The official script of Wangtianmen Mountain is one of the representative works of China's calligraphy, written by Yan Zhenqing, a famous calligrapher in the Tang Dynasty. This work is based on official script, with elegant and elegant brushwork, full of rich atmosphere and simple and elegant artistic style.
Specific introduction:
Among the official calligraphy works of Wangtianmen Mountain, Yan Zhenqing's brushwork is full and heavy, full of strength and rhythm. Each letter has a unique design, rigorous structure and fine strokes.
The thirty-eight characters in the work constitute a perfect overall image, and its momentum and beauty can not be ignored. The whole work shows a strong and resolute spiritual temperament, which not only shows the love for natural scenery, but also is full of philosophy and thinking about life.
Wangtianmen Mountain itself is one of the famous scenic spots in China. This calligraphy work by Yan Zhenqing not only conveys the author's personal feelings, but also embodies the aesthetic essence of China traditional culture. Its profound connotation and rich expressive force have become the precious wealth of China's calligraphy art treasure house.
Brief introduction of official script:
Lishu is a Chinese font, including Qin Lishu and Han Li. It is generally believed that it is developed from seal script, with wide and flat font, long horizontal painting and short vertical painting, and pays attention to "swallow tail of silkworm head" and "twists and turns".
According to the unearthed bamboo slips, official script originated in Qin Dynasty, and Cheng Miao was also called official script. Han Li reached its peak in the Eastern Han Dynasty, inherited the tradition of seal script, and opened the Wei, Jin, Southern and Northern Dynasties, which had a great influence on later calligraphy. The calligraphy circle is known as "Tang Kai of Han Li".
After careful parallel research, Mr. Wu has come to such a scientific argument, which is naturally worthy of attention as an academic division of different names of seals and official seals.
However, I still have two questions to ask, that is: first, seal script can't be all pictographs, and there are many characters other than pictographs from the beginning. Therefore, it seems not enough to just lose the original meaning of hieroglyphics. I mean the destruction of China ancient literature by officials.
Since the mid-Western Han Dynasty, an independent official script form without seal script (including structure and strokes) has been completely formed. Typical examples are the first year of Xuandi Wufeng in the Western Han Dynasty (the first 57 years) and the first year of Emperor Heping in this century.