He is good at using synaesthesia thinking and artistic synaesthesia to connect different physiological feelings and express some psychological feelings. He is also good at thinking laterally, writing emotional things, not directly depicting the front, but writing on the side, vivid and vivid.
His ci did not expand in subject matter, but still wrote about Zhou Bangyan's love and chanting things along the way. His contribution mainly lies in transforming the expressive art of traditional graceful words and establishing new aesthetic norms.
2. Jiang Kui's words are ethereal and noble, imaginative and natural.
His artistic characteristics can be summarized by Zhang Yan's "empty" word. This kind of emptiness is different from the rough noise of the traditional graceful school and the wild school, and it is also different from Su Shi's emptiness characterized by broadmindedness.
3. Jiang Kui's ci has the characteristics of "emptiness" and "elegance".
Jiang Kui's venting came from Su Shi, and Sao Ya came from Xin Qiji. Su Xin didn't mean to write lyrics, and their ethereal and elegant were realized through poetic ways.
Jiang Kui is the same as Su Xin in quoting poems and auxiliary words, but he deliberately writes words, integrating the rhythm, creative style and aesthetic ideal of words to a certain extent, and combining the emptiness and elegance that are not necessarily related to each other to form a new style of words.
Extended data:
Main work
There are more than 80 existing poems by Jiang Kui, most of which are travel notes and poems chanting things, expressing personal life experiences and feelings of parting, and occasionally revealing feelings about current affairs. His words are sincere in emotion, rigorous in meter, gorgeous in language, quiet and indifferent in style, which means correcting graceful words with fine, hard and clear style.
The representative works Dimfragrance Old Moonlight, Thin Shadow, Moss Branch and Jade Ornament express their worries with Yongmei. His Yangzhou Man Huai Zuo Du Ming is a realistic work. It depicts the broken scene of Yangzhou after the looting of the Southern Song Dynasty, and expresses the mourning for the decline of the Southern Song Dynasty and the hatred for the atrocities of the Southern Song Dynasty.
Baidu Encyclopedia-Jiang Kui