Zhong You: Calligrapher of the Three Kingdoms. The word Chang was born in Wei Yingchuan (now Xuchang, Henan) of the Three Kingdoms. He is good at all aspects, especially small script, and has created a new look from official script to regular script. And Wang Xizhi of Jin Dynasty was also called "Zhong Wang".
Wang Xizhi: calligrapher of the Eastern Jin Dynasty. Be honored as a "book saint" by the world.
Wang Xianzhi: Wang Xizhi's son, father and son, all have their own strong points in calligraphy, and they can move grass.
Zhang Xu: A calligrapher in the Tang Dynasty. Cursive writing is the highest achievement, creating a unique and unpredictable weed.
Ou Yangxun: A calligrapher in the Tang Dynasty. His calligraphy, with official script as the most.
Yu Shinan, a calligrapher in Tang Dynasty. Wonderful "Two Kings" and brave brushwork, the brushwork is round and vigorous, soft outside and firm inside.
Chu Suiliang, a calligrapher in Tang Dynasty. Calligraphy is unique, second only to Ou and Yu. His regular script is "colorful, flowing and changeable", and later generations called him, Ou Yangxun, Yu Shinan and Xue Ji as the four great calligraphers in the early Tang Dynasty.
Yan Zhenqing: A calligrapher in the Tang Dynasty. Its regular script is vigorous and heroic, and it is called "Yan Ti". Together with Liu Gongquan, it is also called "Yan Liu" and has the reputation of "Yan Liu Jin Gu".
Huai Su: A calligrapher in the Tang Dynasty. Huai Su's "Wild Grass" is ever-changing, keeping pace with Zhang Xu, and is collectively called "Dian Zhang Kuang Cao".
Su Shi: calligrapher of Northern Song Dynasty. Calligraphy is charming in the early years, mellow in the middle years and leisurely in the later years.
Huang Tingjian: calligrapher of the Northern Song Dynasty. Calligraphy draws on many talents, is good at cursive, and has its own style of writing.
Mi Fei: Calligrapher of Northern Song Dynasty. Authentic works, cursive script, official script, seal script and calligraphy are all good, especially cursive script. He calls himself a "writing brush figure", which means that he uses a pen quickly and vigorously, and tries his best to pursue the charm, boldness and strength of "pen" and nature.
Cai Xiang: Calligrapher of Northern Song Dynasty. The world rated Cai Xiang's running script as the first, lower case script as the second and cursive script as the third.
Zhao Mengfu: calligrapher of Yuan Dynasty. All bodies are skilled, especially regular script and Cao Zhang.
Wen Zhiming: A calligrapher in the Ming Dynasty. Calligraphy is exquisite in all aspects, especially running script and regular script.
Zhu Yunming: a calligrapher in Ming Dynasty. Grass and grass will do.
Dong Qichang: A calligrapher in the Ming Dynasty. The cursive script is the most successful of the ancient methods.
Mi: A calligrapher in the Ming Dynasty. Miffy's descendants. The grass is excellent, and it is as famous as Dong Qichang, and it is also called "rice in the northeast, south and north".
Xu Wei: calligrapher of Ming Dynasty. His calligraphy is full of ink and seems unrestrained, but in fact it implies order.
Zhu Da: A calligrapher in the Ming Dynasty. His calligraphy and painting are similar in style and extremely concise.
Jin Nong: calligrapher of Ming Dynasty. Calligraphy creates the style of flat pen, which has both open pen and official pen, and is called "lacquer book".
Deng: A calligrapher in the Qing Dynasty. Seal script is the best, and the achievement of seal script lies in Xiao seal script. His masterpiece, The Couplet of Tang Poems with Seal Characters, is now in the Palace Museum in Beijing.
Qing Dynasty calligrapher Weng Tonghe. In his early years, he mainly studied Ou Yangxun and Chu Suiliang, followed by Zhao Mengfu and Dong Qichang. Later, he devoted himself to learning Zhenqing and gained his character, so that Weng Tonghe's calligraphy combined the strengths of the north and the south and created an old, vigorous and elegant style.