There are three reasons why Yang Mochun’s calligraphy works are popular:
1. Professional: He is a professional calligrapher and an accomplished collector. He is a member of the Chinese Calligraphers Association. The former executive deputy director of the Art Development Center studied Wang Xizhi and Yan Zhenqing in his early years and was later influenced by them. He is good at the study of cursive rules and list books. He is a research-based calligrapher who dares to break new ground, dare to stand up, and dares to innovate, combining theory and practice.
2. Characteristics: Yang Mochun’s calligraphy techniques are strong, sophisticated and generous in large characters. He has been influenced by his family since he was a child and loves to play with pen and ink. His cursive works have varied calligraphy, wide line spacing, novel layout, and unique composition. The big characters are powerful, sophisticated and grand. The style is unique, self-contained, and quite freehand;
3, sought after; his works are collected by party and state leaders and Chinese and foreign dignitaries. Domestic and foreign media have reported on his person and events more than a hundred times. Compiled and published a large calligraphy collection called "Hundred Champions of the Centennial Olympic Games
Hundred Calligraphers" and "Yang Mochun Calligraphy". There are nearly 20 collections of stamps, postcards, first-day covers and postcards from Lien Chan's visit to mainland China. He has traveled to the United States, Japan, South Korea, Hong Kong, Macao and Taiwan for exhibitions and exchanges more than ten times.