Who is the painter who signed "Bai Shao"

Liu Liu, whose real name is Geng, is a native of Qingyun, and his date of birth and death is unknown. According to the History of Painters' Poetry in Qing Dynasty, Liu Naijia paid tribute in the 18th year of Qing Dynasty (18 13) and lived in Tianjin (now Tianjin). He is a poor painter and painter who lives by painting. According to the old Qingyun County Records, Liu is good at flowers, birds, fish and insects, especially at painting, learning from others and teaching the elderly (high). Finger painting, also known as finger ink, began in the Tang Dynasty, and Gao initiated the school of finger painting in the early Qing Dynasty. It lasted for more than 300 years. Through the long-term practice of Pan Tianshou, a master of modern Chinese painting, the art of finger painting has been pushed to a new height. Mr. Pan once brilliantly expounded finger painting, saying, "With a pen, you can always use it or change it. You can always seek change to understand it, and you can always seek change to understand it. " It is about the relationship between strokes and finger painting. I believe that people engaged in painting must lay a solid foundation of Chinese painting in order to make a difference in finger painting. It was only after Liu made considerable achievements in calligraphy and painting that he began to mention painting. However, due to the age, most of his works have been destroyed, and we can't appreciate Liu's finger painting style today. In the third year of the Republic of China, * * * recruited nine Qing Dynasty Qingyun painters, among whom Liu was one. Unfortunately, the original works of these painters have never been seen. A few years ago, Liu's works were surprised in a gallery in Tianjin and then changed hands. In 2007, he reappeared in a large auction and was bought by collectors in this county with a large sum of money. This is the only work handed down from generation to generation by Liu, and it is also the only artist's work found in Lao Zhi, which fills the gap in the history of calligraphy and painting in our county and has high artistic and academic value. This painting style is cold and lonely, with exquisite brushwork and lofty artistic conception, which won the essence of landscape in Song and Yuan Dynasties and will play an important role in studying Liu's painting style and the development of calligraphy and painting in this county.