After finishing my homework, I like to read breathtaking Tang and Song poems, and I like to hold A Dream of Red Mansions and try to figure out Cao Xueqin's clever rhetoric.
I have been practicing calligraphy for eight years, and I also appreciate some famous calligraphy posts on weekdays. However, at the sight of Weibei Lishu, which can only make me sigh, my smug heart suddenly cooled down. Because I can only admire and admire the great miracles created by my ancestors, and I don't even have the ability to talk to them at all.
? I am a native of China. I have lived in this land for fifteen years, and I have always been proud of the essence of China's 5,000-year cultural cohesion.
Now, I am lost. In 2005, the South Korean "gangneung danoje festival" successfully applied to become an intangible cultural heritage of the United Nations. This is a questionnaire about history. On this questionnaire, many people in China answered: China people have a hard time, and it's nothing to give traditional festivals to others. In traditional festivals, our ancestors used bamboo as a metaphor for life. Ordinary days slip by like bamboo tubes, and festivals are bamboo festivals. In the embrace of the festival, relax, regain some strength, and live this day carefully. Thanks for this day, thanks for life, thanks for life. Nowadays, the calendar is bound by repeated seven-day imprisonment, and the festivals that once went deep into the homes of ordinary people are gradually lost. Flower Festival, Laundry Festival ... These joyful festivals seem to be hard to find in ancient books and can only fade away in the minds of the elderly. In the long history of culture, festivals are an important tributary, but now countless tributaries are forgotten by modern people and separated by people's inner desires. Beauty is in the eye of the lover, and the full moon is spent, which is replaced by inflated material violence. How many traces of sincerity and obsession remain in the hearts of lovers like that? Mr. Lin Yutang seems to have said that China's literary era passed away with the passing of Lu Xun and other "last" scholars. Nowadays, a large number of students have racked their brains to write a beautiful article, even a good sentence or two, but they don't know the dryness and powerlessness behind the gorgeous algae decoration. It's a pity, it's a pity, the cultural dynasty that can articulate and recite songs has passed, and the carefree spirit of devoting oneself to Tonamiyama's music has gradually disappeared in the golden river and silver sea. Yes, the ancestors condensed into magnificent national cultural treasures with 5,000 years of wisdom and sweat, and built the highest starting point for us to look up to nature and life. Now, the bright gems are smashed to pieces by gold coins. Is the starting point enough for us to walk?
Some people say that it is nothing to lose traditional festivals. I just want to ask: when everything is lost by us, what do we have?
Test analysis: this topic is of great significance to the times. We might as well turn this topic into a question: how do we face the traditional culture that is losing? This is easier to grasp. Facing the huge lineup of CCTV's Lecture Room to publicize and spread China's classic culture, facing the eclipse of China's traditional festivals, and all kinds of disputes caused by it, we can't help but think of Mr. Lu Xun's "takenism" and think: Where is the root of our nation?
Writing argumentative essays is easier to grasp, with arguments and refutations; It can be vertical and horizontal, ancient and modern, Chinese and foreign, and can also be aimed at today's social phenomena. When writing other styles, you'd better write about your holiday experience.