Li Longji (September 8, 685-May 3, 762), the grandson of Tang Gaozong and Wu Zetian, the third son of Li Dan in Tang Ruizong, also known as Li Sanlang and his mother Dou Defai. From the first year of his life (7 12) to the fifteenth year of Tianbao (756), he abdicated as the emperor's superior because of the Anshi rebellion. He was the longest-serving/emperor/emperor/emperor in the Tang Dynasty, and also the emperor/emperor/emperor in its heyday.
Li Longji was born in August of the first year of Emperor Taizong (685) in Luoyang, the eastern capital. He is born wise and decisive, knows the rhythm and has a gorgeous appearance. At the beginning, he was named King Chu, and later he was named King Linzi. He served as Wei Guo, Shao Qing and Luzhou. In the first year of Tang Long (7 10), Li Longji and Princess Taiping jointly launched the "Tang Long Political Rebellion" to destroy the Wei Hou Group. In the first year of his birth (7 12), Li Dan Zen was located in Li Longji, and Li Longji ascended the throne in Chang 'an Taiji Palace. In the early days of the reign of Emperor Xuanzong of Tang Dynasty, he made great achievements in politics. He was diligent in political affairs and took various measures to consolidate and develop the Tang regime. Emperor Xuanzong of the Tang Dynasty paid attention to bringing order out of chaos, appointed sages such as Yao Chong and Song Jing, and made great efforts to govern the country, thus creating a prosperous era of the Tang Dynasty-Kaiyuan. However, in the later period of his rule, he gradually ignored state affairs and supported treacherous court officials Li and Yang. Yang Guifei, who was a great lover, combined with policy mistakes, tried to stabilize the frontier of the Tang Dynasty by reusing An Lushan and other ethnic groups beyond the Great Wall, which led to the eight-year Anshi Rebellion and laid the foundation for the decline of the Tang Dynasty. In the fifteenth year of Tianbao (756), Prince Hengli ascended the throne, honoring him as the emperor's father.
In the first year of Baoying (762), he died in the Shenlong Hall in Chang 'an at the age of 78, and was buried in Jinsu Mountain, named Tailing. The temple was named Xuanzong, and because posthumous title was the supreme sage/emperor/emperor/,the name Michelle Ye was taboo in the Qing Dynasty, often called Tang, and there was another honorific title/emperor/emperor/.
Gongshu in Li Longji, especially Shanbafen and Cao Zhang, is one of the famous imperial calligraphers in the history of China calligraphy. Old Tang book? According to this chronicle, Li Longji was "versatile, especially knowing his temperament, and was good at writing eight points". Calligraphy is neat, clear and beautiful. It occupies a certain position in the calligraphy of the Tang Dynasty. Tang Dou Yi's Shu Shu Fu says: "Kaiyuan should be dry, smart, vigorous and magnificent. His thoughts are like a spring, and his pen is swallowing whales. " "Ancient and Modern Law Library" says: "The works of emperors in the Tang and Ming Dynasties are divided into eight chapters and grasses, which are rich and gorgeous." There are many books handed down, the most famous of which are Fu on the Cormorant, Ming on Mount Ji and Shijing.
"Goose Fu" begins and ends with integrity and novelty. The style of the book is beautiful, the structure is rich, and the pen is thick. On the whole, calligraphy is vigorous and vigorous, with typical Tang style. This book was published between the "two kings" and gradually became fat, imitating traditional family studies. Learn from past generations. Fang of the Ming Dynasty commented on this post: "The structure is exquisite and the brushwork is vertical and horizontal". Zhan Ming Jingfeng's "East Map Announces Bian Lan" says: "The word diameter is so large, vigorous and magnificent, and it is stamped with the French imperial edict." Liang Qing Liang's "Into Jin Zhai Ji Lu Wen" says: "When you are frustrated, you will get the interest of Chu and open the door to rice." Wu Qizhen's Calligraphy and Painting Book in the Qing Dynasty also said, "Calligraphy is beautiful and rich in structure, which is absolutely Shan Ye-style." Yang Shoujing's Learning in Qing Dynasty: "The monument of Ming Di has become a mature school." This post is soft and has bones, so you can post it yourself. "This ode is the only unique calligraphy and ink handed down from generation to generation in the Tang Dynasty, which is a rare treasure in the Tang Dynasty and a treasure on earth.
The calligraphy of this post is patchy and colorful, giving people a sense of honesty. The pen is accurate, light and heavy, solid and heavy, full of atmosphere and vigorous and stretching. Huang Yue said, "The book of Xuanzong is full of stains and spots, and it still has the style of grandfather." Comparing this post with Tang Taizong's Wenquan Ming and Jinci Ming, we can really see the same origin, but Tang Taizong's style is still different. Wang Wenzhi's Postscript in Qing Dynasty: "The emperor's book, with twins between the lines, is like a non-humanist's book. Seeing this ode still makes people feel that Kaiyuan is brilliant and outstanding. "