"Seven Rules·Long March"
Modern and Contemporary Times: Mao Zedong
The Red Army is not afraid of expeditions. (fear, difficulty) accent
Thousands of rivers/thousands of mountains/just take it easy. (Wan, etc.) Accent
The winding hills/thin waves. (Teng, Lang) Accent
Wumeng majestic/walking/niwan. (Meng, pill) accent
Jinsha/Shuipai/Yunyanuan. (Water, warmth) accent
Dadu/bridge across/tiesuohan. (Qiao, cold) accent
Gengxi/Minshan/Qianli Snow. (Geng, snow) Accent
After the three armies have passed, they will finish their appearance. (Jun, Ji) Accent
Translation:
The Red Army is not afraid of all the hardships and hardships on the long march, and regards thousands of mountains and rivers as extremely ordinary. The Wuling Mountains stretch endlessly, but in the eyes of the Red Army, they are just like small rolling waves; the Wumeng Mountain is tall and majestic, but in the eyes of the Red Army, they are just like mud balls rolling under their feet.
The turbid waves of the Jinsha River are turbulent, and the rushing water slaps the towering cliffs, giving people a warm feeling. The Luding Bridge on the Dadu River spans the east and west banks, and the swaying iron cables hanging high in the air are filled with chills. What is even more gratifying is that the Qianli Min Mountain is covered with white snow. After the Red Army crossed over, everyone was in a cheerful mood and smiled.
Extended information:
"Seven Rules·Long March" was written in late September 1935 and finalized in October. This seven-rhythm poem was composed shortly before the victory of the Long March after the Red Army soldiers crossed the Min Mountain. As the leader of the Red Army, Mao Zedong had withstood countless tests. Now, with the dawn in front and victory in sight, he wrote this magnificent poem with great enthusiasm and pride.
"The Red Army is not afraid of difficulties in expeditions, and it is just a matter of leisure." The first couplet goes straight to the point and praises the Red Army's brave and tenacious revolutionary spirit of not being afraid of difficulties. This is the central idea of ??the whole article and the artistic tone of the whole poem. It is the beginning of the spirit of the whole poem and the knot of the artistic conception of the whole poem.
The word "not afraid" is the poetic eye of the whole poem. "Just wait and see" strengthens and reiterates "not afraid"; "the expedition is difficult" encapsulates this extraordinary historical process, and "thousands of rivers and mountains" summarizes He wrote about the internal and external implications of "difficulty". This couplet is like a rock falling from a mountain, rolling down, affecting the whole article and shrouding the whole poem.
Starting from the first couplet, the whole poem unfolds two lines of thinking and constructs two time and space domains. One is objective and realistic: "Expeditions are difficult" and there are "thousands of rivers and mountains". ; One is subjective and psychological: "not afraid" and "just take it easy". This forms a strong contrast, casts the vast physical space and the magnificent psychological space of the whole poem, and establishes the powerful and broad tone of the whole poem.