He thinks this is the characteristic of Ou Yangxun's running script, but there is a problem, mainly because its size is too consistent. If the running scripts are the same size, there must be a problem. Regular script basically requires the same size, especially small script. Many of our small letters handed down from ancient times, such as He and He, are unique, but their styles are basically the same, especially the so-called boudoir style of many female calligraphers, which is also very beautiful. But we should pay attention to our running script, whether it is running script or cursive script, but it must not be the same size. That's definitely not good. It's patchy, big beads and small beads.
? I want to say here that the Japanese have a history of China's calligraphy, which is very good. There is something that has never been seen before, and we in China have never mentioned it. That is to say, he thinks that our calligraphy works are the two kings system in the Wei and Jin Dynasties, or the feeling of beating-hissing or beating-beating, that is, when using a pen, it is heavy-light or light-heavy. This is a feeling, which has become the norm of our regular script-this is bound to be the highest standard of our regular script, so he pays more attention to it. In Japanese, it means dong-sh-dong, heavy-light-heavy, and each stroke is made like this. This is the real regular script. Tang Jie's authenticity and standardization of China's regular script is the highest peak, including later Zhao Mengfu, who is also a master, but generally not authentic to Tang Jie.
? Therefore, among the four major families of regular script, we demand that we start with three Yan's and then change freely. This is a very standard reason. Then many calligraphers we saw later actually had another flavor, such as our later regular script, which was very standard, such as Wang Chong and Badashan people, including the fine print Magu altar in Yan Zhenqing.
? However, running scripts is completely different. I once met a friend in Tik Tok. His running script is very handsome. He even set up a flag himself, saying that he would write Preface to Lanting Collection 10,000 times in his life, which really made us admire his skillful writing. However, seeing him always feels a little strange. One day, I suddenly woke up, that is to say, his words are all the same size, which is definitely not normal. Therefore, although our running script has several thousand words, there is also a problem in this respect, that is to say, we think that if Ou Yangxun writes this thousand-word script himself, it will never be exactly the same size. Let's take a look at some ink images he left behind, and some of them are also of different sizes. This is the minimum requirement and regulation.
? Then I remember a friend said that we can't write Chinese characters with hard pen. In fact, it has fallen behind, and this is no longer a problem. If so, let's take a look, for example, the calligraphy of Badashan people. Its structure is very strange and unique, but the strokes are the same thickness, that is, there is not much change, because its structure has changed a lot. If the thickness changes greatly again, it will become more and more crazy. We can even say that it is like a pen, as long as we pay attention to the structure, it will not be bad. Of course, this is not the whole picture. This is just an immature idea. If there is anything wrong, please criticize more.
? On the road of calligraphy, the wind and rain move forward. Let's move forward together. Thank you for your attention.