First, the original work
Holding an oil-paper umbrella, I wandered alone in a long, lonely rain lane, hoping to meet a girl with a lilac knot. She is lilac-like color, lilac-like fragrance, lilac-like sadness, sadness in the rain, sadness and hesitation. She lingers in this lonely rain lane, holding an oil-paper umbrella, and like me, she is silently sad, cold, sad and melancholy.
She approached silently and breathed a sigh of relief. She drifted like a dream, like a sad and confused dream. Like lilacs floating in a dream, this girl drifted by me; She walked away silently, walked away, walked towards the decaying fence, and walked through the rainy path. In the elegy of the rain, her color faded, her fragrance dispersed, even her sighing eyes and the melancholy of lilacs.
Holding an oil-paper umbrella, a person lingers in a long, long, long, long rain lane, hoping to float past a girl with a clove knot.
Second, the work notes
1, Lilac: Lilac is a common image in China's classical poems. In China's ancient poems, there are many famous lines that sing about lilacs: "Lilacs fall in the rain and worry about nothing", "Lilacs are weak and messy, and the branches are about to fall", "Bananas don't show lilacs, so they are worried about the spring breeze" and so on. Lilacs bloom in mid-spring, and poets often hurt spring when facing lilacs, saying lilacs are troubles.
Lilacs are white or purple, and the color is not frivolous, so they often win the favor of poets who lead an honest and clean life. In a word, clove is a trinity symbol of beauty, nobility and sadness.
2. Take a walk in small steps.
3. Sigh: Sigh loudly.
4.tuǐ: collapse.
Third, the creative background
This poem was written in the summer of 1927. At that time, the whole country was in a state of white terror Because Dai Wangshu participated in progressive activities, he had to stay at a friend's house in Songjiang, chewing the disillusionment and pain after the failure of the Great Revolution in loneliness, and his heart was full of lost emotions and hazy hopes.
The poem "Rain Lane" is an expression of his state of mind, which is intertwined with the dual emotional appeal of disappointment and hope, disillusionment and pursuit. This feeling was common at that time.
Fourth, the work review
Rain Lane is Dai Wangshu's famous work and early masterpiece, so he got the nickname "Rain Lane Poet". This poem was written in the summer of 1927. At that time, the whole country was in a state of white terror Because Dai Wangshu participated in progressive activities, he had to take refuge in a friend's house in Songjiang, chewing the disillusionment and pain after the failure of the Great Revolution in loneliness, and his heart was full of lost emotions and hazy hopes.
The poem "Rain Lane" is an expression of his state of mind, which is intertwined with the dual emotional appeal of disappointment and hope, disillusionment and pursuit. This feeling was common at that time. Rain Lane adopts symbolic lyrical techniques. The narrow and gloomy rain lane in the poem, the lonely traveler wandering in the rain lane, and the girl as sad as lilac are all symbolic images.
These images constitute a symbolic artistic conception, which implicitly implies the author's confusion, sadness and expectation, giving people a hazy and profound aesthetic feeling. Musicality is another outstanding artistic feature of Rain Lane. In the poem, repetition of sounds, repetition of sentences, repetition of singing and other techniques are used, resulting in the cycle of melody and pleasant sense of music.
Therefore, Mr. Ye Shengtao praised this poem for opening a "new era" for the syllables of China's new poems.
A brief introduction to the author of verb (abbreviation of verb)
Dai Wangshu (1905.3.5 ——1950.2.28) is a modern poet. Formerly known as Dai Menggou. Pen names Ai Anfu, Jiang Si, etc. Known as the "Poet in Rain Lane", Ye Shengtao commented that he "opened a new era for the syllables of new poetry". A native of Hangzhou County, Zhejiang Province, his ancestral home is Nanjing.
His pen name comes from Qu Yuan's Li Sao: "Wang Shu was the pioneer before, and Fei Lian was the subordinate later." Qu Yuan wandered in the sky, searched underground and sat in a car pulled by a dragon horse, with Wang Shu, the moon god, leading the way, followed by Fei Lian, the wind god. Wang Shu is the god who drives away the moon in myths and legends. She is beautiful, gentle, pure and elegant. Born in a staff family.
When I was studying in Hangzhou Wenzhong Middle School, I loved literature. Du Heng and Shi Zhecun and I studied the art of poetry and ran literary publications together. I studied in France and was influenced by French symbolist poets. Also known as Dai Mengou, Jiang Si, Ai Anfu and Jiang.