Several trends in the development of environmental design

from the introduction of the concept of environmental art in 198s to the vigorous large-scale urban construction in China, and the urbanization development of a large number of rural residents moving into cities, it has provided excellent opportunities for the development of environmental art in China. However, all kinds of influences, damages and even disasters brought by the rapid development faced by human beings have put our environmental art design in a severe test. The rapid economic development is accompanied by a lot of waste of resources and environmental pollution, which leads to worrying global problems, facing the exhaustion of resources and the developing countries becoming the factories needed by the world and the source of environmental pollution in the post-industrial era. Therefore, the state has put forward the development strategy of establishing Scientific Outlook on Development and building a resource-saving and environment-friendly society.

At the special stage of China's social development, when human beings are faced with the important task of protecting their living environment and realizing the sustainable development of society, environmental art design, as an art category to improve human living environment and improve the quality of life, as a means to coordinate the relationship between man and nature, should have more thoughts and measures under the background of sustainable development and conservation-oriented society, and establishing sustainable, ecological and humanistic environmental art will become the development direction of environmental art design and practice. Through the guidance of art design, we can guide the transformation of social values, make full use of and carry forward advanced culture, and promote the ecological civilization and harmonious society.

the concept and measures of sustainable development in environmental art design. Environmental art design should form its design concept and corresponding measures to solve the problems of the deterioration of human living environment and the further consumption of available resources. Environmental art design lies in the artistic coordination of spatial functions, and it is not necessary to create artificial natural objects above the environment. What is important is that its design elements not only meet people's actual functional needs, but also meet people's aesthetic spiritual requirements, and pay more attention to people's emotional adjustment and control in the environment, so that the environment can really play a role in cultivating sentiment. The concept of sustainable development, namely Scientific Outlook on Development, refers to "development that not only meets the needs of contemporary people, but also does not harm the ability of future generations to meet their needs". The concept of sustainable development in design is not a simple exchange between environmental protection materials and traditional materials, nor a simple imitation of nature, but a change in design thinking; It is a concrete practice of improving the living environment and making rational use of the environment for systematic and sustainable development. In environmental art design, we must consider the balance between ecological requirements and economic requirements, reasonably select materials, structures and processes, reduce energy consumption as much as possible during use, do not produce environmental pollution and toxic side effects, and are easy to disassemble and recycle, that is, the three principles of small quantity, reuse and energy regeneration.

Try to simplify the design in environmental art, avoid the consumption and occupation of resources due to the complexity of design, and increase the utilization rate of resources. Simplified design is not the same as simple design, and it is not the same as giving up the pursuit of artistic aesthetics. Therefore, simplifying design is not only saving resources, but also satisfying aesthetic and use functions, which has increasingly become an important criterion for evaluating environmental art design works. In the industry, we should further strengthen the development and application of new materials, so that the current advanced high-tech technologies such as information, biology and nanotechnology can serve the field of environmental art and design. In addition to the environmental protection transformation of traditional materials and technologies, we should also strengthen the rational development and utilization of air water resources, solar energy and wind energy. In environmental art design, the concept of sustainable development runs through the whole design process, and the pre-planning, scheme determination, construction, use after completion and even recycling after stopping use are considered as a whole design concept. In every link of the whole process, we should give priority to the concept of environmental protection and energy conservation, and handle the relationship between the artificial environment and the natural environment. For example, the ecological atrium of Kagoshima Architecture Society in Japan is an attempt to apply the concept of ecological architecture to the design of office buildings. No matter in architectural design or indoor environment space, we follow the principle of sustainable development, make full use of natural elements such as wind, water, sunshine and plants by means of conventional design, and carefully design the external wall, sun visor, roof overhead floor and green atrium, so as to create a healthy and comfortable indoor space environment and achieve the maximum energy saving purpose. All sides of the atrium adopt passages, which organically combine the office with the atrium space. Skylights are set in the upper part, and reflective decorative boards are installed at the top of the atrium to make full use of natural light. The green corridor, waterscape and light corridor in the middle fully reflect the greatest integration between man and nature. Through a large number of environmentally conscious designs, it not only reflects the national culture in space, but also makes the best use of natural light, reducing the energy consumption of the building. The concept of ecological design is ecological, and its connotation is to infiltrate the principles of ecology into all human activities, to think and understand problems from the viewpoint of the coordinated development of human beings and nature, and to optimally handle the relationship between human beings and nature according to the specific possibilities of society and nature. The ecological concept of environmental art design should be harmless, pollution-free and recyclable.

The artificial environment brought by industrial civilization is at the expense of the natural environment and resources. In recent decades, the deterioration of human settlements, the lack of resources and the frequent occurrence of environmental events have aroused people's reflection. If a civilization regards plundering and conquering nature as its own value orientation, then environmental pollution and ecological crisis are inevitable. We should not only deal with it by means of modern science and technology, but also break through the limitations of technology and think about environmental protection and the establishment of sustainable ecological civilization in the context of civilization transformation and value recasting. Looking for a new fulcrum of environmental protection from the height of world outlook and values. On the road of developing contemporary China's art design, we are constantly exploring. In a few years, we have gone through the road of others for centuries or even longer, from western classical to western modern, from international ideological trend to regional culture, to today's ecological design. Although the combination of science and art has been raised for a long time, in the field of environmental art design, we can see few examples of successfully dealing with good people and ecological design.

In order to create a harmonious relationship between nature and life in the 21st century, the Aichi World Expo in the new century takes "the wisdom of nature" as the theme, and through this platform of exhibition and communication, it shows how modern science and technology can make the relationship between nature and human life more harmonious, setting an example for the world. In order to embody the theme of "the wisdom of nature", the Expo is carried out in the spirit of "reducing environmental load and sustainable development" from the overall planning and design, venue construction, operation to the end. Minimize the changes to the original topography and reduce the number of new buildings and newly developed buildings. The materials used must be "reused", recycled or "harmlessly decomposed by nature". In addition, all the electricity and energy required by the exhibition halls and venue facilities will be provided by various renewable energy systems located in the venue, including solar power generation, wind power generation, biogas power generation generated by domestic waste fermentation in the venue and four fuel cells. The largest structure "Global Ring Road" is an air ring road connecting buildings. The pavement material on the ground is made of thinning wood and "recycled wood" made of waste wood and resin, which is not only beautiful, but also very comfortable to walk on. The main venue for long-term use allows the audience to personally feel how to use modern technology or ancient wisdom to help the harmony between human beings and nature and reflect the ecological sustainable development. The outer layer of the exhibition hall is a huge cocoon-like bamboo woven cage, which helps to ventilate and shade the inner layer of the building. The inner layer is also a large number of original building materials such as bamboo and wood and some new green building materials with high technology. The exterior wall material is made of starch and food waste. After being discarded, it is fermented and reduced to soil under the action of microorganisms. The roof adopts a new material of "photocatalyst metal plate", that is, a titanium oxide film is coated on the metal surface. Under the action of solar ultraviolet rays, active oxygen will be generated, and then organic matter will be decomposed, and it will be washed by rain. It can also let the water flow through the roof slowly, and use the evaporation of water to cool the roof, thus reducing the air conditioning load in summer.

In order to create a harmonious relationship between man and the environment, the environmental design in many places began to return to the near-natural state or to return farmland to forests. Some of them smashed the cement on both sides of the river and restored it to mud, and even restored the straightened river to its original serpentine shape, which slowed down the water flow and caused many creatures in the water to reappear. It is an unavoidable responsibility for human beings to establish an ecological design concept and create an ecological civilization for the future development of human society. It is the concrete embodiment of human society advancing with the times; It is the inevitable choice of social development. Use less energy and resources to create more social wealth and realize the cycle of material application, product output and recycling. Only by using resources, purifying the environment and returning to nature can there be a brilliant future for mankind.

humanistic design view

culture is the sum of material and spiritual wealth created by human beings in the process of social and historical development, especially spiritual wealth. Culture has regional, national and historical characteristics, and it can also be said to be a psychological and aesthetic demand of people in the process of survival. Different historical periods have different aesthetic needs, and the living and living environment should have certain spiritual connotation and cultural characteristics of the times, which is the humanistic factor in the environment. Modern design brought by industrial civilization makes the world more and more similar and the culture more and more identical. People have experienced the impact and baptism of many thoughts and schools of post-modernism in constant thinking, and their thinking has gradually become clear. The way to explore local and regional design elements in tradition is favored by more and more designers. For a period of time, our national patterns, characters, calligraphy, seals, knots, paper-cuts, colorful dolls, New Year pictures, Facebook and other relics of our ancestors have all been re-excavated and BLACKPINK has appeared, thus creating many outstanding works recognized by the world. The inheritance and development of national excellent culture should not stop at the appearance of these symbols, but should focus on the simple and wise cosmological view of "harmony between man and nature", the natural view of "integration of things and me" and the environmental view of "orderly yin and yang" in China's traditional philosophy. Combining the profound ideological essence of our ancestors with the characteristics and needs of the times to solve the environmental crisis we are facing, there may be more things worth exploring.

In the face of the conflict between global cultural integration and national culture, regional culture, traditional civilization and modern civilization, we have had many hesitations and compromises between inheriting national tradition and western culture, including the absorption of elements such as forms and symbols, and the transplantation and grafting of foreign cultures. In fact, a civilization and culture can only actively select and digest foreign cultures while maintaining the subjectivity of local culture, and transform the parts of foreign cultures that are suitable for our current and future development and progress into organic nutrients of our own cultural body. Japanese culture learned from the west during the Meiji Restoration, and at the same time, it continued to carry forward its own culture, eventually forming the current design style with Japanese characteristics. "The loss of a national cultural innovation means the end of this national civilization". At present, on the basis of the 5,-year-old national culture in China, it is bound to become the development trend of environmental art design to absorb the new scientific and technological achievements of mankind and create a new design culture to solve the current survival crisis and environmental problems faced by mankind, that is, a harmonious, economical and ecological design culture.

history and culture were created by predecessors. The life and continuation of culture depend on the continuous efforts of present and future generations. Facing different living environments and crises, we should take corresponding measures in different historical times. If we can't create new culture, we will face the crisis of development and the decline of our nation. Only by combining our own regional characteristics, historical traditions, realistic scientific and technological level and modern social consciousness can we achieve the goal of creating new national culture and enhancing the national scientific and technological cultural image, and solve the crises and challenges faced by mankind.