It means: Let the lovesickness in my heart be like the ubiquitous spring scenery, rushing towards you from the south and north of the Yangtze River, and follow you back, right?
The friend left by boat, but the poet was reluctant to leave. He looked at the north and south sides of the river, where spring filled the world with rippling spring light, pink willows and green grass. At this time, the poet felt the infinite attachment and farewell in his heart, just like the boundless spring scenery in front of him. The poet suddenly had a whim: Let the lovesickness in my heart be like this ubiquitous spring scenery, rushing towards you from the south and the north of the Yangtze River, and follow you back? "Only lovesickness is like the beauty of spring, sending you home from the south to the north of the Yangtze River." What a beautiful imagination, what a profound and profound emotion! Comparing the spring scenery in nature to the emotions in the soul, the scenery embodies emotions. Emotions and scenery are seamlessly integrated, which is extremely natural. If a scene that is difficult to describe exists at present, it can be said that a poet is capable of doing it. Here, I express my invisible feelings by using scenes that are difficult to describe, and the skill is of course a deeper level. Writing partings is sad but not sad, with rich images and bright tone. This is the characteristic of poetry in the prosperous Tang Dynasty. There are two sentences in Niu Xiji's "Shengchazi": "Remember the green skirt, and pity the grass everywhere." It is a young woman's farewell instructions to travelers who are far away: Remember my green skirt! No matter where you go, the grass there will show the color of my skirt, and it will embody my love for you. You must cherish it! ——This statement is also very subtle, very tactful, and very good. Compared with Wang Wei's poem "Only lovesickness is like the beauty of spring, sending you home from the south to the north of the Yangtze River", the technique is the same and the ideas are similar, but the emotions are sometimes unrestrained and then low, and the style is blended into a graceful one. Each has its own posture, but it also has the same moving artistic charm.
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