The interval between sentences in ancient poetry

Li Bai has many articles describing the psychology of thinking about women, and Spring Thoughts is one of them. The word "spring" in China's classical poems is usually a pun: it refers to both spring and the love between men and women. The word "spring" in the poem "Spring Thoughts" contains these two meanings. This poem is no different from Yan Qin's spring scenery, and it is far apart. It's sad to think of a woman and a distant husband. She rebuked the spring breeze, which was just right.

The first two sentences: "Your grass in the north is as green as jade, and my mulberry leaves are twisted with green silk branches" can be regarded as "Xing". Generally speaking, the sentences in a poem begin with what you see in front of your eyes, but these two sentences are quite unique because of the spring scenery of Yan and Qin, which are far apart. "Your grass is blue as jade in the north" is a suspense of thinking about women; "All the mulberries here are bent into green branches" is what the master saw with his own eyes.

Logically speaking, it seems a bit awkward to put the unseen distant view and close view on the same screen, and both of them are written from the side of thinking about women, but it is feasible from the perspective of "writing feelings". Imagine: in the middle of spring, the mulberry leaves are lush, and the homesick woman who is alone in Qin is moved by this scene, looking forward to the early return of her stationed husband.

Based on her loving relationship with her husband and her profound understanding of her husband, she expected that her husband in Yan Di would miss home when he saw Beth-like spring grass at the moment. I feel homesick when I see spring grass, and I say "Chu Ci Zhao Hermit".

"Wang Sun can't swim back, and spring grass grows!" The first sentence translated into the language of Chu Ci is naturally seamless. The poet skillfully grasped the complex emotional activities of homesick women, revived the lovesickness between the two places with two spring scenery, and combined imagination and nostalgia with the real scene in front of him, thus creating a wonderful scene of the poem.

It seems unreasonable, but it is used to express the thinking mode of women in the specific environment of spring, which makes people feel true and credible. Spring breeze is provocative, the idea of spring lingers, and spring breeze is reprimand, which is why it is clear and alert. It ended just right.

Unreasonable and wonderful are common artistic features in classical poetry. It is not difficult to see from this poem of Li Bai that the so-called unreasonable and wonderful refers to the more profound expression of various complex feelings in the description that seems to be contrary to common sense and natural feelings.