As follows:
Zhang Ruitu (1570- 1644) was an official and painter in the Ming Dynasty. Long words, no pictures. The number is Ershui, Guoting Mountain Man, Mustard Seed, Bai Hao buddhist nun, Bai Hao buddhist nun and so on. Han nationality, a native of Xia Xing Township (now Xialianhua Island in Qingyang Town), the 27th capital of Jinjiang. In the thirty-fifth year of Wanli, the third scholar (flower exploration) was awarded the editing and editing by imperial academy. Later, he entered the cabinet as an official of the Ministry of Rites, a university student of Jinjian Temple and Shao Shi.
In the third year of Chongzhen, Wei Zhongxian was sentenced as a eunuch because of his numerous calligraphy inscriptions. He is one of the four great calligraphers in Ming Dynasty, with wonderful calligraphy, vigorous brushwork, vivid brushwork and peculiar posture. He is one of the four great calligraphers in Ming Dynasty, and he is as famous as Dong Qichang, Xing Dong and Mi Wanzhong, and is known as "Dong of Zhang Nan". He is also good at landscape painting, copying the yellow of Yuan Dynasty, vigorous and powerful, and his works are handed down from generation to generation.
There are many existing works of Zhang Ruitu, mainly lines and grass, and this cursive script is his masterpiece. The text content of Qian Wen Zi was edited by Zhou Xingsi of Liang Wudi in the Northern and Southern Dynasties, and it was the enlightenment reading of China's ancient literacy.
Because it is composed of 1000 different characters, it has become a very interesting writing content for calligraphers of all ages. One by one, thousands of characters were written in one, two, four or six styles with the intention of serving as an example for others to learn calligraphy, so calligraphers made various calligraphy styles for people to write.
[Ming] Chen Chun pointed out in the postscript that his book Money is often full of people, not good books, and people want books. If there are no heavy words in the cross, people say that calligraphy ends here. First, as a carrier for calligraphers to show their personal style, such as [Song] Dong Di's "Guang Chuan Shu Postscript"; "Later generations took the title of the book as the dry word, thinking that the system was well prepared, which showed its pen power.