Appreciation of cursive hard pen calligraphy works
Pictures of cursive hard pen calligraphy works 1
Picture 2 of cursive hard pen calligraphy works
Figure 3 cursive hard pen calligraphy works
Figure 4 cursive hard pen calligraphy works
Mr. Chu's cursive art
As an ideology, art is a reflection of social life. Art is a higher social ideology, an aesthetic proposition and a metaphysical interpretation of art. Calligraphy belongs to the art category, so it is no exception. Of course, calligraphy is a special art, more exquisite? Personalization? , leave? This one? It can only be called writing, not calligraphy. This is especially true of running script calligraphy.
Running script calligraphy is easy to write but difficult to write. How many people have set foot in this way since ancient times, but several have succeeded. Mr. Chu Yanmin is one of the successful people in contemporary running script. The so-called success, the first is self-contained, unique style, the beauty of all mistakes, and the improvement of poor skills? Otherwise, it is not among the winners. Mr Chu Yan Min's running script is self-contained, which is acknowledged by his admirers and critics. His handwriting is unusual, legal and reasonable, in line with laws and habits (established by convention), can be recognized by the public, widely popular, stable in form, and cited as norms. Just like expressing opinions, if people follow the trend and have no personal opinions, they will never be taken seriously. Mr. Chu Yan Min has something to say. Don't eat steamed bread chewed by others? , although? Earth? And it means a lot. Wu Zhongqi, a master calligrapher, once said to Chu? Your calligraphy has your own personality. Just follow your current path. ? And write to him? What did Angie learn? Four words. It is in his own way, adhere to his own way, the achievement of Chu Yan Min, making him unique in the book world.
Evaluation of Mr. Chu's running script has the following characteristics:
First, the momentum is extraordinary. Calligraphy attaches great importance to vitality and potential. Without vitality, it will die, and without vitality, it will be useless. Although it is not the technical requirement of calligraphy, I can't leave for a moment, and calligraphers never dare to neglect it. Mr Chu Yan Min knows this well, and his running script is like clouds, dew, electricity and bamboo. For example, his six-screen work "The Story of Yueyang Tower" is flexible in brushwork and full of emotion, and Wang Yang is unrestrained and incisive. What a good one? Holding the distant mountains and swallowing the Yangtze River, it is vast and boundless; Morning sun and sunset, full of weather? ! The content of writing and the form of calligraphy are integrated, which shows the atmosphere, heroism, domineering, backbone and righteousness of his calligraphy. There are gestures, vertical gestures, horizontal gestures, lateral gestures, body gestures, positive gestures and so on. Grasping one of them is the whole. Mr. Chu's calligraphy has various potentials, and its momentum is superhuman and thought-provoking? Pen and pen from scratch? Every word is like rain, like a tiger going down the mountain, like a dragon coming out of the water, and a powerful force is formed between the lines? Field? , enough to shock people.
The second is vigorous. Did anyone say anything about Mr. Chu Yan Min? Work hard? This is debatable. But only in form. Mr. Chu's running script is really like steel, clanking and penetrating the back of the paper. ? Energetic? This is his masterpiece, starting and ending pens, one stroke at a time, okay? Force? Cohesion and assembly force. But, alone? Force? Not enough, still use? Force? Complementary? The situation here is bold and a totem of black and white. Two phases support mutual integration. Because? One hero and three gangs? , so? At the end of my rope, complaining about others? ,? Hero? It was born. Mr. Yan Min's self-portrait, a photo frame in the nave, which reads:? There is no need to make waves in the ink sea to whitewash and cover up the shame. With ease, regardless of winter Xia Chunqiu! ? The content is not concealed, and the style of writing is chic and powerful.
The third is a flat knot. Mr. Chu's running script imitates Wang, Chu, Mi, Chu and Mi, not Chu and Mi. His knot emphasizes the outer inner circle, which runs through from top to bottom and is balanced from left to right. Cai Yi of the Eastern Han Dynasty said:? For the body of the book, you must enter its shape. What can you do if you sit? Can't call it a book. ? Analysis, Mr. Mao's running script Su Dongpo's poem "When is the bright moon?" In which each word, individually, is symmetrical and usually square. ? When did the moon begin to appear? ,? Ming? The left and right words each account for half of the whole word, traditional? How many? The top and bottom of a word make up half of the whole word. What time? The left and right sides of the word also account for half of the whole word, cursive? what's up The top and bottom of the word also account for half of the whole word. Month? There is no distinction between up and down, left and right, and it still looks seamless, and all other words are just like this. Because Chinese characters are square characters, square characters have become a mode in people's aesthetic consciousness. Mr Chu Yan Min is fully aware of this, and his dialect words take into account the appreciation interest of the public.
The fourth is the ups and downs of the rules. Running script is not regular script, and the spacing between words and the size of words have their own discretion. Running script depends entirely on the author's enthusiasm at that time, and proper arrangement is a good product. A work is an inseparable organism. How to combine words and how to connect them directly affects the success or failure of the whole work. Mr. Chu's running script is shaped by qi and environment, and he often touches it with a pen. A sudden emergence? Sometimes the pen goes away, sometimes the waves are stormy, sometimes slowly, sometimes flying wildly, cadencing and cadence, setting each other off into interest. Take Yueyang Tower as an example, and put pen to paper? Tough? Thick ink, one? Celebrate? The words make people feel that this is not vulgar, and then they speak freely. But occasionally, there will be a focus, and it will be enlarged without hesitation, such as the first frame? Is it? 、? Yang? 、? Opinion? 、? Win? The word "wait" is particularly eye-catching, just like a 10,000-ton ship coming in the sea, which makes the whole article full of vitality and vitality. The next picture is also vigorous and free, like a piece of music playing the strongest sound from time to time.
Fifth, both form and spirit. It says here. Is everything all right? Fingers are in the best condition, reaching the harmonious realm of beauty and rhyme. Calligraphers have always attached importance to form and charm. Some people advocate bringing God with form, some people advocate embodying God with form, and some people advocate both form and spirit. The combination of form and spirit in Mr. Chu's calligraphy, the line is the spirit, and the spirit is the shape. He studied in Nanqi Wang Sengqian? The beauty of a book is reading first, followed by form and quality? According to the book theory, if the book is the body, it is that God is the body, form is due to charm, and God is due to form, which is wonderful. The banner "Breeze", when you look at it, you feel that the breeze blows on your face, your eyes are clear, the sky is high and the clouds are light, and people are clear. What's the subtitle? Integrity, integrity, sincerity and courtesy, stay close and far away? Make people realize the right path, purify the soul, and have a good heart.
Sixth, combine rigidity with softness. Mr Chu Yan Min's handwriting? Work hard? But not blind? Work hard? It is a combination of rigidity and softness, and there is rigidity in softness, and both rigidity and softness form a style. The ancients emphasized in books? Gangs? , emphasize? Backbone? , this word is not good? Bones? Don't stand, you can be strong. For example, Wang Xizhi's words are both rigid and flexible, just like a knife, soft as water, hidden before and exposed after, which complement each other. Mr. Chu studied under the French kings Chu and Mi Zhu, and he also studied under them. His words are vigorous and powerful, and the track can be found. Try the central axis "Boundless Art". Art? The top two points of the word are accurate, especially the right one, which is thin and powerful, while the cross hook splits the mountain and turns the peak. The power of the word "Wang" is manifested in being as straight as a beam, pressing like a knife and cutting corners like a knife. The strength of Chu characters is shown in the brushwork, and it seems that every step is down-to-earth. For example, Chen Taiji, every move and style is a symbol of strength. The power of Chu characters is also reflected in Fiona Fang, who received the pen. Art is boundless? Every stroke is extremely round, crisp and neat, and the meaning still exists. In fact, this is the combination of rigidity and softness, and the combination of rigidity and softness has become a special pose. This pose makes people feel that it is like a magnificent and lingering melody, and the opposites of these two contradictions are integrated into one, which means wonderful.
Mr. Chu Yan Min has his own set of calligraphy theory, called? Was the book a painting when it reached its peak? . Many of his words are similar, such as? Tiger? 、? Dragon? 、? Shou? 、? Rabbit? 、? Horse, wait a minute. The hieroglyphics here are not written? Tiger? Like a tiger, but there are images in the words, and the images are meaningful. Nave's goose pond? Goose? The first stroke of the word is like a goose neck, and the goose head is high. Goose? Under the word? Bird? It's like a ripple formed when a goose swims in the water, and? Swimming pool? It's calm and clear underneath. Three or four tadpoles looked curiously at the tall geese and the bottom water in the calm sea. The whole word is quiet and dynamic. In the goose pond, still water becomes living water, and the picture comes alive. Mr. Chu Yan Min likes to build his? Point? , almost all the words? Point? They are all visible and tangible, some like eagles, some like old heads, some like girls and so on. It seems that we can still learn from it. Like what? I can feel the expressions and expressions of various images, even emotions.
The novelty, strangeness and strangeness of Mr. Chu's calligraphy have become a whole. This is related to his regional cultural influence and experience. 1946 was born in the outer suburbs of Xuzhou. This land was once described as. Dragonfly land through the ages? Brave, brave and loyal people are the cultural heritage accumulated through the ages. A battleground for military strategists? He also developed a bold and strategic attitude. This kind of culture is accompanied by his growth, coupled with the strong temperament formed in his military career. Being a worker makes him work hard, being a cadre makes him develop, his career makes him more alert and mature, and writing and painting with a normal heart makes him calm and natural after retirement, all of which are reflected in his calligraphy. Liu Xizai said that in Masculinity? Books, such as also. His knowledge, his talent, his ambition. ? Xiangmu also said in elegant calligraphy words, People are right, so are books. ? Books themselves should be decisive. So is aesthetics? Style is people? Category and? Artistic expressionism? In short, all these have been verified by Mr. Chu Yan Min.