Mr. Wang's calligraphy originates from true feelings. In particular, Gong's "Sacrifice to the Nephew", "Contention for Seats" and "Confessions" and other 1000 volumes are all among them. And absorbed nutrition from Jin people, Wei Bei, Wang Duo and Kang Youwei, and formed the style of spear spurge, loose inside and loose outside, magnificent and elegant. Later, he specialized in Zhang Menglong, Wang Runan and modern yellow letters. This horizontal and vertical comprehensive effort has enriched Mr. Wang's books and gradually formed a strong, wild, but harmonious, elegant and idyllic style.
Mr. Wang's success is mainly due to his creativity, talent, courage and insight. One is creativity: the ability of the strong. As a calligrapher, no matter how capable he is, he must turn it into a successful calligraphy work, otherwise everything will be just empty talk. With perfect copying ability, Mr. Wang Can effectively transformed the copying mode into his own pen and ink language and his own personality into a unique pen and ink language. This process is not a simple combination and splicing, but the creativity of a calligrapher. The more talented a calligrapher is, the stronger his personality is. The stronger the calligrapher's personality, the closer his spiritual essence is to tradition. The accurate grasp of this degree is precisely the incisive place of Mr. Wang's calligraphy art.
The second is talent: Mr. Wang's talent is obvious to all, so I dare not comment here. As far as I know, from the perspective of calligraphy alone, his talent is manifested in three aspects: first, his sense of touch. In daily life, Mr. Wang eats hard but doesn't eat hard, and eats hard but doesn't eat soft when writing. Therefore, soft writing needs a pair of strong, soft and beautiful hands to grasp. The so-called feel is to be able to accurately and skillfully convey the feelings of lightness and speed in the intention to the pen end, and then transform them into various beautiful lines and glyphs, so as to reach the realm that the heart yearns for and can reach. Secondly, a talent is a keen sense of Chinese characters, including a keen sense of plastic arts. It is often seen that many of Mr. Wang's early copybooks will draw the lines of the font box according to the top, bottom, left and right structure of the font. When dealing with traditional glyphs, Mr. Wang often takes bold ways of destruction: disassembling the structure and strokes of Chinese characters to shape them according to the situation and arrange them randomly. This is enough to prove that Mr. Wang's unique vision of accepting traditional calligraphy, as well as his artistic rigor, and his other talent is "the greatest tolerance." Mr. Wang Can skillfully applied various schools of calligraphy, brushwork and composition he admired to a work, which changed the stereotype that many calligraphers copied books. As the saying goes, "without the beauty of a hundred schools, it can't be a surprise; If you don't raise the law to the highest level, you can't open a unique domain. "
Third: courage. Courage is the external expression of ability, but this expression must be within the scope permitted by statute law, so-called arbitrary, not overstepping the bounds. Mr. Wang's bold performance is not straightforward and exposed, but implicit and restrained, but always atmospheric and shocking; Its appearance is elegant and peaceful, but there is no lack of boldness and boldness in its bones. Therefore, no matter how different styles, people who have the courage to write books have an aggressive momentum and proud temperament. Mr. Wang's courage comes from his character and knowledge.
The fourth is Mr.' s insight. He who knows knows knows, and he who knows thinks. The so-called knowledge, that is, what you see and know, is the knowledge that is often said to be gained in life practice today. Personal experience is the best way to gain unforgettable understanding. The ancients had the drudgery of being hungry, straining their bones and muscles and lacking their bodies. In life, Mr. Wang was born in the countryside, grew up in the most embarrassing era in New China, tasted the ups and downs, and witnessed the changes of the world. Exercised strong perseverance in a harsh environment; In calligraphy, Mr. Wang has read hundreds of books, so what should he learn from his predecessors and what should he give up. His understanding and establishment of personal style plays a decisive role. Therefore, Mr. Wang's dual knowledge is also a kind of ability, which determines that he studies books, respects tradition, takes its essence and abandons its dross.
In addition, Mr. Wang devoted himself to calligraphy for an impressive time. What impressed me the most was that Mr. Wang got up at six o'clock every morning to stick two sticks of incense, and devoted himself to reading, studying and pondering calligraphy every day. For decades, this is incomparable to most of us. "If the heart is not like a person, diligence can do anything." Mr. Wang's diligence is obvious to all in the circle, which has undeniably played an important role in his artistic career.
Perhaps, Mr. Wang's talent, courage and knowledge have also created his heroism, openness, affection, loyalty and not seeking wealth; Friends get together to chat and entertain themselves, and I don't know when tomorrow will be; Respect the old and love the young, have a family, have a world, have a book, the husband has a heavy sense of responsibility; When a gentleman meets a confidant, he often calls a spade a spade, drinks heartily and gets drunk!
Mr. "Being crazy and belittling the world is really drunk" likes wine, books and the world!
Master Tang Hanji
2006. 10.0 1 Yuji Hantang
Attachment: Mr. Zhang's poem "Self-mockery" and its introduction;
laugh at oneself
Born in the native land, five rivers go to the village.
After several storms, there are many vicissitudes.
The wide world is my classroom.
Studying in the provincial capital and settling in Luyang.
Bad career, hopeless business.
Self-knowledge, self-improvement.
Momo's career is spiritual food.
Bald as a madman.
Han, Wei, Jin and Tang dynasties, forty cold windows.
Thick accumulation and thin hair, personality publicity.
Take books as friends, and friendship is paramount.
Wine helps the pen to flourish, and shame is forgotten.
Introduction: Zhang Yu 19 10 was born in Wuhe, Anhui Province in February. He is now a member of China Calligraphers Association, deputy secretary-general of Anhui Calligraphers Association and vice chairman of Provincial Calligraphers Association ... He loved calligraphy since childhood. Its regular script was written by Yan, Liu and Wei Bei, and its cursive script was based on two drafts of Yan Zhenqing's "Fighting for a Seat" and "Sacrificing a Nephew", which was compatible with Tang, Fei, Huang, Duo, Fu Shi, modern Huang and Lu. Since 1984, his works have been selected into the first cursive exhibition in China, Japan, China and South Korea, the modern international book exhibition and various exhibitions at home and abroad. Xerox is listed in Biography of Contemporary Writers and Artists and Who's Who in the World in the forest of steles in Yunnan, Henan, Hunan and Temple. Anhui Fine Arts Publishing House has published nearly 100 couplets and nave for many years. Calligraphy Newspaper, China Calligraphy and Painting Newspaper, Calligraphy Guide, Youth Calligraphy Newspaper and Friends of Calligraphy all have column reports, and Anhui TV Station and Hefei TV Station all have special reports.