Once you start, your price will fall. Therefore, people would rather spend more money on original and clean calligraphy and painting. An original painting that has not been uncovered, cleaned and mended by later generations, even if it has a little flaw, has higher collection value than a used complete calligraphy and painting.
Buying and collecting famous calligraphy and painting has been an elegant event since ancient times. Nowadays, it is becoming more and more popular, and the ranks of collectors are growing, including working-class people and ordinary people. What problems should we pay attention to when collecting calligraphy and painting? Experts from Bao Bo Art Network pointed out five problems in buying and collecting calligraphy and painting: one is authenticity.
The calligraphy and painting market is flooded with fakes. When buying famous calligraphy and painting, please ask experts to palm your eyes to prevent buying fakes. The safest way is to buy it directly from the painter or from several reputable calligraphy and painting merchants, so that fakes can't be eliminated.
Second, the price issue.
It seems that the pricing of famous calligraphy and painting is not bound by the national price department. It is very common that the price of calligraphy and painting market is inflated. Therefore, when buying famous calligraphy and painting, you must first understand the market, or ask experts to test it, so as not to be fooled.
Third, the level problem.
The artistic level of calligraphy and painting is the basic factor to measure its collection value. The works of famous works are not necessarily fine works, such as entertainment works and failed works, which cannot reflect their due artistic level, so their value is very different from fine works.
Fourth, the scale problem.
The sales of famous calligraphy and paintings are based on the unit of valuation (the unit of valuation refers to the conventional format, that is, not less than 4 feet 3 inches), and some are based on square feet. Therefore, the larger the format of the works of the same famous artist, the higher its value. If the width is less than 4 feet 3 inches, its value cannot be compared with that of calligraphy and painting with conventional width.
V. Appearance problems
Appearance refers to the "appearance" of calligraphy and painting, that is, whether the layout is complete, whether the picture is clean, whether the ink color falls off or is damp, and the degree of obsolescence.