Characteristics of traditional Chinese painting:
1. The most important thing is to have a well-thought-out conception?
In the creation of traditional Chinese paintings, conception comes first. Many painting theorists They all emphasize this point first, whether they are painting landscapes, figures, or flowers and birds. Zhang Yanyuan of the Tang Dynasty had a discussion about the "Six Methods" in "Records of Famous Paintings of the Past Dynasties": "An image must be similar in shape, and the shape must be complete with its bones. The bones, bones, and shapes are similar. They are all based on the carelessness and end up with the use of the brush." ??He believed that the intention was At the end. Only in paintings can there be abnormality and strangeness.
2. What are the modeling rules of using lines to convey spirit through form?
"Using form to express spirit" is a famous saying by Jin Dynasty painter Gu Kaizhi, which established that spirit is higher than form in Chinese art. Aesthetics. It is very different from the modern European aesthetics that is purely abstract, that is, painting people is not just about appearance. It is also necessary to rise above the level of spiritual resemblance and draw the spiritual outlook of a person, without stopping at imitating appearance or sticking to the reality of nature. This view establishes the height that artists should strive for in art.
3. What are the composition rules of multi-point perspective and calculating white instead of black?
Traditional Chinese painting uses both focus perspective and scattered perspective, which strictly adheres to the true picture. Space and cloth. There are also spaces and white spaces that break the reality and are aligned according to composition needs, so that when objects appear on the screen, they can be according to the artistic needs of the actual objects on the screen.
Extend or shorten to change its image and change its position. A peony flower lower than eye level. It can also be mounted higher than the horizontal line to achieve the best perspective effect.
4. Color according to the category and harmonize with each other - the color rules of Chinese painting?
The colors of Chinese painting are not limited to the limitations of warm and cold tones of the light source, but pay more attention to the inherent color of the object itself. , without emphasizing the conditional color under special light. When you paint an item, you give it the basic color, achieving the harmony of color and object, color and line, color and ink, and color and color.
5. Lively and vivid artistic conception between scenes?
Traditional Chinese painting requires the combination of pen and ink, the combination of emotion and scenery, and the infinitely rich scenes in reality. The painter uses strong images Contagious. Relying on this feeling, the painter aroused the passion to depict these scenes, so the works reappeared as a copy of the scenes, making the scenes blend together.
As for the vivid charm, it is the artistic spiritual realm created by the painter. It is different from ordinary sketches. It should be full of vitality, fresh and lively, with a poetic charm, making the viewer fascinated.
6. What is the unique form of paper and pen for poetry, calligraphy and painting?
Only traditional Chinese painting has the practice of inscription and sealing. Not only literati paintings, but also poems, calligraphy and paintings can be displayed The three unique strengths are that even ordinary paintings must always be inscribed and stamped, so that they can have a strong flavor of traditional art. ?
Inscriptions and poems can enhance or supplement the viewer’s appreciation and understanding of the work, and also enrich the changes in the composition. They set off and highlight each other, embellish and balance the composition. aspect effect. ?
The performance of traditional Chinese painting tools and materials also determines the characteristics of traditional Chinese painting. Traditional Chinese painting uses silk and paper, especially the emergence of raw rice paper, which gives full play to the interest of brushwork and ink color. The permeability of rice paper and the sharp taper of the brush allow the brush tip to change infinitely, producing wonderful effects. At the same time, various imitation and depiction methods, painting methods and brushwork methods were formed.
Extended information
Appreciation
When you first look at Chinese paintings, what you want to appreciate is not just the simplicity of the pictures, but also the exquisiteness of several items.
Painter
A painter’s works can show the author’s achievements. The image of the picture is the specificity of the painter. We often subjectively criticize the quality of the painting because it is most influenced by the painter.
Calligraphy
One of the differences between Chinese painting and Western painting is calligraphy. Chinese paintings are often accompanied by poems, and poems are the soul of the painting. Sometimes a line of poem is like the finishing touch, adding color to the painting, and the calligraphy in the painting also has a great impact on the painting. Most painters who are not good at calligraphy dare not write inscriptions, even though they can only sign. You can also get a glimpse of his skills.
Seals
Common seals on the screen are used in various aspects:
Painter’s seal, inscriber’s private seal, leisure seal, collection seal, appreciation seal, authentication Seals, etc. The engraving of various seals, the content of the seal, and the position of the seal are all included in the review.
Especially ancient paintings often have seals from emperors, famous artists, collectors and connoisseurs, which can prove their authenticity.
Framing
The framing of Chinese paintings is unique, and there are two common types: paper mounting and damask mounting. The paper mounting is thicker, while the damask mounting is finer. The color, width, lining, joints, and mounting work of the border are all very particular.
Skills
The longer a person has been engaged in calligraphy and painting, the more skill he shows that beginners cannot master. Especially calligraphy, the old hands are powerful and vigorous. In terms of traditional Chinese painting, its lines, designs, and imagery also reflect the artist's skill. Therefore, the works of artists with rich life experience often have different expressions than those of younger painters. This is skill.
Layout
The layout seems to be the design of the picture, but it is actually the world in the author's mind, which is reflected in the layout of the picture. There are many differences between Chinese painting and Western painting. The most obvious one is "white space". Traditionally, Chinese painting does not add a background color, so there is a lot of white space. Sparse, dense, gathered, and scattered are called the layout of white space. In the blank spaces, some people filled in the blanks with calligraphy, poetry, seals, etc.
It is also left blank, so the author's uniqueness can be seen from the layout.
Poems
The poems in calligraphy and painting often represent the owner’s voice. A good poem can express the author's connotation and knowledge, and a good poem can also play a finishing touch. For example: "Picture of Village Path and Chaimen" by Zhang Hong, a painter of the Ming Dynasty, inscribed by the artist: "The village path is surrounded by mountains with dark pine leaves, and the Chaimen flows with the fragrance of rice and flowers."
Depicts a courtyard villa surrounded by pine forests and guarded by mountains. , the tall and lush pines are divided into two groups, like two opened folding fans, protecting the villages in the mountain col. The rice fields in front of the village are close to the water, and the countryside is lush and beautiful. It has the meaning of Xin Qiji's poem "The fragrance of rice flowers tells of a good year, and the sound of frogs sounds."
Sealed text
Whether it is calligraphy or painting, there are often "corner-pressed" idle seals. The so-called idle chapter is the blank corner of the picture or calligraphy. The printed text sometimes greatly affects calligraphy and painting. The author's mentality or the environment at that time can also be seen from the printed text. Good sealing, coupled with good engraving skills, can be used to cover calligraphy and painting, making the work more glorious.
Baidu Encyclopedia-Traditional Chinese painting (traditional Chinese painting form)