The influence of Jin-Hee Kim

From this outstanding genius, people think of Huai Su's mantle, but Fujiwara Saori is absolutely saturated with national temperament and has a strong personality. The flow of Japanese pseudonyms and the infiltration of elegance alone are what China calligraphers don't have. Approaching Kim Jong-hye of South Korea, we can feel the strong independence, independence and self-improvement of the Korean nation from Kim Jong-hye's calligraphy, which is shocking and exciting. There is such a precedent in history: a theory showed enterprising spirit when it first appeared, and then it gradually declined and even became a conservative force. In the later period of stele study, some authors embarked on a narrow road, while others embarked on the road of the integration of stele study and calligraphy. The revival of stele studies has had an impact on Chen Xiangyin's calligraphy, bringing fresh air and limitations. The decline of cursive script appeared after the middle of Qing dynasty, and cursive script became a major deficiency of calligraphy in Qing dynasty. Today, the concept of "stele study" has been expanded, and people's horizons have expanded a lot compared with more than 200 years ago, facing the broad road of diversified development. The innovation of calligraphy is often in the era of font variation in history. It is impossible for new fonts to appear in the present era, and it is difficult for a new genre with great influence to appear at the moment. The digestion, absorption, complementarity and integration of various fonts and schools will greatly promote the innovation of calligraphy. The creation of calligraphy depends on the renewal of ideas, not only inheriting the ready-made wealth left by the ancients, but also learning the creative spirit of the ancients. Facing the new era of increasingly integrated world, it is almost impossible for traditional art to simply shut out all foreign things. To be unique in the world trend, we must dare to absorb the beneficial elements of the cultures of all countries in the world and always guard the relatively stable elements in the tradition. As a result, traditional national art has gained new vitality.