Density relation
In Figure 1, the strokes of "mountain" are few and simple, but the vertical paintings in the middle are elongated and the vertical paintings on both sides are relatively shortened, showing a more prominent relationship of density. The word "nai" is very distinctive, and the hook is very long, which is attached to the sketch to form a seal. The left side of the word "Zi" is extremely detailed, and both horizontal paintings are attached to the left boundary, leaving space on the right. The "P" part of the word "A" occupies a small proportion of the space, and the "Ke" part is exaggerated as much as possible.
The handling of the word "yes" in Figure 2 is unique: the hook is drawn elongated, dense in the upper left and sparse in the lower right, forming a local contrast. The word "Yi" is dense and sparse, which has the interest of "sparse but impenetrable". Add a horizontal graph to the "moon" part of the word "new moon" and hook it on the left-hand graph to form an artificial density change. The word "Kai" makes full use of the structural characteristics of the glyph to change, forming a pattern of dense left and sparse right.
Writing style of official script and running script
The word "Zheng" in Figure 3 is a typical running script with dignified strokes. The two-point drawing of the word "Ping" has obvious line meaning, and the "part" of the word "Luo" retains the pen of line head. The word "yellow" is connected with the vertical painting to form a "book", and finally the horizontal painting still retains the legacy of official script.
In Figure 4, the word "Sheng" is mixed with lines and elegant, especially in gloomy cliff works. The left half of the word "injury" goes with the flow, and Lian Bi has a strong mobility. The left parts of the words "Hou" and "Xiang" are directly replaced by running script. In Figure 5, "Qi", "Zou", "Chu" and "Zhi" all represent the symbolic features of the travel book.
The word "this" in Figure 5 is cursive, but the line is still in Weibei form. The word "Ji" is drawn by a pen and is based on cursive calligraphy. The last stroke of the word "this" in Figure 6 should have been ticked, but it is regarded as a wave here, and its official meaning is more obvious. The right half of the word "Yang" is also the writing of official script. The word "zai" is more obvious in the horizontal painting of official script. The last stroke of the word "e" of "bandit" is Li Fa, and the strokes are relatively stretched.