Wang Quchang is a calligrapher who is as famous as Cao Zhang in modern times. At the age of 3, his mother taught him to read and distinguish four tones. At the age of 4, my father actually awarded the Fuchuan magistrate as the alternate magistrate and went to work in Guangxi, and the whole family followed suit. Uncle Wang gave training books such as "Writing for Meng" and taught him to pick up a brush and "draw red". After reading four books and a stone spear. At the age of seven, he read articles by Han Yu and Liu Zongyuan, and wrote more than 65,438+00 poems, so he was praised as a "child prodigy". /kloc-entered fuchuan county to study at the age of 0/0. 19 1 1 When the Revolution of 1911 broke out, my father returned to Jiaxing. 19 12 years. 14 years old, because of excellent grades, advanced placement into Zhejiang No.2 Middle School. Before I entered the school, I annotated A Brief History of China Literature written by Liu Zigeng, a teacher from No.2 Middle School. Liu Zigeng was overjoyed when he saw it. 15 years old, began to write words on behalf of his father. After dropping out of school due to illness, he used his fingers to write a contemporary pen in his hospital bed, stroking the photocopy of Tang Tuo's Seventeen Posts, and comparing his memories with his paintings. At the onset, the copybook was pressed down, damaged by sweat stains, and replaced with a new one; It's broken again. Change another one. After being ill for more than two years, I changed four posts and had a deep understanding of the calligraphy of Erwang. After recovery, read and attack the Six Dynasties tablet, such as Yanlong tablet. Read Bao's "Art Boat and Double Drum" and pay more attention to calligraphy. 19 17 Summer, Shen returned to Jiaxing from Shanghai. Jeremy often admires him for a long time, but he is afraid to ask him face to face. In the name of "Huang Along", he wrote more than 20 words about the problems he usually encountered in reading and gave them to him for advice, which attracted Shen's attention. During this period, he once again used "Yan" as an excuse to post two quatrains to Shen and was praised as "near Yuxi (Li Shangyin)". The following year, Shen went to visit the grave and accidentally saw his calligraphy. He didn't say a word to his face, and invited him to his residence to demonstrate the next day. In addition, the eight axes of the Zheng Wengong Monument were specially presented to each other. 19 19, Mi Fei formally studied calligraphy, literature, poetry and history with Shen. /kloc-in the summer of 0/920, he made seven pieces of paper from the tablet of Yanlong, seeking truth from Shen. When Kang Youwei was a guest in Shenyang, he corrected it on his behalf and greatly appreciated it. Since studying under Shen, Mi Fei has not only greatly deepened his understanding of Beibei's calligraphy practice, but also learned the methods of scholarly research, which has benefited him a lot. Learn the method of Shen's reading notes, and write 10 volume of "Know Without Recording". Shen believes that learning to be different has a great influence on him. In calligraphy, Shen Zeng quoted him as saying, "If you want to study, you must find a place where your predecessors failed and climb up. It's nothing new to learn from two kings, so it's better to learn from them ... Cao Zhang has become a masterpiece since the Song Dynasty (Ke) and (Yun Ming). Can it rise or fall? " Revealing the artistic orientation, Wang Quchang finally became a master of Cao Zhang. Wang Quchang entered the Wuxi National Studies Museum on 1966 (1920) and studied under the Tang Dynasty. The characteristic of Tang's scholarship is "pragmatic progress", which has become a guide to studying Confucian classics and calligraphy and laid a solid academic foundation. When Guo was 2 1 year-old, he often edited The History of the Three Kingdoms and published it sporadically in newspapers and periodicals. Wang Guowei greatly appreciated it and called it "Wang Sandai". 1924 was introduced by Tang and entered the private Wuxi middle school to teach. 1925 concurrently lectured at Wuxi Institute of Chinese Studies. From 65438 to 0927, he went to Shanghai and taught in the senior high school affiliated to Guanghua University, the preparatory course of Daxia University and the China Literature Department of Fudan University.
The following year, he continued to study hundred schools of thought, wrote a manuscript and learned from Liang Qichao. From 65438 to 0930, he was a professor of Chinese Department of Daxia University, and later served as the head of Chinese Department of Normal University. 1938, Wuxi sinology academy moved from Guangxi to Shanghai and became the permanent provost. During his stay in War of Resistance against Japanese Aggression, he often taught in the History Department of Zhijiang College of Arts and Sciences and the Chinese Department of Jiaotong University. He is very concerned about the fate and future of the country and the nation at the critical juncture of national destruction and death. After the outbreak of the Pacific War, Wang Puppet will take over Jiaotong University. Mi Fei, together with five colleagues, resolutely resigned and left school, determined not to teach for Faye Wong, and called him "Professor Anti-Pseudo-Six". At that time, the president of the pseudo-Central University was an elder in Wang Quchang. He was asked to be the dean of literature three times, but he refused with a poem. During the Japanese and Puppet rule, Guo often lived a clean life and was willing to be poor. The Zeng family ate porridge on New Year's Eve, which showed noble national integrity and was respected by people. His wife, Shen Jingru, also believes that shame is greater than starvation, and firmly supports his patriotic action. During this time, as a private teacher, I managed to make a living for my family. Sometimes there are poems, or resentment of Japanese imperialist aggression, or nostalgia for Jiaxing, the hometown under Japanese occupation. He wrote in the conclusion of Li Huailin's cursive script after the breakup: "The atmosphere at sea is sad and angry." In the poem "Crying for the Fall of Jiaxing, My Hometown", I intoned bitterly: "Six States made a mistake and reported that their hometown was hijacked by fire. Where do you stay like a magpie? Like a child losing milk to territory? When the lights are on in the dream, the tears always disperse. At twenty-four o'clock, the intestines turned a hundred times and stained with clothes for several years. " In the year of War of Resistance against Japanese Aggression's victory, when he learned about the deeds of Yang Daxiong, a student of Jiaotong University, he was filled with indignation and wrote a monument to Yang Daxiong's martyrs in the form of a Zheng Wengong monument, which was full of tragic feelings. His anti-Japanese war poems, such as Eight Hundred Orphans, Wen Bao Ge, Sword Warrior and Hu Martyr Song, as well as articles such as Fear of Japan and Biography of Hu Amao Martyr, all show strong patriotic feelings and express national justice. After the victory of the Anti-Japanese War, Wang Quchang taught in Jinan University. 1949, vice president of China literature institute. From 195 1, he was a professor in the Chinese Department of Fudan University, and later transferred to the Philosophy Department as a professor until his death.
Wang Quchang is famous for his calligraphy. From the age of 50, I have carefully studied the Han bamboo slips of Juyan, Wuwei, Dunhuang, Lop Nur, Loulan and Liusha Zhu Jian, paying attention to the internal relationship between seal script and official script, "trying to integrate Han bamboo slips, silk and pottery in one smelting" and "expanding the field of Cao Zhang". After the age of 60, he was able to read the radical of Shuowen silently and wrote a diary with Xiao Zhuan for six or seven years. After the age of 70, his Cao Zhang calligraphy developed from maturity to uniqueness. His works have been exhibited in France and Japan. The knower commented on the characteristics of Cao Zhang: "There is no pen that does not have the face of the ancients, and there is no pen that does not show its spirit." His Cao Zhang calligraphy art "takes the ancient zee and is refined in Cao Zhang, making it magnificent and magnificent." Japanese calligraphy circles even called it "Wang Xizhi in ancient times and Wang Quchang today". After the age of 80, he wrote plaques for Mount Tai, Yu Temple and Yellow Crane Tower, which was appreciated by millions of people. In particular, the long couplet inscribed for the Yue Temple in Hangzhou is known as the "crown of China".