Vice Chairman of Henan Calligraphers Association
Director of lettering Committee of Henan Calligraphers Association
Vice Chairman of Henan Civil Servants Calligraphers Association
Vice Chairman and Secretary General of Henan Financial Calligraphy Artists Association
Consultant of Henan Hard Pen Calligraphers Association
Graduate student of Peking University Calligraphy Art College.
Xue and Er Wang's book, with the turning point proposal of the pen, won the charm of the fairy. At the same time, he dabbled in the calligraphy books of Tang and Song Dynasties, and sought the elements that fit his personality and artistic pursuit through extensive contact, thus enriching his calligraphy language. The basic style is located in Mi Fei, striving to change the static beauty of Wang's calligraphy style into the dynamic beauty, and pursuing the agility, variety, profundity, calmness and happiness of the pen, thus forming an artistic style with Wang as the base and rice as the surface, which is calm, healthy and elegant.
Liu An Cheng's calligraphy works entered a series of important exhibitions organized by China Calligraphers Association, and participated in important exhibitions in Malaysia, Japan, South Korea, Singapore, Canada and other countries. His calligraphy works were presented as official gifts to the United States and France. CCTV, Henan TV Station, Henan Daily, Calligraphy Guide, Art Newspaper, Dahe Daily, Come on Today, Consumption Today and other media all made special reports. He has published Liu An Cheng's Calligraphy Prose Collection, Peking University Calligraphy Postgraduates' Calligraphy Boutique Collection, China Contemporary Calligraphy Master Liu Ancheng, Prose Calligraphy Review Jing Tianzhai's Heart Painting, and participated in the planning and publication of A Dream of Red Mansions and China's View of the Bronze Mirror.