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Huaifengzao is a collection of Chinese poems in Nara era in Japan, which contains 120 works by 64 poets in the 80 years since the near river. By combing and summarizing the geographical location and landscape expressed in the poems.
It can be seen that Huaifengzao poets prefer to quote allusions in China's books to describe geographical images, which reflects the Japanese yearning for China culture and mainland geographical landscape in Nara era.
It can be seen that many poems in Huai Feng Zao are regarded as works imitating the Wei, Jin and Six Dynasties, no matter from the content, style or writing techniques of China's poems. It can be seen that the Nara era was the primary stage for Japanese people to learn Chinese poetry, and they could only imitate Chinese poetry at that time mechanically, but could not express their feelings freely with Chinese poetry.
It is said that the editor is Minlang Tan Hai, one of the "first literati" in Nara. Huai Feng Zao is the earliest collection of Chinese poems in Japan, which was written in Tian Ping's Sheng Bao for 3 years (AD 75 1). This collection of China's poems contains about 120 China poems, which were created by 64 authors, from Jinjiang Dynasty to Nara Dynasty.
The contents of poems are mostly public banquet poems such as banquets and imperial edicts, followed by sightseeing poems, and less lyric poems, such as Qixi poems. The poetic style imitates the poems of the Six Dynasties and the Early Tang Dynasty. At the same time, Huaifengzao is also a valuable material to understand the spiritual life of Japanese intellectuals at that time.