Learn calligraphy must see, the most comprehensive brushwork analysis!

all kinds of calligraphy styles of Zhuanli Zhencao are different from ancient times to the present, only the brushwork has remained unchanged for thousands of years, so all calligraphers in the past dynasties have studied the brushwork intensively. Since the beginning of calligraphy, Qin Lisi's "On the Use of Pen" is the earliest one who has written on brushwork. It is a few words and has no essence, and it has been broken into a forgery. To Mrs. Jin Wei's Bi Zhen Tu, Wang Xizhi's Theory of Gestures, Zhiyong's Eight Methods of Yong Zi, Emperor Taizong's Tactics of Calligraphy, Ou Yangxun's Eight Methods, Yan Zhenqing's Zhang Changshi's Calligraphy, and Hanlin's Secret Theory? Using brushwork, Zhang Huaiguan's Using brushwork and Hanlin's Teaching Invisibility continued to the Song, Yuan, Ming and Qing dynasties, and there are similar works, so I won't elaborate on them one by one. There is a mixture of authenticity and falsehood, and the theory of mystery and mystery scares many beginners of calligraphy! In fact, the most wonderful treatise on writing with a pen is generally recognized as Cai Yong's "Nine Potentials" during the Three Kingdoms period. The book says: hiding, protecting, pecking, licking, plundering, fighting, scaling and strangling, all nine brushstrokes. The use of seal script, official script, truth, line and grass can all be connected.

Xu Qian, a famous calligrapher from the Qing Dynasty to the Republic of China, said in his book A Probe into the Writing Style that these nine writing styles are not enough. Its so-called "scale pen" refers to the sense of uneven shape, which cannot be said to be brushwork. Setting the scale doesn't count, and * * * gets eight potentials, so Xu Qian has improved the eleven potentials and * * * counts the nineteen potentials. It is said: hiding the head, protecting the tail, gaining in the middle, emerging from the front, turning the pen, folding the pen, reciprocating, pecking the pen, licking the pen, sweeping the pen, pulling the pen, fighting the pen, fluctuating, swinging the pen, grabbing the pen, changing the pen, rolling the pen and reversing the pen. This is the complete brushwork in ancient and modern times. Ancient Book Theory Sharing | Day 2 | What is the brushwork? Xin Chou Early Winter October 11th

One

There are two kinds of learners: one is brushwork, and the other is font. The brushwork is refined, although good is evil; The shape is wonderful, although it is still ripe. Learning books can solve this problem, and then you can learn English books.

(Yuan) Zhao Mengfu's Song Xue Zhai Ji

II

Calligraphy is based on the use of a pen, and it also requires labor to knot words. It is not easy to use a pen through the ages. The right army's word potential, the ancient law changed, and its heroic spirit came from nature, so it was thought to be a model from ancient times to modern times. The knot between Qi and Liang Dynasties is not ancient, but lacking in military spirit, which is a unique person, but the ancient method can not be lost.

(Yuan) Zhao Mengfu's Thirteen Postscripts of Lanting

Three

The brushwork is fifty-six words: "The left is pushed and pushed, and the force is reversed; Suspend the side wrist, keep a job and stay cooked; Draw the front in the air, first fast and then astringent; Change the pen at a different place and extract without trace; More accepting and releasing, realizing this is one; Fighting snakes with swords, the front and the road force each other; The cone sand is a metaphor, and the ancient law is now out. "

(Ming) Ni Houzhan's "Ni's Miscellaneous brushwork"

The picture shows the mystery of the brushwork of calligraphers.