"tourists" can't just be understood as ordinary tourists here, but mainly refer to the ruling class of the Southern Song Dynasty who forgot the national disaster, lived quietly and had fun. This sentence is closely related to "When will the West Lake dance stop?". Faced with this incessant singing and dancing, the poet couldn't help showing his feelings when he watched these "tourists" revel in it.
The word "warm wind" is a pun. In poetry, it refers to both the spring breeze in nature and the lewd wind in society. In the poet's view, it is this "warm wind" that blows the mind of "tourists" so intoxicated that they forget that their country is in danger. The word "drunk" inherits the word "smoked", which vividly depicts the mental state of those "tourists" who indulge in debauchery, and leaves a rich aesthetic imagination space-the ugliness of "tourists" in this beautiful "West Lake" environment. Extended information
In the first year of Jingkang in the Northern Song Dynasty (AD 1126), the Jin people captured Bianliang, the capital of the Northern Song Dynasty, and Zhao Gou fled to the south of the Yangtze River and ascended the throne in Lin 'an. Those in power only seek peace and tranquility, singing and dancing and having fun. This poem is written for this dark reality. The author wrote it on the wall of a hostel in Lin 'an, the capital of the Southern Song Dynasty. It is an ancient "poem on the wall", which is titled "Added by later generations".
The first sentence of this poem points out the features of Lin 'an City, where the green hills overlap and the terraces are row upon row. The second sentence points out in rhetorical tone that there is endless singing and dancing by the West Lake. The last two sentences describe the indulgence of the politicians in satirical language, and through the comparison between "Hangzhou" and "Bianzhou", the decadent nature of "tourists" is exposed without emotion, which also shows the author's anger at the politicians' failure to recover their lost land and his concern about the fate of the country.
The whole poem is ingenious in conception, precise in wording, and sarcastic in coldness, which is written from the lively scene; Extremely indignant, but not abusive: it is indeed a masterpiece in allegorical poetry.