2. Zhou Mengdie is a poem, and the most important thing is the material expression of snow.
3. The material imagination of snow in Zhou Mengdie's poems shows three aesthetic images of his material imagination of snow from three aspects: the first image of loneliness, the first image of nothingness and the first image of tranquility. As far as appearance is concerned, this loneliness, nothingness and tranquility respectively inherit China's thoughts of Confucianism, Buddhism and Taoism, which can be shown as follows.
4. In Zhou Mengdie's poems, snow became the objective counterpart of the poet's mind, which reflected the spiritual realm of China traditional literati. The special images he can imagine, the complex scenes he encounters, and the ideological confusion he can and can't control are all reflected in his poetry texts. Snow is the background of Zhou Mengdie's poems and the background of his life. Zhou Mengdie's poetry works are completely based on the heavy narration of his personal experience. The effect of "snow", such as pure and natural silence, visualizes the deterrent force produced by the joint action of religious nature and physical human body, gives people a strong spiritual impact, fully embodies the highest dignity of life that can not be profaned or violated, reveals one aspect of the relationship between religion, man and nature, and has a very unique aesthetic value.