When Mr. Jianyue Wu was a child, he was fascinated by the cliff carvings in Huangze 'an, Guangyuan. Because of his poor family, he often picked up waste paper balls in primary school to smooth and practice calligraphy, and even "waved" on the ground with a broom dipped in water when sweeping the floor; Later, I posted and practiced hard, from Tang Kai to Weibei; When people reach middle age, from Wei to Han, they turn around. He was deeply influenced by Kang Youwei and Xiao Xiao. Taking Ode to Shimen as a model, he traced back to the source and learned about the use of seal script, the structure of official script and the interest of cursive script. His calligraphy works extend in all directions, tightening the palace, being broad, elegant and vigorous, simple and elegant, ethereal and broad, and magnificent. He brewed art with bitterness, and there was no lack of bitterness in his pen and ink.
The poet Amin wrote in his poem Jianyue Wu Painting and Calligraphy Exhibition:
Fu Shan, a great calligrapher in Qing Dynasty, famously said, "Ning Zhuo should not be clever, rather ugly than flattering. It is better to be smooth than detached, and smooth than straightforward. "This is my admiration for poetry and the motto of Jianyue Wu's painting.".
Jian Yue's beliefs, actions, words and paintings are really a pure and pleasant realm of "all leaves are gone/only the guqin/jumping through the Woods with one sound/answering outer space/knowing friends in four mountains".
I envy him sitting alone in this state.
Leng Xiang Leng Xiang;
Listening to the rain dripped into my ears.
"There are very few people, and Gao Songhe is not a group." In fact, some people crossed the sword; There is actually a crane, which is his pursuit. ...
I am deeply impressed by Guan's paintings and calligraphy. "
It is reported that Mr. Jianyue Wu often went to Huangze Temple when he was young, but he did not admire the noble queen, did not believe in boundless Buddhism, and was obsessed with the charm of stone music and calligraphy and painting. I always pay attention to its strokes, carefully examine its connotation and think about its interest, although I never give up several times.
Kim and I have been in love for a long time, and they are both interested in calligraphy. After work, they are diligent in copying and learning, learning, learning Wei, practicing justice and seeking. Even if they clean in the morning, they often use brooms to do the pool work. Study hard on bamboo slips, take more risks and less renovation.
Wang Yang sea of art is unpredictable.
Mr. Jianyue Wu set sail in the ink sea and reached the other shore!
Mr. Jianyue Wu is a member of China Couplet Society, Sichuan Calligraphers Association and vice chairman of Guangyuan Calligraphers Association. Second-class artists, paintings and calligraphy works are published in various newspapers and periodicals, and some works are collected by museums at home and abroad.
Jianyue Wu, an old artist in our city, has long been enthusiastic about participating in cultural public welfare activities. The last time he attended public welfare activities was on September 28th. In the afternoon, I went to the Guangyuan Fire Brigade of the Armed Police Force to participate in the Red Gate performance organized by the Municipal Federation of Literary and Art Circles, leaving more than 10 precious Mo Bao for the officers and men stationed in the Armed Police Force.