Writing material: Loneliness is for stunning bloom-Wang Shu _3000 words

He was lonely when he was a child, because no one played with him. He likes painting and often doodles at home alone. When he was a little older, he used chalk to draw people, trains and houses on gray walls. Since primary school, he has felt that he is different from others. "Others say that the child is lofty. In fact, when I play with others, I always feel that there are two me, one is playing and the other is watching calmly. " He likes painting and reading, and wants to be a famous painter when he grows up. After the college entrance examination, his parents resolutely opposed his artistic dream. He didn't argue, leaving his parents a sentence: if science and engineering can draw, he will study. It was just a deliberate escape. It never occurred to me that my parents really found a painting major called "Architecture Department". What does an architect do? At that time, don't say he didn't know, and few people in China knew. Restoration of architecture department 1977. When he went to Nanjing Institute of Technology (Southeast University), it was 198 1 year. It's not just architecture. After the "Cultural Revolution", the university resumed classes, and the society was in a hungry adolescent atmosphere. He said that the principal at that time was Qian Zhongshu's cousin Qian Hanzhong. He studied in Europe for six or seven years and transferred to four or five schools. He came back without a degree. Qian Ceng said to him, "Don't be superstitious about teachers, learn by yourself. If you study hard for three days in a row, you will find that the teacher has not prepared lessons at all, and asking a few questions directly can make the teacher very embarrassed. " So in his sophomore year, he began to skip classes and study. He often spent his time reading books in the library, staring at Chinese and Western philosophy, art theory, history and humanities. Recalling that time, he said: "After the reform and opening up, everyone has a strong thirst for knowledge about the outside world." After graduation, he entered Zhejiang Academy of Fine Arts. He wanted to do something like architectural education, but found that the art world knew nothing about architecture. In order to make a living, he worked in a subsidiary company of Zhejiang Academy of Fine Arts, got married at the age of 27 or 28, and lived a quiet life. However, he always feels that he is not free, and the other party is watching coldly. A few years later, he finally chose to resign. In the next ten years, the architects around him became rich, but he seemed to be isolated from architectural design and lived in seclusion, doing manual labor with craftsmen on the construction site all day, hanging around the West Lake, drinking tea, reading books and visiting friends. Lonely, he didn't give up thinking about architecture. Do not encourage demolition, do not want to "repair the old as new", do not like landmark buildings, and hardly do commercial projects. In China, where the rural areas are rapidly urbanized and the architectural design is industrialized, he always keeps a certain distance from the trend, which makes him controversial, unique and great. Although his preference for traditional architecture once made him rise and fall, he persisted in his ideal. "I want to walk alone in silence and see how far I can go." Based on this idea, in the past eight years, from Wu Sanzhai to Ningbo Museum, and then to the renovation of the Southern Song Dynasty Imperial Street in Hangzhou, he insisted on the "other". "My principle is that after the renovation, the building will smile at you." His name is Wang Shu and he is 49 years old. He is the Dean of the School of Architectural Art of China Academy of Fine Arts. 20 12 On the afternoon of May 25th, the Pritzker Prize awarding ceremony was held in the Great Hall of the People, with Wang Shu on the podium. This weight is equivalent to the "Nobel" and "Oscar" international architectural awards, and it fell into the hands of China people for the first time. "I have to thank those lonely years." Talking about the secret of success, Wang Shu said that when he was young, he had an interest in painting and an ignorant concept of architecture because of loneliness. After graduation, because of loneliness, I was able to calm down and think. Many design inspirations in the future come from that period. Although Zhang Chu sang in the song: "Lonely people are shameful, life blooms like flowers, and we can't let ourselves wither." But we can't forget another sentence: "truly excellent people will feel lonely, and they also clearly realize that their Excellence comes from loneliness." Wang Shu is lonely, but the formation of the first brand of China real estate should be attributed to this loneliness; Zhang Haidi is lonely. This writer in a wheelchair has accomplished works unimaginable to ordinary people with amazing concentration and persistence. Forrest Gump and Xu Sanduo are lonely, but they amaze the world with their unique sincerity and tenacity. In the most difficult time, she supported me with her salary. When every city is building reinforced concrete high-rise buildings, there is such an architect with humanistic temperament. Together with his "amateur architecture studio", he created a number of concise and profound works with recycled materials and old bricks, which won the favor of Chinese and foreign judges and won the Pritzker Award, the highest prize of world architecture in 20 12. He is Professor Wang Shu, Dean of the School of Architectural Art of China Academy of Fine Arts. As the first person in China to win this honor, Professor Wang, who has just returned from giving lectures in the United States, attended the media meeting in Xiangshan Campus of the Academy of Fine Arts yesterday afternoon and told reporters about his architectural concept of advocating nature and his thinking and persistence in China's traditional culture. The spacious conference room was crowded with journalists from all over the country, and even journalists from RIA Novosti and Japan's Asahi Shimbun made a special trip to see the master architect. The reason for winning the prize is that it transcends cultural conflicts. Whether it is the Xiangshan Campus of the Chinese Academy of Fine Arts, the quaint and elegant Imperial Street of the Southern Song Dynasty, or the Ningbo Museum that awakens the memory of the whole city, it is a perfect combination of classicism and modernity, art and nature, and exudes a gentle and elegant oriental temperament. Unlike architects who always keep up with international trends, Wang Shu pays more attention to the balance between modernity and tradition, man-made and nature. "I am disgusted with all the tall and powerful landmarks in the city. Many of my ideas are learned from the countryside. " He advocated learning from the countryside, choosing natural materials and building "light" houses. He also adheres to tradition. The outer wall of Ningbo Museum designed by him consists of "ceramic tile wall" and "bamboo formwork concrete". "Many old people touched the wall and said it reminded them of their home." The reason for winning the Pritzker Prize is that Wang Shu boils down to one sentence, and his works transcend cultural conflicts. "the conflict between tradition and modernity, the conflict between east and west, the conflict between strength and weakness ... we should solve them in a wise way." As the largest group work of Wang Shu, the picturesque Xiangshan Campus of the Chinese Academy of Fine Arts is an in-depth exploration of the architectural model. In order to fully tap the availability and economic practicability of building materials, Professor Wang collected more than 7 million pieces of old bricks and tiles of different ages from demolition sites all over the country to regenerate them on roofs and walls. "What I want to build is a campus with the atmosphere of traditional academies in China, not a stereotyped university town." Wang Shu said. Without all her plans, it won't come true. When Wang Shu won the prize, his wife Lu Wenyu, who was in the United States and also taught at the Academy of Fine Arts, became the target of media chase. Yesterday was Women's Day. When talking about the woman behind this successful person, Wang Shu smiled happily: "When I won the prize, I thought that this honor belongs to her and me. My wife has been silently supporting me behind my back. She has been with me for more than ten years and won this award. " From 65438 to 0997, Wang Shu and his wife Lu Wenyu founded an amateur architecture studio in Hangzhou. When he founded the studio, it was also the most difficult time in Wang Shu's architectural career. He was deeply moved by his wife's support: "I mainly rely on her salary to support myself." I do odd jobs and earn some money occasionally. The loneliness of a literati like me was developed in my early years. After meeting my wife, I eliminated most of it. " 20 10 Wang Shu and his wife won the german schelling architectural practice award. "Maybe without me, all the architectural design schemes don't exist. But without her, all the plans can't become a reality. " I never surf the Internet in my spare time and seldom watch TV. "I have always thought that I am a scholar first, and I happen to be an architect and study architecture." In an article entitled "Simple Home", Wang Shu wrote. It may be hard for you to imagine that this internationally renowned architect never surf the Internet or watch TV in his spare time. His interests are writing articles, practicing calligraphy and drinking tea. How can you know current events and understand other people's comments without surfing the Internet? "For me, it is the most important thing to keep my inner peace, no matter whether the world is windy or rainy." Wang Shu likes calligraphy and copying copybooks. He said that his current architectural style is closely related to more than ten years of practicing calligraphy. When I was in college, all the other students in the dormitory were sleeping in the middle of the night, and he was the only one writing something, which seemed to be a "very lonely figure". "In today's China, most scholars who can keep close contact with traditional culture have passed away or are in their twilight years." What architects who love calligraphy and China landscape paintings want to do is to maintain culture. "If I don't want to be an architect, I should choose to be a scholar." Wang Shu said this. Brief introduction to Wang Shu, male,1963+0/kloc-0 was born in Urumqi, Xinjiang in June. Dean of the School of Architecture of China Academy of Fine Arts, doctoral supervisor, leader of architecture discipline, and leader of young and middle-aged disciplines in Zhejiang universities. 1985 graduated from Nanjing Institute of Technology (Southeast University) with a bachelor's degree; 1988 graduated from the School of Architecture of Southeast University with a master's degree; 1988 to 1995 worked in Zhejiang Academy of Fine Arts (now China Academy of Fine Arts).