After Qin Shihuang unified China (221 BC), he implemented the policy of unifying weights and measures with the same text for books and the same track for carriages. Prime Minister Li Si was responsible for this. The large seal script (zhou) was originally used in the Qin State. ) text, simplified it, canceled the variant characters of other six countries, and created a unified Chinese writing form. Xiaozhuan is simple and elegant, and is a font favored by many famous calligraphers. Below are the excellent calligraphy works of Xiaozhuan that I have compiled for you. I hope it will be useful to you!
Appreciation of excellent calligraphy works of Xiaozhuan
Pictures of excellent calligraphy works of Xiaozhuan 1 < /p>
Picture 2 of excellent calligraphy works in Xiaozhuan
Picture 3 of excellent calligraphy works in Xiaozhuan
4 Pictures of Excellent Small Seal Script Calligraphy Works
The Evolution of Seal Script
Since the Han Dynasty, most people believe that the large seal script was created by Taishi Zhou during the reign of King Xuan of Zhou (827 BC). . For example, Han calligraphy and literature records 15 chapters of historical records, and Ban Gu notes: ? King Xuan of Zhou Dynasty wrote 15 chapters of large seal scripts. ?Xu Shen also said: ?Xuanwang Taishi Zhen wrote fifteen large seal scripts, which may be different from ancient texts. The ancient script may be different, that is, Taishi Zhou added or deleted the ancient script, so the large seal script is also called "Zhouwen". Therefore, later generations believe that Dazhuan is a form after ancient Chinese writing.
Among the stone inscriptions handed down from ancient times to the large seal script, the Stone Drum Inscriptions are the most representative. This kind of stone tool is undoubtedly the oldest and most credible stone carving relic in China. It is now stored in the Palace Museum in Beijing. "Shigu Wen" plays an important role in the history of calligraphy as a link between the past and the future.
The oldest known rubbings of Shiguwen are the Song rubbings in the Tianyi Pavilion of the Fan family in Ningbo, Zhejiang Province.
The font of Shiguwen is roughly between Zhou Jinwen and Qin Xiaozhuan. It can be seen that it is indeed something from before Qin Shihuang, and it should belong to the system of Zhou Shu. Compared with small seal script, it can be called big seal script, which is the representative work of big seal script. Its font is similar to Xiaozhuan but more complicated, and it is similar to Zongzhou Yi vessels and more regular. It can be called a classic of seriousness and neatness. Kang Youwei, in his "Guangyi Zhou Shuangji", called the stone drum inscriptions: "The fine gold falls to the ground, the grass is clustered in clouds, and it does not bother to trim it, and it has its own uniqueness." The body is slightly square and flat, and the insects and gases are similar. The stone drum is not only the first ancient object in China, but also the first law of calligraphy. It can be said to be highly appreciated. However, after the Northern Song Dynasty, the calligraphy school flourished, and few people started to study it. Until the middle of the Qing Dynasty, the trend of archaeological stele engravings revived, and the stone drum inscriptions were especially highly regarded by calligraphers. Wu Da can obtain the solemn and harmonious charm of his code. Wu Changshuo expressed his ancient and heroic spirit. The calligraphy of both men is of great importance to the present and to future generations.