Zhong You's calligraphy is simple and elegant, with alternating font sizes, rigorous and meticulous overall layout, and has made great achievements in past dynasties' comments. Liang Wudi wrote Twelve Strategies for Viewing Zhong You's Calligraphy, praising Zhong You's calligraphy as "exquisite and exquisite, almost the same as the machine". Geng Shouwu listed Zhong You's calligraphy as "above the top grade" and said, "The clock is natural first, the time is second, and the Xuchang monument is wonderful and extremely poor." Zhang Huaiguan even listed Zhong Shu as a "miracle product". In addition, Cen Zongdan in Ming Dynasty and Liu Xizai in Qing Dynasty all spoke highly of it.
Wang Xizhi is good at all aspects of Li, Cao, Kai and Xing. He studies the body, imitates the hand, absorbs the strengths of others, prepares the body, and melts in one furnace. He got rid of the style of writing in Han and Wei dynasties and had a far-reaching influence. His calligraphy is peaceful and natural, and his brushwork is euphemistic and subtle, graceful and graceful. The world often uses Cao Zhi's Ode to the Goddess of Luo: "If you are amazed, if you are graceful, if you are in Youlong, you will be glorious and autumn, and Hua Mao will be spring pine. It seems that if the moon is covered by light clouds, it will float like the wind flowing back to snow. " Praise the beauty of Wang Xizhi's calligraphy. Legend has it that Wang Xizhi practiced calligraphy hard when he was a child. After a long time, the pool water used to clean the brush turned black. Later generations commented: "If you float in the clouds, you will be surprised if you are agile", "Dragon in the sky, tiger lying in the phoenix pavilion", "Nature is natural, and abundant gods cover all generations", which was praised as "the sage of books" by later generations. There is an idiom about him: cut to the chase ...