Throughout the ages, heroes can't be found, but Sun Zhongmou [2] did. The romantic feelings are always blown away by the wind and rain in the dance pavilion (3).
Grass trees in the sunset, ordinary alleys, humanitarian slaves, once lived. Think that year, Jin Ge iron horse, swallowing Wan Li like a tiger [6].
After Yuan Jia's grass and grass, he named the wolf a layman and had to visit the north hastily. Forty-three years ⑽, I still remember that when I watched it, Yangzhou Road caught fire ⑾.
Looking back, there is a crow club drum under the beaver temple. Who can ask, Lian Po is too old to eat? [ 1-2]
The title of this poem is "Looking Back at the Gubei Pavilion in Jingkou". Jingkou is an important town established by Sun Quan, the Emperor of the Three Kingdoms, and was once the capital. This is also the place where Emperor Wudi of the Southern Song Dynasty grew up. Facing the splendid scenery and remembering the heroes in history, people with lofty ideals like Xin Qiji have the proper feeling in the title, the proper meaning in the title, and the words are written from here.
The last film is nostalgic and lyrical. The first sentence and the second sentence, "eternal" is a sense of the times, taking care of the topic of "homesickness"; "Jiangshan" is a sense of reality, which refers to the title "Gubei Pavilion in Jingkou". Standing on the Gubei Pavilion, the author looked at the scenery in front of him and flashed in his mind the heroes who have been all-powerful in this land for thousands of years. His first thought was Sun Quan, the emperor of Wu during the Three Kingdoms period. He has a grand plan to unify the Central Plains. Before moving the capital to Jianye, in the 14th year of Jian 'an in Yu (2009), the capital was built in Jingkou as a barrier to the new capital, defeating the army of the northern invader Cao. But nowadays, heroes like Sun Quan are nowhere to be found. When the poet began to write, he expressed his feelings that his country remained the same, with no heroes and no successors. Later, "dancing pavilions and singing platforms, the romantic atmosphere is always blown away by the wind and rain" is based on the above sentence to enhance a level. Not only can we never find Sun Quan as a hero again, but even the "dancing pavilion and singing platform" he built and the relics reflecting his brilliant achievements were blown away by the wind and rain, leaving no trace. In the next three sentences, the poet thought of the second historical figure related to Jingkou-Emperor Wu of Song. When writing about Sun Quan, first think of his achievements, and then look for his remains; When writing Emperor Wu of Song, his legacy will remind him of his achievements. Then the last three sentences recall the achievements of Emperor Wu of Song. Based on Jingkou, Emperor Wu of Song put down civil strife and replaced the Eastern Jin regime. He made two northern expeditions, destroyed Southern Yan and the later Qin Dynasty, recovered Luoyang and Chang 'an, and almost restored the Central Plains. The author thinks of Emperor Wu of Song's exploits and admires him very much. The last three sentences express the poet's infinite admiration. Heroes left a deep impression on future generations, but heroes like Emperor Wu of Song, his historical relics, can't be found now, only "Coagulation Grass Tree, Ordinary Alley".
In the first part of Ci, ancient meanings are used to express the present feelings, but it is still enlightening. In the following films, the historical significance and realistic feelings revealed by the author through allusions are more profound and hidden.
The three sentences of "Yuan Jia Cao Cao" allude to reality with ancient events and sharply put forward historical lessons. Historically, Song Wendi and Liu Yilong in the Southern Dynasties "had the ambition to restore Henan since they came to power". He failed in three northern expeditions, especially the last one in the 27th year of Yuanjia (450), and the failure was even worse. Before using the troops, he was very excited when he heard the northern expedition plan of Peng Cheng's prefect Wang and Chen, and said, "Wen and Chen said that people have the intention of sealing wolves in their houses." "There are wolves in the house" means that you have the confidence to win the Northern Expedition. At that time, the Northern Wei Dynasty, which was divided in northern China, was not without gaps; Compared with the military strength of the north and the south, the north is not dominant. If we can plan properly and think twice before acting, we can win the battle and recover some lost ground. There is no eagerness for Song Like Wendi to do things here. He goes into battle lightly. As a result, not only did it fail to achieve the expected victory, but it led to Tuoba Tao's massive invasion of the Northern Wei Dynasty and the collapse of the national situation. This historical fact provided a thought-provoking historical lesson for the reality at that time. The author uses the past and present to insinuate the reality and sharply reminds the rulers of the Southern Song Dynasty to learn from their predecessors and their own historical lessons.
From the beginning of "forty-three years, I still remember it, the blazing road of Yangzhou", from nostalgia to today's injury, I contacted myself and the current situation of resisting gold to express my feelings. The author recalls that forty-three years ago, the people in the north rebelled against foreign rule in full swing, and also participated in the war-torn struggle against gold in northern Yangzhou. Later, after crossing Huainan to return to China, I wanted to restore the Central Plains with national strength. Unexpectedly, the Southern Song Dynasty court was groggy and powerless, which made his hero useless. Now that I have become an old man, my ambition is still hard to waste. Xin Qiji's recollection of the past is overwhelming.
The "looking back" in the last three sentences should be followed by another sentence, from recalling the past to writing about the real situation in front of you. What is worth discussing here is that beaver was the emperor of the Northern Wei Dynasty, which has been seven or eight hundred years since the Southern Song Dynasty. People in the north worship him as a god. Seeing this scene, Xin Qiji couldn't bear to look back on the "bonfire Yangzhou Road" of that year. Xin Qiji used "the beaver" to refer to the gold owner Yan Hongliang. Forty-three years ago, Wan Yanliang sent his troops to invade the south. He took Yangzhou as the base for crossing the river, and was also stationed on Guabu Mountain where the Beaver Temple was located, and strictly supervised the crossing of the river by the nomads. Compared with the past, the beaver naturally becomes a bright shadow. Today's "under the beaver temple, there is a crow club drum" and "forty-three years, a bonfire on Yangzhou Road" have formed a sharp contrast. At that time, the people in the occupied areas waged an indomitable struggle with foreign rulers, and smoke filled the air. But now that the Central Plains has been calm, the people in the occupied areas have been content with foreign rule, so it is sad to worship foreign monarchs. I can't bear to look back, but I can't bear to witness the facts in front of me. In this way, it is urgent to tell the rulers of the Southern Song Dynasty to recover lost territory. If we drag on, the people's hearts will wither and the Central Plains will never be recovered.
Finally, the author compares himself to Lian Po, which is very apt and rich in connotation. First of all, he expressed his determination. Just like Lian Po who served Zhao, he was loyal to the court. As long as he uses it, he will do his best and rush to the battlefield to resist gold and kill the enemy at any time. The second is to show my ability. Although I am old, I am still as strong as Lian Po, and I can be the coach of the Northern Expedition. The third is to express anxiety. Lian Po had made great contributions to Zhao, but he was victimized by traitors and left his hometown. Although he is willing to serve his country, he has no choice but to serve it. The poet regards Lian Po as his own situation and fears that he may make the same mistake again. The court abandoned it and didn't believe it, so he couldn't display it and his ambition couldn't be realized. Xin Qiji's worry is groundless. Sure enough, Han Biaozhou and his gang didn't listen to his advice and were dissatisfied with his suspicion. On the eve of the Northern Expedition, they dismissed him in the name of "improper employment". Xin Qiji's desire to contribute to the great cause of recovery failed again.
Although there are many allusions in this poem, they are perfectly and appropriately used. Their function and energy in language art are not directly described and narrated. As far as this poem is concerned, many allusions are not small, which is Xin Qiji's shortcoming, but it reflects his special achievements in language art.
The whole poem is heroic and sad, full of righteousness and affection, radiating the glory of patriotism. The use of words and allusions is natural and closely related to the theme, which enhances the persuasiveness and artistic beauty of the works. [