Seeing your question, I really feel a little tricky! Not because I don't know the answer, but because I know the answer, so I am entangled, which simply spans several dynasties! There are many famous dynasties! Except four or five generations? Now that I have seen it, I'd better help you! The famous calligraphers in the Eastern Han Dynasty were Cai Yong, Cui Yuan and Zhang Zhi. Zhong You attributed it to the calligraphers in the late Eastern Han Dynasty and also to the calligraphers in the Wei and Jin Dynasties. Let's briefly talk about Zhang Zhi, a famous calligrapher at the end of the Eastern Han Dynasty. He is good at calligraphy, calligraphy, calligraphy, learning the methods of Cui Yuan and Du Zhi, and changing the word into a book, which is in the same strain. Works handed down from ancient times include August Post and No.1 Scholar Post. His calligraphy is flowing with a pen, and there is a continuous tape between calligraphy and painting. He was also called "Zhong Zhang" with the later calligrapher Zhong You of the Three Kingdoms. Dan Wei, a calligrapher of the Three Kingdoms, called him "the sage of grass". Sui and Tang Dynasties: There were calligraphers in the Sui Dynasty, including Ding Daohu, Xue Daoheng and Zhiyong monks; Here is a brief talk about Zhiyong, surnamed Wang, first name, which will be collected between Chen and Sui. He is the seventh grandson of Wang Xizhi, a calligrapher in Jin Dynasty. Zhang Huaiyao wrote "Book End", and evaluated calligraphers of past dynasties with three qualities: spirit, delicacy and ability. Zhiyong's plays, scripts and chapters are classified as wonderful products, and running scripts are classified as functional products. He also made a legend: the teacher has few distant ancestors, the calendar is expert, and it is taken in Qi, and the real grass is the life, and the sea is safe and sound. There is also the wind of Tao (Zhang Zhi), half of which is the meat of the right army. It is good at grass, but its atmosphere is not as good as that of Europe (Yang Xun) and South China (Heather), but it is good at Taiyang (Xin) and Slender (Shao Zhi). Calligraphers in the early Tang Dynasty included Ou Yangxun, Yu Shinan and Chu Suiliang. The calligraphers in the prosperous Tang Dynasty were Zhang Xu, Huai Su, Yan Zhenqing and Liu Gongquan. Calligraphers in the late Tang Dynasty included Wang Wenbing and Li E. Let's start with Zhang Xu, Ou Yangxun and Zhang Xu-a pair of four ancient poems handed down from generation to generation directly established its title of "sage of grass", known as the first weed in the world! Four ancient poems belong to weeds. It is characterized by being more wild than in the past, and its overall momentum is like the Yangtze River, which is a new breakthrough in the history of cursive script development. It broke the stiff cursive style in Wei and Jin Dynasties. On the basis of the original structure, the cursive script closely connects the strokes of the upper and lower words, which is called "contact". Sometimes two words are like one word, and sometimes one word is like two words. In the arrangement of composition, the density is also very different. In writing, he also opposed the slow and steady traditional writing speed in Wei and Jin Dynasties and adopted the lyrical form of unrestrained freehand brushwork. The whole stroke is full, without delicate and slippery strokes. The handwriting is ups and downs, moving and static, full of paper like a cloud, which is really the peak of cursive script; Ou Yangxun: Tang Kaizong was a master! His Ming of the Ritual Spring in Jiucheng Palace is regarded as the first official book in the world. Ou Yangxun's calligraphy is based on the characteristics of regular script in Han Li and Jin Dynasties, as well as the inscriptions in the Six Dynasties, and is widely used by various schools. The main features of Ou Yangxun's calligraphy style are rigor, neatness, honest and frank and vigor. Although the glyph is a little longer, it is white, neat and rigorous, the middle palace is tight, the main pen is elongated, it looks bold and unrestrained, dense and well-organized, surrounded on all sides, exquisite and vivid, just right. The combination of stippling and painting, the structural arrangement, is that the middle of the plane is steep and powerful, and the fonts extend to the right, but the center of gravity is still very stable, without the feeling of inclination, which is interesting and dangerous.
Most of the inscriptions in Ou Yangxun's regular script are Chinese characters, mainly including the inscription of Daming Master in Huadu Temple, the inscription of Yu Gong Wen Yanbo, the inscription of Huangfu's birthday, and the inscription of Jiuquan in Jiucheng Palace. The calligrapher of the Song Dynasty briefly mentioned a person here. Song Hui lives in Evonne. This thin golden body is his original creation! The characteristics are thin, straight, straight and fast, and the handwriting is thin and powerful, so as to be thin without losing meat. You can clearly see the traces of hidden front and exposed front at the corner, which is a quite unique font. Brush with hook, pointing vertically, throwing like a dagger, holding like a knife, with slender vertical hook; Some couplets are like hairspring, close to calligraphy. His pen originated from Chu and Xue, and it was written in detail. Take Huang Tingjian's big-character regular script as the closing gesture, stretching and standing; A famous fortune in Yuan Dynasty: Zhao Mengfu was promoted first, followed by Shu! Here, Zhao Mengfu and Zhao Mengfu wrote many monuments, which are round and beautiful, and are called "Zhao Ti" by the world. According to legend, he can write 10 thousand words in regular script every day, "writing is as fast as wind and rain." There are many excellent works in Zhao Kai's books, such as Sanmen Collection, which are broad in structure, deep and stable in structure and fluent in brushwork, and are most suitable for copybooks. Most of Zhao's handed down works are running scripts, most of which are accurate in brushwork and rigorous in wording, such as Fu on the Red Wall, which is a classic.
The characteristics of Zhao Ti regular script can be summarized as follows:
First, on the basis of inheriting traditional calligraphy, Zhao simplified the complex and turned the past into the present. His brushwork is neither vague nor mysterious, and the brushwork path of starting, transporting and collecting pens is very clear, which makes it easy for scholars to understand and follow.
Secondly, the appearance is round, the bones and muscles have connotation, its stippling is gorgeous and vigorous, the structure is broad and beautiful, and the stippling echoes closely. Soft outside and rigid inside, beautiful figure and strong skeleton. Scholars not only learn its shape, but also learn its spirit; Exquisite brushwork, rich and unique style, neat and solemn natural and innocent charm can be described as a pen-lifting, tall and straight words, which fully embodies the charm and spirit of Zhao Ti's calligraphy. Although Li Yong's "Yuelu Mountain Temple Monument" was adopted, it was more relaxed and became a dignified and solemn gesture. Both the pen and the shelf are from the two kings, dignified and simple, "old and gratifying."
Although Zhao Shu inherited this tradition, he was not influenced by Chen Fa. He can often change his calligraphy style according to different needs, but no matter how he changes it, he can use it freely and skillfully. Therefore, his calligraphy has a profound traditional foundation and distinctive personality characteristics, which makes him stand out from the crowd.
Third, the pen is square and square, and the lines are taken. When writing Zhao Ti, stippling needs to be round and colorful, but the structure of white cloth should pay great attention to being square and rigorous, horizontal and vertical, flat and stretched, and the center of gravity is stable. Only in this way can we grasp the characteristics of Zhao Ti. In addition, when he writes regular script, he uses running script slightly, which is one of the characteristics of Zhao Ti. Finally finished! Hope to adopt!