As one of the five calligraphy styles, cursive script sprouted at the end of the Warring States Period. Cao Zhang, a cursive script, was formed in the middle and late Western Han Dynasty, and gradually matured, becoming a common practice in the Eastern Han Dynasty. At this time, after the preparation of cursive script in Wei, Jin and Tang dynasties, Cao Jin and Crazy Grass have sprouted and formed a system. This process is long and complicated.
Although Cao Zhang, Cao Jin and Cao Cao are separated by thousands of years, there is no essential difference between them. Among them, cursive writing has a relatively unified and similar standard. Cursive script is not spontaneous by calligraphers, and its symbols are unique. Therefore, philologists believe that cursive writing is a scribble writing of Chinese characters, which is obviously biased. China philology research should occupy a place in cursive script research!
Cursive script failed to become an official script in the development process, and with the abstraction of cursive symbols, cursive script was not as popular as running script and regular script, but just the temperament of some literati. Judging from the existing preserved cursive works, most of them are masterpieces, which are extremely rare compared with running script and regular script, which can prove this. Influenced by the calligrapher's personal style, cursive script is corrupt when handed down, and it happens from time to time. Especially in the Ming and Qing dynasties, calligraphers' "creativity" was particularly active, so now there are many cursive methods for a word (which makes us head big) and we can't remember it at all.
It is precisely because of the long-term lack of systematicness and rigor that the "shape confusion" has long plagued learners. However, in the past, cursive researchers divorced from the approximate comparison of pictures and did not pay attention to the source, which led to the stagnation of cursive research.
The stagnation of theoretical research directly leads to the embarrassment of creation, and some famous artists even forget their words when creating, not to mention ordinary calligraphy lovers.
The Chinese character "Oracle Bone Inscriptions" means there is a child under a house. What does this mean? Give birth to children, children can have more and more! The ancients used this metaphor to describe the germinal ability of Chinese characters, which is really simple and in place. Based on the theory of word family in philology, this book takes radicals and radicals as double killers, achieving the effect of killing two, two, three and three things in one life. Taking "Yue" as an example, as a root, it has strong diffusibility and combination ability. Combined with radicals, words such as Yue, Key, Cui, Bi, Bi, Hu, Chao and Qi can be generated. "Yue" and "Gu" can form the secondary word root "Hu", and when combined with radicals, they can also produce words such as "Hu, Hu, Yan and Hu", and "Yue" can also form the secondary word root "Chao, Wei, You and Qing". The same is true of other roots. In other words, memorizing dozens of radicals and about 200 radicals can combine thousands or even tens of thousands of Chinese characters. Moreover, the teacher deepened our understanding by tracing the etymology, and the difficulty of memory was reduced. It is not difficult to learn thousands of Chinese characters in a short time.
The picture below is just my training according to the words in the book.
In addition, "Pian" as a radical can be written quickly.