One is ink.
Bad ink has a lot of glue, and the water color is easy to separate, so don’t treat yourself badly when using ink. The temperament of ink is very tricky: wet in spring and summer, dry in autumn and winter. Ink in spring and summer is relatively easy to use, and it is easier for beginners to master it; ink in autumn and winter is dry and sticky, and it is easy for the pen to dry up when writing, which is a loss of control for beginners. If you add too much water, it will inevitably cause dizziness.
The second is to use a pen.
Are you dipping and scraping your pens correctly? Is the structure of the brush correctly used to store and consume ink? Teacher guidance is required.
The third is paper.
The thicker the fibers of rough-edged paper, the more unsightly the blur will be; better-quality rice paper will blur out multiple elliptical arcs or other regular outlines along the edges of the strokes; on poorer-quality rice paper, the ink blur will be round and scattered. In addition to opening, there are also traces of thin lines formed by the movement of fiber tracks, which is very ugly.
When writing with light ink, the ink is easy to penetrate and melt, and it is always easy to smudge. So writing in thick ink is relatively easy. Therefore, when creating calligraphy and painting, you need to master the shades of ink so that you can be handy. This wet dyeing property of Shengxuan can be applied to calligraphy creation. After the writer has strong writing skills and can control the wet dyeing property of ink well, he can take advantage of the overflowing characteristics caused by the ink falling into the paper. Turn the ink to penetrate inwards.
In this way, the ink left on the surface of the paper penetrates into the inside of the paper. When the writer develops penetrating writing skills, the wet dyeing properties of Shengxuan make the writing full, firm and soft. After the work is framed, the ink lines will reveal a rounded and three-dimensional visual impact.