The words that combine reality and fiction are: Yu Meiren by Li Yu and Wulingchun by Li Qingzhao.
Specific analysis: such as Wang Changling's "Parting with Xin Jian at Furong Inn"-
Misty rain enveloped Wu's day overnight; Send you in the morning, lonely and sad in Chushan!
Friends, if my friends in Luoyang invite me; Just say I'm still Bing Xin Okho, and stick to my faith!
This poem was written after the 29th year of Emperor Xuanzong of the Tang Dynasty (74 1). Wang Changling was a native of Jiangning (now Nanjing) and had just arrived in Jiangnan from Luoyang. I just worked hard to return to Luoyang, so I worked hard to write this poem for my friends.
The first two sentences are the first layer of the poem, indicating the time and place of farewell. It's like using a huge ink-and-wash landscape painting as the background, lined with the high hibiscus building and the running river, like a woven cold rain, connecting the sky with the river. Friends, tall buildings and the whole land of Wu are shrouded in a misty cold rain, which adds a bit of sadness to the upcoming departure. Chu Gushan is not only a description of real life, but also a portrayal of the poet's lonely mood. Wang Can Changling, which has always been heroic, how can it be so lonely after a parting and a cold rain? Originally, the poet was demoted to Lingnan, and Wang Changling, who was very conceited, was very dissatisfied with officialdom.
Another example: Li Qingzhao's "Wulingchun";
The wind has stopped the dust, the fragrant flowers have blossomed, and I am tired of combing my hair at night. Things are people, not everything, and tears flow first.
It is said that Shuangxi Spring is still good, and it is also planned to make canoes. I'm afraid the ship can't carry much worry.
In her later years, Li Qingzhao wrote this word when she was ruined and exiled overseas. Uptown focuses on the real shape with real words: the poetess is locked at home by ruthless wind and rain and is very depressed; It's a pity that the fallen flowers have turned to dust after it clears up. Her husband Zhao Mingcheng died in the chaos because of the nomads from the south. She lives alone in Jinhua, Zhejiang. She witnessed Chunguang and her husband's relics and the suicide note "Stone", and felt that things had been changed and everything was over. She got up very late in the morning and didn't bother to comb her hair. Sometimes she even wants to talk, but the tears are already in her eyes.
Shang Juan only used the "language of desire" in the fourth sentence, which seems simple, but it has an extremely subtle meaning: showing an uncontrollable state of grief, full of sadness and excitement!
Going to the pool focuses on inner exploration: the poetess heard that Shuangxi in Jinhua suburb is beautiful in spring, and tourists are weaving, and they also come to travel and prepare to go boating. But I'm afraid the canoe is too small to carry many of my worries.
In the first three sentences, three groups of function words, namely "Wen Shuo", "Yi Shu" and "for fear", are used successively as the turning point of meaning, and the effect is touching with the expression of real words. The real word "canoe" paves the way, sets off the "sorrow" behind, makes the "sorrow" heavy, and is also the unparalleled affection of the female poet! It also makes the abstract "troubles" concrete and sensible, and becomes "incredible"! No wonder some people commented that Li Yu, the former owner, turned "sorrow" into water, Qin Guan turned "sorrow" into something that died with the water, Li Qingzhao further put "sorrow" on the boat, and Dong Jieyuan, who wrote "The West Chamber", unloaded "sorrow" from the boat and put the camel on horseback. Like this, I don't blame Li Qingzhao for lamenting in despair at the end of the word "slow voice", moaning helplessly, making people cry, and writing down "sorrow"-"What a sad word this time!"
2. Many ancient poems adopted the combination of reality and fiction. "Reality" refers to the scene you see before your eyes, "emptiness" refers to the product of imagination and association, the transposition of subject and object (mutual imagination), writing dreams and so on. Here is a small example: a very familiar poem: being in a foreign land, I miss my relatives twice every festive season. Knowing where your brother climbed from a distance, you can plant dogwood everywhere. Compared with Being a Stranger, he showed his homesickness from two aspects. Another example is: On the solstice in Handan, every winter, he hugs his knees in front of the lamp and stays with him. If he wants to sit at home late at night, he should also say "homesick". In three or four sentences, he wrote "homesickness" in front. What is touching about him is that the scene he imagined when he was homesick was that his family missed him. This winter solstice festival. what did you say ? This leaves readers with a broad imagination. Everyone who has enjoyed family happiness and had similar experiences can think a lot according to their own life experiences. This technique (subject-object translocation) is called "thinking on behalf of others", which makes emotional expression more subtle, tortuous and moving. Another example is Wang Changling's farewell to Wei Er: Biejianglou is drunk with oranges and pomelo, and the river wind draws rain into the boat to enjoy the cool. What are the benefits of the last two sentences? The author imagined that his friend was tossing and turning alone on the water in Hunan, worried about listening to apes, which made his reluctance and concern for his friend's departure more profound and touching.
3. What are the poems that combine fiction with reality? Du Fu's Moonlit Night, Wang Wei's Mountain Holiday Silu Brothers, Chen Tao's The Journey to the West, Wang Changling's Lotus Inn and Xin Qiji's Parting, etc.
The words that combine reality and fiction are: Yu Meiren by Li Yu and Wulingchun by Li Qingzhao. Specific analysis: For example, Wang Changling's "Lotus Inn and Xin Jian's Parting"-seeing off guests in Chu Mountain in the cold rain at night.
Friends, if my friends in Luoyang invite me; Just say I'm still Bing Xin Okho, and stick to my faith! This poem was written after the 29th year of Emperor Xuanzong of the Tang Dynasty (74 1).
Wang Changling was a native of Jiangning (now Nanjing) and had just arrived in Jiangnan from Luoyang. I just worked hard to return to Luoyang, so I worked hard to write this poem for my friends. The first two sentences are the first layer of the poem, indicating the time and place of farewell. It's like using a huge ink-and-wash landscape painting as the background, lined with the high hibiscus building and the running river, like a woven cold rain, connecting the sky with the river. Friends, tall buildings and the whole land of Wu are shrouded in a misty cold rain, which adds a bit of sadness to the upcoming departure.
Chu Gushan is not only a description of real life, but also a portrayal of the poet's lonely mood. Wang Can Changling, which has always been heroic, how can it be so lonely after a parting and a cold rain? Originally, the poet was demoted to Lingnan, and Wang Changling, who was very conceited, was very dissatisfied with officialdom.
Another example: Li Qingzhao's Wuling Spring: The wind has stopped, the fragrant flowers have been exhausted, and I am tired of combing my hair at night. Things are people, not everything, and tears flow first.
It is said that Shuangxi Spring is still good, and it is also planned to make canoes. I'm afraid the ship can't carry much worry.
In her later years, Li Qingzhao wrote this word when she was ruined and exiled overseas. Uptown focuses on the real shape with real words: the poetess is locked at home by ruthless wind and rain and is very depressed; It's a pity that the fallen flowers have turned to dust after it clears up.
Her husband Zhao Mingcheng died in the chaos because of the nomads from the south. She lives alone in Jinhua, Zhejiang. She witnessed Chunguang and her husband's relics and the suicide note "Stone", and felt that things had been changed and everything was over. She got up very late in the morning and didn't bother to comb her hair. Sometimes she even wants to talk, but the tears are already in her eyes. Shang Juan only used the "language of desire" in the fourth sentence, which seems simple, but it has an extremely subtle meaning: showing an uncontrollable state of grief, full of sadness and excitement! Going to the pool focuses on inner exploration: the poetess heard that Shuangxi in Jinhua suburb is beautiful in spring, and tourists are weaving, and they also come to travel and prepare to go boating.
But I'm afraid the canoe is too small to carry many of my worries. In the first three sentences, three groups of function words, namely "Wen Shuo", "Yi Shu" and "for fear", are used successively as the turning point of meaning, and the effect is touching with the expression of real words.
The real word "canoe" paves the way, sets off the "sorrow" behind, makes the "sorrow" heavy, and is also the unparalleled affection of the female poet! It also makes the abstract "troubles" concrete and sensible, and becomes "incredible"! No wonder some people commented that Li Yu, the former owner, turned "sorrow" into water, Qin Guan turned "sorrow" into something that died with the water, Li Qingzhao further put "sorrow" on the boat, and Dong Jieyuan, who wrote "The West Chamber", unloaded "sorrow" from the boat and put the camel on horseback. Like this, I don't blame Li Qingzhao for lamenting in despair at the end of the word "slow voice", moaning helplessly, making people cry, and writing down "sorrow"-"What a sad word this time!" .
4. What are the poems that combine reality and fiction? 1) Winter has passed with its solemnity, leaving people not only relaxed, but also faint fatigue; Spring has disappeared with its shyness, leaving people with not only joy, but also a touch of sadness.
Winter is short in Changchun. (2) Xia Huan came running with his passion and enthusiasm.
Therefore, we restless girls can't wait to jump on the wonderful and rich nature and dream a warm dream. (3) After intense study, we went to the fields to find a new artistic conception and a moment of comfort.
(4) Bend down and touch your favorite grass. I have been here in spring, and the tender grass is like a chicken's mouth, a piece of goose yellow.
We can't bear to go for an outing again. You see, now the grass, they stretch out solid arms, lift the footsteps of tourists, and give the earth a tone of striving for progress. Hehe, the above are the answers to the questions, and the answers to the questions after class are attached, hoping to help you. Hehe, hehe, hehe, hehe, hehe, hehe, hehe, hehe, hehe, hehe, hehe, ps: study hard, although there are answers, it can only be used for reference. It is very important to exercise your understanding and insight with your brain ~ ~ What are the profound meanings of the three figurative sentences at the end of this article? They vividly reflect the characteristics of spring from different angles and are the crowning touch of the full text.
It compares spring to a "doll" because it brings people hope and has the characteristics of "new"; Compare spring to a "little girl" because it beautifies the world, makes people feel lively and lovely, and has the characteristics of "beauty"; Compare spring to "youth" because it has irresistible vitality, makes people full of vitality and has the characteristics of "strength". These three figurative sentences not only praise spring, but also vividly reveal people's yearning for spring and express the author's persistent pursuit of a better future.
Second, the theme and the overall grasp of the theme: Spring is a beautiful lyric prose. The author grasps the characteristics of spring, accurately and vividly describes the unique scene of spring in the south of the Yangtze River, expresses his praise and love for spring, and expresses his thoughts and feelings of loving life and being proactive. Overall grasp: when we go deep into the artistic realm of spring, we will be intoxicated by the beautiful spring scenery, infected by overflowing poetry and inspired by abundant vitality.
Spring will emerge a beautiful picture full of poetry and painting in our hearts. The scenery depicted in Spring is full of vigor and breath of life.
"When I look at things, everything is my color." When people look at foreign things, emotions will be projected into them, making them look human. Mr Zhu Guangqian, an aesthete, called this phenomenon "the humanization of the universe". He said: "the phenomenon of empathy can be called' humanization of the universe', because with empathy, only physical things can have human feelings, while inanimate things can have life."
You see, in Mr. Zhu Ziqing's pen, in spring, "everything seems to have just woken up", and the sun's face is red; "Wild flowers are everywhere: miscellaneous, named and unnamed, scattered in the grass, like eyes, like stars, still blinking"; Spring breeze "touches you like a mother's hand"; "Birds nest in flowers and leaves. They are very happy. Call friends to show off her crisp voice and sing a melody that blends with the light wind and flowing water. " The author feels the scenery of spring with his heart, pours his feelings into it, and makes the scenery vivid and vivid through artistic techniques such as metaphor and personification. Mr. Zhu Ziqing once said: "Realism is equivalent to the theory of" vivid "or" vivid ",not only that, but also that."
It can be said that Mr. Zhu Ziqing's prose has reached such an artistic realm. "Spring" is exquisitely described and full of emotion.
Looking forward to spring is the beginning of the article. The author wrote: "Looking forward to, looking forward to, the east wind is coming, and the pace of spring is coming soon."
Putting the two "expectations" together shows how eager we are to look forward to the arrival of spring. The east wind is coming, reporting the news of spring. Listen, the pace of spring is near.
In just a dozen words, the author's serious and joyful mood is fully expressed. The author carefully observed the mountains, water and sun in early spring.
"The mountains are moist", which means that the snow is melting, the spring is bright, and the tender grass is green, which is particularly refreshing and moist. The blush of the sun personifies the sun, which not only shows the warmth of spring, but also captures the characteristics of spring and shows the inner charm of spring.
To write about the mountains, water and sun in early spring is to start from a big point and outline a general outline for the following detailed description. In the following, the author describes the scene of spring from the aspects of spring grass, spring flowers, spring breeze, spring rain and people in spring.
The grass crept out of the soil, tender and green ... the wind was quiet and the grass was soft. How vividly the word "drill" is used; How do "tender, green" and "soft grass" write the characteristics of early spring grass succinctly and richly.
Flowers are more beautiful in spring. How enthusiastic the flowers are: "Peach trees, apricot trees and pear trees are full of flowers to chase, and you won't let me or I won't let you"; How beautiful the color of the flowers is: "red as fire, pink as chardonnay, white as snow"; How pleasant the taste of that flower is: "There is sweetness in the flower; When I closed my eyes, the tree seemed to be covered with peaches, Xinger and pears.
Hundreds of bees are buzzing under the flowers, and butterflies of different sizes are flying around. "There are wild flowers", scattered in the grass, like eyes, like stars, still flashing. "
"The shadow of the ancient wood is short, and the stick helps me cross the bridge east. The clothes are wet with apricot flowers and rain, and the face is not cold. "
When spring shines on the earth, the willows spit out new green, and the breeze gently blows on people's faces, which is warm and soft, making people feel no chill. The author describes the spring breeze with "blowing the face without cold breeze", and then captures a vivid and intimate metaphor "touching you like a mother's hand" to describe the charm of the spring breeze.
Then, the author wrote the taste of spring breeze with extremely delicate brushstrokes: "The wind brings some newly turned earthy smell, mixed with the smell of grass, and the fragrance of various flowers, all brewing in the slightly moist air." Finally, it was written in the spring breeze.
5. The poem about the actual situation Mao Zedong's "Qinyuanchun Snow": "Mountain dancing silver snake, original wax elephant" is a real scene; "It must be sunny to see plain clothes in a red dress" is a virtual scene.
Yongmei: "There are hundreds of feet of ice on the cliff and beautiful flowers" is a real scene; "When she was in bloom, she was laughing among the flowers" is an illusory scene.
Zhu's Sailing in Shuikou: "It rained on the ship last night. What about the stormy night?" At present, just looking at the test paper, there are still many green mountains and green waters. The wind and rain in the poem are always temporary, the wind and rain will always calm down, the green mountains and green waters will always be eternal, and the vitality of all beautiful things can't be suppressed after all. The poet's landscape painting narrative contains the philosophy of life and is illusory.
Li Chen's poem Waterfall: "Thousands of rocks and valleys spare no effort, and only from a distance can the source be high. If a stream can stay, the sea will eventually make waves. " The poem describes the majestic waterfall image that eventually ran to the sea through bumps. This is an objective landscape and reality. In this poem, the poet entrusts himself with the idea that he will never be satisfied with the status quo, not afraid of difficulties, and will never give up until he reaches his goal. This is his ambition.
The words that combine reality and fiction are: Yu Meiren by Li Yu and Wulingchun by Li Qingzhao.
6. Find some poems that combine reality with reality, and analyze "The Imperial Army Recovers the Banks of the Yellow River" written by Du Fu in the Tang Dynasty;
The news of this distant western station! The north has been recovered! At first, I couldn't stop crying on my coat.
Where are my wife and son? There is not a trace of sadness on their faces. However, I packed my books and poems crazily.
On a green spring day, I began to go home, singing my songs loudly and drinking my wine.
Come back from this mountain, pass another mountain, go up from the south and then go north-to my own town! .
In the winter of the first year of Baoying in Tang Suzong (762), Tang Guanjun broke thieves in Luoyang. The following spring, Du Fu lived in Zizhou (now Santai, Sichuan). When he heard the good news of the officers and men, the poet was ecstatic and wrote the only cheerful poem in his life.
Its first two couplets are realistic. When the poet first heard that the land in the middle of Sichuan was "gathering thistles in the north", it meant that the nest of the "An Shi Rebellion" that had been entrenched for eight years was destroyed, and Du Fu couldn't help crying all over! This is really sad, happy, happy and sad! He looked back at his wife and children who had suffered from the war with him. Where are they still sad? So I rolled up my poetry collection and enjoyed it with my family! "Picking chrysanthemums under the east fence, shedding tears on my skirt, reading them and turning over poetry books" are all real life of "ecstasy" at once!
The last two conjunctions are empty. We "sing" and "indulge in wine" to celebrate the victory * * * to celebrate the recovery of lost ground; We are rejuvenating, rejuvenating, returning to China with young children, and bidding farewell to the wandering life. Although the poet was in a foreign country at this time, his thoughts had already flown, and he entered Jialing River along Fujiang River, crossed the dam and entered the Yangtze River, then left Wuxia to Xiangyang and turned to Luoyang to return to his hometown. The rhythm of the poet's homecoming rhapsody is light and harmonious, and the position change is dizzying! At this time, Du Fu's feelings are like flood peaks, rushing forward and pouring thousands of miles!
Without these two empty words, it is difficult to express the joy of the poet when he first heard the news of victory and his desire to go home quickly! The reason why this poem is known as "the fast poem of Du Fu's life" lies in the wonderful combination of reality and reality! Virtual writing is particularly essential, as Wang Shizhen said in Yi Yan Yuan Yan: "Those who are sparse before must be dense, those who are half wide must be sparse, and those who are real must be empty."
Wu Ling Chun by Li Qingzhao;
The wind has stopped the dust, the fragrant flowers have blossomed, and I am tired of combing my hair at night. Things are people, not everything, and tears flow first.
It is said that Shuangxi Spring is still good, and it is also planned to make canoes. I'm afraid the ship can't carry much worry.
In her later years, Li Qingzhao wrote this word when she was ruined and exiled overseas. Uptown used more real words to focus on the real shape: the poetess was locked in her home by ruthless wind and rain and was very depressed; It's a pity that the fallen flowers have turned to dust after it clears up. Her husband Zhao Mingcheng died in the chaos because of the nomads from the south. She lives alone in Jinhua, Zhejiang. She witnessed Chunguang and her husband's relics and the suicide note "Stone", and felt that things had been changed and everything was over. She got up very late in the morning and didn't bother to comb her hair. Sometimes she even wants to talk, but the tears are already in her eyes.
Shang Juan only used the "language of desire" in the fourth sentence, which seems simple, but it has an extremely subtle meaning: showing an uncontrollable state of grief, full of sadness and excitement!
Going to the pool focuses on inner exploration: the poetess heard that Shuangxi in Jinhua suburb is beautiful in spring, and tourists are weaving, and they also come to travel and prepare to go boating. But I'm afraid the canoe is too small to carry many of my worries.
In the first three sentences, three groups of function words, namely "Wen Shuo", "Yi Shu" and "for fear", are used successively as the turning point of meaning, and the effect is touching with the expression of real words. The real word "canoe" paves the way, sets off the "sorrow" behind, makes the "sorrow" heavy, and is also the unparalleled affection of the female poet! It also makes the abstract "troubles" concrete and sensible, and becomes "incredible"! No wonder some people commented that Li Yu, the former owner, turned "sorrow" into water, Qin Guan turned "sorrow" into something that died with the water, Li Qingzhao further put "sorrow" on the boat, and Dong Jieyuan, who wrote "The West Chamber", unloaded "sorrow" from the boat and put the camel on horseback. Like this, I don't blame Li Qingzhao for lamenting in despair at the end of the word "slow voice", moaning helplessly, making people cry, and writing down "sorrow"-"What a sad word this time!"
Wang Changling's Breaking Up with Xin Jian at Furong Inn;
Misty rain enveloped Wu's day overnight; Send you in the morning, lonely and sad in Chushan!
Friends, if my friends in Luoyang invite me; Just say I'm still Bing Xin Okho, and stick to my faith!
This poem was written after the 29th year of Emperor Xuanzong of the Tang Dynasty (74 1). Wang Changling was a native of Jiangning (now Nanjing) and had just arrived in Jiangnan from Luoyang. I just worked hard to return to Luoyang, so I worked hard to write this poem for my friends.
The first two sentences are the first layer of the poem, indicating the time and place of farewell. It's like using a huge ink-and-wash landscape painting as the background, lined with the high hibiscus building and the running river, like a woven cold rain, connecting the sky with the river. Friends, tall buildings and the whole land of Wu are shrouded in a misty cold rain, which adds a bit of sadness to the upcoming departure. Chu Gushan is not only a description of real life, but also a portrayal of the poet's lonely mood. Wang Can Changling, which has always been heroic, how can it be so lonely after a parting and a cold rain? Originally, the poet was demoted to Lingnan, and Wang Changling, who was very conceited, was very dissatisfied with officialdom.
7. What imaginary lines are there in ancient poetry? That is, empty, nothing; What is reality? That is truth and reality.
Wu Qiao analyzed the combination of reality and fiction in ancient poetry from the traditional expression of "Fu, Bi and Xing" and expounded the dialectical relationship between reality and fiction. He said in the poem "Poems Around the Furnace": "Bixing is an empty sentence, and Fu is a real sentence. With metaphor, the true sentence becomes a living sentence. Without metaphor, the empty sentence becomes a dead sentence. " There is also a cloud that "the article is full of ambition, but not endless." Elegant praise and more fu, it is real, Sao is more than xing, it is empty, and Tang poetry is more coquettish, so it is wonderful. "
The emptiness and reality of poetic theory usually include four connotations: 1, reality refers to the entity image described by the poet; Virtual refers to the blank image implied by the entity image. 2. Reality refers to an objective and tangible object; Virtual refers to subjective intangible activities. 3. Reality refers to a specific description; Virtual refers to abstract discussion. 4, stereoscopic, refers to the fundus scene; Virtual refers to the scenery in your mind. In short, the idea of seeing is believing is empty; It's already true, and it's empty before it happens; Being there, looking up and looking down is true. After a thousand years of thinking, Wan Li sees nothing. For example, Mao Zedong's "Qin Yuan Chun Xue": "Mountain dancing silver snake, original wax elephant" is a real scene; "It must be sunny to see plain clothes in a red dress" is a virtual scene. Another example is "Bu Operator Rong Yongmei": "The cliff is already a hundred feet of ice, and there are still flowers" is a real scene; "When she was in bloom, she laughed among the flowers" is an illusory scene. Most of the imaginary scenes in his old man's poems are images before they happen.
Remember to adopt it, dear. I wish you progress in your study.