2. "China Contemporary Avant-garde Literature Trend of Thought", Jiangsu Literature and Art Publishing House, 1997 edition, Renmin University of China Press, 20 13 revised edition.
3. Flame or ashes-20th century China Literature Enlightenment, China Federation of Literary and Art Circles Press, 1999.
4. Inner Labyrinth-Records of Contemporary Poetry and Poetics, Shandong Literature and Art Publishing House, 2002.
5. Talking about Literature Abroad-Historical Narration and Historical Consciousness in Contemporary Literature in China, Huashan Literature and Art Publishing House, September 2003.
6. Elegy of Heaven, Shandong Literature and Art Publishing House, 2005.
7. The Mirror of Being and the Lamp of Wisdom —— Narrative and Aesthetic Research of China's Contemporary Novels, Fujian Education Press, 2009.
8. Literary Subtraction, Jilin Publishing Group, 2009.
9. Poetics of Guessing God, Peking University Publishing House, 20 10.
10. Crossing the Dust and Snow-Notes on Observation of Contemporary Poetry, Northwest University Press, 20 1 1 Edition. 1"21Century China Literature Series Poetry Volume" 200 1-20 12 * * Twelve volumes.
2. China Literature Research Data Collection and Female Literature Volume, Shandong Literature and Art Publishing House, 2005.
3. Chronology of Contemporary Literature in China, Shandong Literature and Art Publishing House, 20 12.
4. Collection of China Contemporary Writers' Overseas Speeches, Peking University Publishing House, 20 12. Prose collection: Heidelberg Notes (Shandong Pictorial Press, 2003, Renmin University of China Press, 20 12), Secret Carnival (Shandong Friendship Press, 2006).
I don't know which side the spring thunder is (20 10). 1. From Enlightenment to Existentialism: On China's Contemporary Avant-garde Literature, China Social Sciences, No.6, 1997.
Reprinted: * Xinhua Abstract19981;
* Social Science Research in China (English version), No.4,1999;
2. Identity or Resistance: Reflections on China's Postmodernism, Literary Review, No.2, 1995.
Reprinted: * Photocopying materials, Literary Theory, No.5, 1995.
* Income: Selected Works of Post-modernism Debate, edited by Chen Xiaoming, Henan People's Publishing House, 2004.
3. On China's Contemporary Avant-garde Literature (originally published in China Social Sciences No.6 1997), reprinted in Xinhua Digest No.0 1998 1.
4. Comedy on the Earth: Cultural Interpretation of Contemporary "Xinxiang Village Narration" (originally published in Novel Review 1999 No.3), reprinted in Xinhua Digest 1999 No.0 10.
5. The Evolution of Folk Concepts and Three Forms of Folk Aesthetics in Contemporary Literature in China, Literature and Art Research, No.2, 2002.
Reprinted: * China Social Science Abstracts, No.4, 2002.
* Reprinted in Copying Materials: A Study of Modern and Contemporary Literature in China, No.3, 2003.
* "265438+2002 Theoretical Volume of Twentieth Century Literature Department", Feng Chun Literature and Art Publishing House, 2003.
6. On the significance of Shi Pingmei, a special issue of Literature and Art Research in 2002 (in cooperation with Zhang).
7. Time Aesthetics: On the Rhetoric of Time and the Aesthetic Evolution of Contemporary Literature, Literary Studies, No.7, 2006.
8. Value Splitting and Aesthetic Confrontation: Several Problems of Poetry Flow since the Turn of the Century, Literature and Art Research, No.9, 2007.
Chinese core periodicals
9. Disillusionment of Enlightenment Myth and Irony of Colonial Culture: Fortress Besieged, China Modern Literature Research Series 1995.
Four questions.
10. The myth of resistance and the enlightenment of turning-on Shen Congwen's cultural position. China Modern Literature Research Series 1996.
Four questions.
1 1. Reflections on integration, reduction, degradation and transformation —— Reflections on the study of modern literature, China Modern Literature Research Series No.4, 1993.
12. Re-examination of the traditional aesthetic factors in the multiple structures of Mo Yan's style, Contemporary Writers Review, No.6, 1993. Transcript: Studies on Modern and Contemporary Literature in China, reproduced in the second issue of 1994.
13. Appreciation and misreading: Re-understanding of many literary phenomena in the past ten years, Contemporary Writers Review No.5, 1995.
14. Great Poems Created in Illusion and Exile-On Haizi, Contemporary Writers Review No.5, 1998. The Immortal Haizi-Haizi 10 Anniversary Collection, edited by Cui Weiping, was published by China Federation of Literary and Art Circles Press, 1999, 10 edition.
15. the light in the middle of the night: a study of non-mainstream poetry in the 1960 s and 1970 s Contemporary Writers Review, No.4, 2000. Selected works of Bai Ye and China, Lijiang Publishing House, 200 1 edition; Chen Sihe's Selected Works: Literary Criticism in Unknown Times, Guangxi Normal University Press, 2004; It was translated into Japanese and published in the fourth and fifth issues of the Japanese literary publication Light Light Blue.
16. "From the direction of schizophrenia: on the index finger", Contemporary Writers Review No.4, 200 1. Income "New Poetry" inaugural issue, Culture and Art Publishing House, 200 1 edition. Lin Jianfa's Searching for the Soul of Literature: A Summary of Contemporary Writers in China, Feng Chun Literature and Art Publishing House, April 2003.
17. Is the good day coming? —— Observation of Poetry at the beginning of the century, Review of Contemporary Writers, No.2, 2002.
18. Private parts in reality, Contemporary Writers Review, No.2, 2002.
19. From Song of Youth to Song of Eternal Sorrow: An example of narrative evolution of contemporary novels, Contemporary Writers Review, 2002.
2 issues in 2008.
20. The Limitation of Narration-On Mo Yan, Contemporary Writers Review, No.2, 2003. Reproduced materials: Studies on Modern and Contemporary Literature in China, reprinted in 2003, issue 5. Lin Jianfa's Dialogue between Soul and Soul: A Survey of Contemporary Writers in China, Zhejiang Literature and Art Publishing House, April 2004.
2 1. "This is hype: on contemporary literary criticism", Contemporary Writers Review, No.4, 2003. In April, 2004, it was included in Dialogue between Soul and Soul: A Survey of Contemporary Writers in China, edited by Lin Jianfa.
22. Looking Back and Positioning: the Cultural Situation of China Literature in the Twentieth Century. Literary Contention 1995 6.
23. Looking down from the cracks in the first step-on the spiritual differentiation of current literature, Literary Contention 1997 4.
24. Discourse and Power: Dramatic Evolution, Literary Contention, No.4, 2000.
25. "Two Basic Problems of China's Literary Enlightenment in the 20th Century", Literary Debate No.4, 200 1.
26. Speech, Narration from Discourse to Revolution, Literary Contention, No.2, 2002.
27. Cultural Context and Strategies of Literature in the New Period, Literature, History and Philosophy, No.2, 1995. Transcript: Studies on Modern and Contemporary Literature in China, reproduced in 1995 No.7.
28. On the Mode of Talented Persons and Beautiful Women in China Literature, Qilu Journal, No.2, 1990.
29. Deconstruction and Contemporary Literature in China, Qilu Academic Journal, No.2, 2003.
30. The youth hero map, published by China 1997 10.
3 1. Comment on four new historicism novels by Professor Hong Anrui, a German scholar. Dr .Andrea M Riemenschnitter) translated by Zhang Qinghua, Literary Contention,No. 1, 2003.
32. Fairy dust man model: a theme prototype of fantastic beauty, Shandong Social Sciences, No.2, 199 1.
33. From Language to History: Re-discussing the Significance of Wang Shuo, Shandong Social Sciences, No.4, 2004. Income Postscript of Wang Shuo's Novels, Jiangsu Literature and Art Publishing House, 2004.
34. Survival writing at the bottom and the writing ethics of our times, Literary Contention, No.3, 2005.
35. Some Key Words of Poetry in 2004, Review of Contemporary Writers, 1, 2005.
36. Wild Myth and Home Dream: On Zhang Wei's Recent Works, Novel Review No.3, 1994.
37. Dilemma and Opportunity: Changes in Cultural Intention of China's Contemporary Poetry, Contemporary Literary World, No.5, 1993.
38. The collapse of historical discourse and the dance falling back to the ground-the origin and thinking of the phenomenon of contemporary novels, Novel Review No.4, 1996, Copying Materials, China Modern and Contemporary Literature Research No.9, 1996.
39. Spiritual Relay and Narrative Transformation-The Significance of New Generation Writing, Novel Review No.4, 1998.
40. The image of death and the psychedelic land: a study on the existential theme of avant-garde novels, Novel Review,No. 1999,No. 1.
4 1. The emperor's marriage pattern in contemporary novels, Novel Review, No.3, 2000.
42. Choice and Return —— On the traditional artistic factors in Mo Yan's novels, Journal of Shandong Normal University, No.2, 199 1.
43. Successful Grafting of Tradition and Modernity —— Re-discussion on Dai Wangshu's contribution to the development of new poetry, Journal of Shandong Normal University, No.4, 1992.
44. On the Agricultural Cultural Tendency of September Fables, Journal of Shandong Normal University, No.2, 1994.
45. Historical Logic and Cultural Strategies of China Writers in the 20th Century, Journal of Shandong Normal University, No.4, 1995.
46. The Paradox of Historical Myth and the Beginning of Discourse Revolution —— Re-discussing the Significance of Root-seeking Novels, Journal of Shandong Normal University, No.6, 1996, and Copying Materials, Research on Modern and Contemporary Literature in China, No.2, 1997.
47. Essays on Pre-misty Poetry, Journal of Shandong Normal University, No.6, 1997, Copying Materials, Research on Modern and Contemporary Literature in China, No.2, 1998.
48. The survival fable as a symbol-reassessing the fate of neo-realistic novels and realism in the 1990s, Journal of Shandong Normal University, No.6, 1998.
49. History, Memory, Narration and Text —— On the philosophy and poetics of history in Ge Fei's novels, Journal of Shandong Normal University, No.2, 2004.
50. Tragic Sacrifice and Calm Operation: A Review of the Evolution of Poetic Style in the New Period, Journal of Shandong Normal University, No.4, 1993.
5 1. A Review of Ten Years' New Historicism Literary Thoughts, No.4 Zhongshan 1998, Copying Materials, No.9 China Modern and Contemporary Literature Research.
52. Contemporary Classics and Literature, Zhongshan, No.5, 2000.
53. Zhongshan Sutong Shang20011.
54. Another trap or maze, Poetry magazine,No. 1998,No. 10.
55. Historical rock wall and its echo —— Reading the 3rd issue of Family Theory and Creation, 1996.
56. A glimpse of poetry in 2002, Theory and Creation, No.2, 2003.
57. Reading poetry in 2003, Theory and Creation, No.2, 2004, copying materials, Research on Modern and Contemporary Literature in China, No.6, 2004.
58. "Who will catch up with this heartbreaking change"-On Yongming Zhai, Shanghai Literature, No.2, 2004.
59. The Butterfly of Language-On Discovery, Shanghai Literature, No.7, 2004.
60. Exquisiteness in the South-About the Tropic of Cancer, Shanghai Literature, No.8, 2004.
6 1. Sunflowers: Crossing the World of Consciousness, Shanghai Literature, No.9, 2004.
62. The Melting Point of Tropical Zone: About Poetry and People, Shanghai Literature,No. 12, 2004.
63. Vague Poetry and the New Poetry Tide, Southern Literature No.3, 1998, included in Key Words of Contemporary Literature edited by Hong Zicheng and Meng Fanhua, Guangxi Normal University Press, 2002.
64. Sex, Politics, Historical Phobia and Others, Southern Literature, No.3, 2002.
65. Subtraction of Literature —— On Yu Hua, Southern Literature, No.4, 2002, Copying Materials, and China Modern and Contemporary Literature Research, No.012002; Dialogue between Soul and Soul: A Survey of Contemporary Writers in China, edited by Lin Jianfa, Zhejiang Literature and Art Publishing House, 2004.
66. About Zhu's novels, Southern Literature, 1, 2003.
67. How not to abuse the right of criticism, Southern Literature, No.4, 2003.
68. Starting from this person-1985 Re-discussion on Tashi Dawa, Southern Literature, No.2, 2004.
69. Towards the Deep Exploration of Culture and Humanity: a branch of "New Historical Novels", academic journal 1995, No.5, copy materials, China Modern and Contemporary Literature Research 1995, No.11.
70. Under the Narrow Gate and the Abyss: Notes of Yu Hua Brothers (I), Contemporary Writers Review, No.3, 2006 1.
7 1. The REINS of Tianma: Mo Yan since the new century, Contemporary Writers Review, No.6, 2006.
72. Persistent Carnival, Ethical Impact and the Interest of the Middle Class: On Poetry in the New Century, Literary Contention, No.6, 2007.
73. Literariness and Local Experience: A Talk from Professor Gu Bin, Literary Contention, 10, 2007.
74. Red Sorghum Family and Contemporary Novel Revolution, Southern Literature, No.5, 2006.
75. What's after the cruel youth —— Reflections on post-80s writing, Southern Literature, No.4, 2007.