited the Democratic Republic of Germany (East Germany) in 1979. He improvised the poem "The Wall", deeply defined and interpreted the "Berlin Wall" at that time in a lyrical way, and recited it on the spot. In the lyric poem Wall, which contains philosophy and images, the Berlin Wall is first compared to a knife, the Berlin City is cut in two, and the hearts of the German people are cut in two. The poet attached a strong feeling of internationalism and nationalism to the three-meter-high wall, thinking that no matter how high, thick and long it is, it can't stop the clouds, rain and sunshine in the sky, the wings of birds and the singing of nightingales, the thoughts that are freer than the wind, the will that is deeper than the land, and the desire that lasts longer than time. Typical images and profound philosophy are combined through heavy questions and passionate parallelism sentences, which makes the meaning of poetry profound and dignified. The poet firmly believes that this "wall" will eventually collapse and the German people will finally achieve national unity. Ten years after the birth of this poem, the poet's prediction came true. What the wall can't stop is not only "clouds, wind, rain, sunshine", "birds' wings and nightingale's singing", "running water and air", but also "millions of people's thoughts are freer than the wind, their will is deeper than the land, and their wishes are longer than time". The Berlin Wall was finally torn down. This poem rhymes with the passionate vowel "Ang", which makes people feel the waves rolling and the passion surging. All pronunciations containing the vowel letter "a" are loud and vibrating, which is easy to attract people's attention and easy to remember. With the help of "Ang", the author clearly shows the strong "flavor" of "overwhelming", coupled with the author's generous and angry feelings, the rhythm of poetry is more magnificent.

Third, skillfully use the shape and layout of words to enhance charm.

In addition to the charm of "listening", we should also be good at the charm of "seeing". The author believes that the unique aesthetic feeling of Chinese characters is also an important factor that must be paid attention to when writing poems in Chinese. If poetry is compared to the finished product of word combination, then every word, every word is a part of poetry. Chinese characters belong to hieroglyphics, and the beauty of their shapes has existed in human society for thousands of years. It is the oldest hieroglyphic with the largest number of users in the world. In addition to a thoughtful and emotional generation, people must also have a comprehensive grasp and skilled use of China's language and writing. Because in poetry creation, the transformation of text layout can also promote some kind of "verve" change. Five or seven words and decrees, unique characters are unified. Sixteen-character sequence, one, seven, three and five words per sentence, with uneven levels.

The influence of the number of words and the arrangement of words on verve is also reflected in new-style poems. After the publication of the poem "I am the most glorious soldier" written by the author during the August 1st Army Day on 20 16, some readers commented that "the arrangement of words is patchy, such as rolling waves, the number of words at the beginning is moderate, the number of words at the climax increases, and the number of words at the end drops sharply. Give people a ups and downs of visual beauty. " There are 32 lines in the whole poem, and each sentence of the whole poem begins with the word "I". The 32-word "I" is a symbol of "neatness", and the change of content depends entirely on the inner monologue of "I", which is confident, calm, objective and rational, and also has a sense of accomplishment with subjective pride. Finally, I said: "I am a soldier, and I used to stand guard for my motherland;" I am a soldier, and I am the most glorious. "Close the pen and stick to the theme. This gives people a visual aesthetic feeling or charm through the appearance layout of the text.

Fourth, life practice is the best soil to cultivate the charm of poetry.

Professor Wu Benxing, a famous contemporary poet and poetry theorist, once said: "Association and imagination are indispensable psychological mechanisms for writers, especially poets." So what is the basis of association and imagination? It's life practice. A writer and poet can only find the best inspiration for his own creation if he goes deep into life and dares to practice. On this basis, we have the dependence of "association and imagination". If a writer and poet is arrogant, never or rarely goes deep into social life, lacks extensive reading and learning, and has no courage to create for the public, there is no inspiration for creation. Even if I used to cram a few chapters of other people's works in school for a diploma in order to cope with the exam, I can't keep my artistic youth in my heart for a long time.

As a poetry creator who has a special liking for poetry in today's era, no matter whether the foundation is good or bad or the goal is big or small, as long as he studies hard, goes deep into life and dares to practice, he can win achievements. Be good at learning from basic knowledge such as words, phrases, sentences and chapters. Draw nutrition from excellent classic poetry works at home and abroad, learn to master the general rules and essentials of poetry creation, sum up and discover new rules in creative practice, innovate creative skills, grasp and refine the experience of poetry rhyme bearing verve connotation, skillfully use the number of words and the layout of form to enhance verve, so that we can win greater achievements by virtue of "one listening, two watching and three associating".