Li Jiahui's hobbies and specialties.

I studied calligraphy since I was a child and was inspired by Pang Zhonghua's pen stickers. Later, I studied under the famous hard pen calligrapher Mr. Ding. I began to learn the regular script Ou Yangxun Jiuchenggong and Zhang Xuan epitaphs from the Northern Wei Dynasty, and gradually formed a rigorous and open calligraphy style. Later, Wang Xizhi in the Eastern Jin Dynasty learned various calligraphy styles, such as the Theory of Music and Righteousness, Miao Yan Temple Monument and Danba Monument in Zhao Mengfu in the Yuan Dynasty, Ling Fei Classic by Zhong Shaojing in the Tang Dynasty, Guojiamiao Monument by Yan Zhenqing and Master Meng Monument by Chu Suiliang, and his running scripts preferred the style of "two kings", including Preface to Lanting and I also like Mi Fei's Anji in Fiona Fang, Zhao Mengfu's Ode to Luoshen, and the running script of Mr. Wang Zhengliang, a famous contemporary calligrapher and chairman of China Hard Pen Calligraphers Association. Cao Quanbei and Zhang Qianbei are official books. Copy the cursive script of Zhang Xu and Huai Su. The copybook of Zhang Gengyuan, a unique seal script writer. Both brush and hard pen are carefully studied and studied. It is the aesthetic treasure of China's traditional calligraphy art to experience the mystery of lines and dynamics changes of various calligraphy styles in the study. Sketchers and landscape painters have learned a lot from Mr. Zhu Zhenhai, a professor at Lu Xun Academy of Fine Arts, in the brushwork and composition conception of landscape painting. I like reading since I was a child. My prose is based on the works of Zhu Ziqing, Bing Xin, Lu Xun, Jia Pingwa, Lin Qingxuan and Yu. My novel is based on Jin Yong, Lu Xun, Zhang Haidi, Lao She, Ba Jin, Wu and classical Four Great Classical Novels of China. In my spare time, I also write essays, essays, mini-novels and novellas.