1. Translation, Annotation and Appreciation of Qinyuan Chunxue in Junior High School Classical Chinese
Appreciation:
The upper part of the poem describes the scenery, and the writing is majestic from the beginning. In the word "Baoju", the aesthetic vision of "carrying the blue sky and looking down" gives an overview of the rivers and mountains of the northern country. The Great Wall and the Yellow River have extremely rich historical and cultural heritage, and their momentum is dyed with "wild" and "roaring" friendship. As the image of the poem, they appear particularly heroic and noble. The mountains and plateaus are not only full of energy and vitality, but also show a fearless spirit of resistance. They want to compete with the aloof "God"; every "dance" and "gallop" seem to have won the challenge. In the three sentences at the end, the poet has a wonderful idea and writes about the snowy sky and clouds to describe the sunny snowy scene with scattered clouds, blue sky and warm winter sun. As the saying goes: "If a woman wants to be pretty, she must be filial." The beautiful woman wears plain clothes, her beauty is pure and elegant, her delicate beauty and plain beauty complement each other, making her even more beautiful. The poet uses the metaphor "wrapped in red" to describe the snowy scene on a sunny day in the north. It is indeed "extraordinarily enchanting"!
On the history of Ci. The first and second sentences are called "passing sentences" in terms of structure, and they play the role of connecting the previous and the lower. The previous sentence is an affectionate compliment, and the next sentence connects the two pieces seamlessly. Then, the poet used the word "cherish" with a strong sense of passion to lead the mood, counting the famous emperors such as Qin Shihuang, Han Wu Emperor, Tang Taizong, Song Taizu, Genghis Khan, etc., and recognized that they were "compromising" for such a beautiful country. The heroes also commented on their historical limitations: "slightly inferior to literary talents", "slightly inferior to ***", "only capable of bending bows and shooting big eagles". It is undeniable that they were all giants of the historical era in which they lived and made certain contributions to the development of the Chinese nation. However, they all had "a reactionary side of feudalism", that is, they had a negative influence on the vast majority of people politically, economically and even culturally. The people's cruel rule, exploitation and deprivation have plunged the people into poverty and ignorance. Qianqiu's meritorious deeds, the poet's response to Qin Shihuang. Han Wu and others commented on the aesthetic meaning. The last three sentences of the poem are the most powerful poems in the whole poem. They are ambitious for all generations and transcend the past. They fully express the pride of the proletariat in shouldering the historical mission and the self-confidence in completing the historical mission. As history has developed to this day, the proletariat, and only the proletariat, can create great achievements that have never been seen in human history.
2. Appreciation of ancient poems and essays throughout junior high school
Introduction to the reading and appreciation work of "Long Song Xing": Han Yuefu "Yuefu" was originally an official office in charge of music in ancient times. During the Qin and Western Han Dynasties, Emperor Hui had a "Yuefu Order" ". The Yuefu during the reign of Emperor Wu of the Han Dynasty was large in scale, and its function was to be in charge of the music used in the court, as well as folk songs and music. After the Wei and Jin Dynasties, the poems collected and sung by the Yuefu agencies of the Han Dynasty were collectively called Yuefu poems. The poems created by the Han Yuefu The basic principle is "feeling sorrow and joy, arising from events" ("Hanshu Yiwenzhi"). It inherits the fine tradition of realism in "The Book of Songs" and broadly and profoundly reflects the social reality of the Han Dynasty. Han Yuefu is the most artistically Its outstanding achievements are reflected in its narrative aspect. Secondly, it is good at selecting typical details and expressing the character's character through the words and deeds of the characters. Its forms include five-character, seven-character and miscellaneous words. What is particularly worthy of attention is that the Han Dynasty Yuefu has produced A number of mature five-character poems have been produced. Most of the Yuefu poems handed down from the Han Dynasty have been included in the "Yuefu Poetry Collection" compiled by Guo Maoqian of the Song Dynasty. Original text: Sunflowers in the green garden, the morning dew waits for the sun. Born with brilliance. I am always afraid that the autumn festival will come, and the leaves of the yellow flowers will fade. Hundreds of rivers will reach the east to the sea, when will I return to the west? The young will not work hard, and the old will be sad. Note: This poem is selected from the Yuefu of the Han Dynasty. The Yuefu was the imperial court established since the Qin Dynasty. The music institution was greatly expanded during the reign of Emperor Wu of the Han Dynasty, and a large number of poetry works were collected from the people, with rich content and a wide range of themes. This poem is one of them. Changgexing: the name of a Han Yuefu tune. Kui: an ancient type Vegetables. Xi: sun-dried. Yangchun: spring, when the sun and dew are abundant. Bu: spread, spread. Deze: favor. Qiujie: autumn. Festival, season, season. Kunhuang: withered yellow. Hua: Same as "flower". Bad: For the sake of rhyme, it can be read according to the ancient pronunciation. Baichuan: countless rivers, rivers, rivers. Tu: In vain, in vain. Today's translation: The sunflowers in the garden are lush and green, rising under the crystal dew in the sun. . Spring spreads hope all over the earth, and everything appears prosperous. I am often afraid that the chilling autumn will come, and the leaves will turn yellow and the grass will wither. Hundreds of rivers are rushing eastward to the sea. When can young people return to the west? If you don't work hard in time, you will only regret your whole life when you grow old. Appreciation: This poem starts with "Sunflower in the Garden", and then uses the metaphor of water flowing to the sea and never returning, indicating that time is like running water, once it goes away, it will never come back. Finally It persuades people to cherish their youth, work hard, and not regret it when they are old. This poem uses material to make sense, first using the sunflower in the garden as a metaphor. "Green" refers to its lush growth. In fact, the sunshine and rain throughout the spring Underneath, all things are striving to grow. Why is this? Because they are all afraid that autumn will come soon, and they are well aware of the truth of the autumn wind withering the grass. The rhythm of life in nature is like this, and life is not like this. If a person does not take advantage of it, Working hard in a good time will waste youth in vain, and it will be too late to regret when you are old. This poem reflects the perishability of life from the youthful beauty in front of you, and encourages young people to cherish time, give warnings, and inspire others. Brief comment: This is a famous piece of ancient Yuefu poetry in the Han Dynasty. The poem uses a series of metaphors to illustrate that we should cherish time and work hard early. The first four sentences of the poem describe to us a bright spring scene, with green sunflowers in the garden. There is still dew on the vegetables. After the morning sun rises, the dew is dried, and the sunflower seeds are bathed in sunshine again. Everything in the world is benefited by the rain and dew of nature in spring, and glows with incomparable brilliance. However, when autumn comes, , they will all lose their bright luster, become yellow and wither. Everything has its ups and downs, and people also have a process from youth to old age. Time is like the water of a big river, flowing eastward into the sea, and is gone forever. Come back. If we don’t cherish time and work hard when we are young and strong, we will only be sad in vain when we grow old! Ambition Author: Wang Ji Era: Tang Genre: Wulu Category: Unknown Donggao looks forward to the dusk, where can he rely on for migration? The trees are all in autumn colors, and the mountains are only covered with the setting sun.
Herdsmen drive calves back, hunting horses return with poultry. We care about each other but don't know each other, and we sing long songs and cherish the flowers.
Comments: This poem is known for its simplicity and naturalness in art. The whole poem is about the mountains and fields in autumn colors. In its leisurely mood, it also reveals the poet's inexplicable depression of being helpless.
[Notes] (1) Donggao: Donggao Village in Hejin County, Shanxi Province, where the poet lived in seclusion. (2) Yiyi [pronounced "Xiyi"]: wandering and wandering.
(3) Luohui: the afterglow of the setting sun. (4) Calf: calf.
Picking Wei: "The Book of Songs. Zhaonan. Cao Chong" has: "I moved to the southern mountain and talked about the weeds. I have not seen a gentleman, and my heart is sad."
Also in "The Book of Songs" "Xiaoya. Picking Wei" has: "When you pick weeds and pick weeds, the weeds also stop. When you say return, you say return, and the years don't stop. It's because of the 猃狁 that the city is wandering and the home is sluggish. It's because of the 烋狁 that it's because of the 烋狁". The meaning of the two poems is implicitly used here to express one's depression.
[Translation] At dusk, I stood at the head of Donggao Village and stared, wandering and having no idea in my heart. Every tree is withered and yellow, and every mountain peak is painted with the afterglow of the setting sun.
Children herding cattle return home on calves, and hunters bring back prey on steeds. Seeing these people whom I didn't recognize, I felt depressed, so I sang a poem about "picking up the weeds and picking up the weeds" in the Book of Songs.
----------------------------------------------- -------------------------- "Ambition" is written about the autumn scenery of the mountains and fields, in a leisurely mood, with a bit of hesitation and peace. Anguish is Wang Ji's masterpiece. "Looking at the dusk in Donggao, where can I rely on when I move?"
Gao is a land by the water. Donggao refers to a place in Longmen, Jiangzhou, his hometown.
After he retired to seclusion, he often traveled to Beishan and Donggao, calling himself "Donggaozi". "Yiyi" means wandering.
"Where can I rely on?" is adapted from Cao Cao's "Dan Ge Xing", which means "there are few stars in the moon, the black magpie flies south, and it circles the tree three times, and there is no branch to rely on", expressing the bored and hesitant mood. . The following four sentences describe the scenery seen in the dusk: "The trees are all in autumn colors, and the mountains are only covered with sunset.
The herdsmen drive their calves back, and the hunting horses and birds return." Looking around, there is autumn color everywhere. It looked increasingly bleak in the afterglow of the setting sun.
Against this quiet background, close-ups of the shepherd and hunting horses bring a pastoral pastoral atmosphere to life, making the whole picture come alive. These four poems are like an autumn evening picture of a mountain home, with light and color, distant and close-up views, static and dynamic, all perfectly matched.
However, Wang Ji could not find solace in the countryside like Tao Yuanming, so he finally said: "We care about each other without knowing each other, and we sing and pick flowers for a long time." He said that he was lonely and helpless in reality, so he had no choice but to reminisce about ancient times. The hermit made friends with people like Boyi and Shuqi. 3. Complete interpretation of the text translation on the cover of high school classical Chinese
Commonly used words in high school classical Chinese to search for love ài ① Have deep and sincere feelings for people or things "Erya": "Hui, love."
"Fa Yan": "A gentleman loves himself and is benevolent." "Zuo Zhuan·Yin Gong Year": "I love Uncle Duan and want to establish him."
Du Mu's "Mountain Journey" ": "I parked my car and sat in the maple forest at night, the frost leaves were as red as the flowers in February." "Warring States Policy": "Parents love their children, and their plans are far-reaching."
Cui Xian of the Ming Dynasty " "Recording the Three Incidents of Wang Zhongsu Gong Ao": "The Duke's wife loves her daughter very much." - Han Yu of the Tang Dynasty's "Teacher's Theory": "If you love your son, choose a teacher and teach him."
"Han Feizi·Wuzhe" : "It's not love for strangers." ② Love between men and women [love] "Four Ancient Poems" No. 3, see "Selected Works" Volume 29: "We are married as husband and wife, and there is no doubt about the love between the two."
< p> "Warring States Policy·Qi Ce": "There are men in Mengchang's family who are in love with your wife." ③ Yuan Mei's "Sister Sacrifice" of the Qing Dynasty: "I love to hear the ancients' righteous deeds."——Song Dynasty Zhou Dunyi's "Shuo on Love of Lotus": "Tao Yuanming of Jin Dynasty only loved chrysanthemums." ——Du Mu's "Ode to Afang Palace": "Qin's love is extravagant, and people also miss their home."
④ Care and care "Historical Records·Chen She Family": "Wu Guangsu loves people." "Three Kingdoms·Fang Ji Biography": "If you love well, you will be healthy in one year."
⑤ A certain behavior often occurs, which is easy to happen Some kind of change. Such as: love to lose temper; love to rain ⑥Cherish, cherish "Book of Rites·Biaoji": "I can't help him."
Note: "I still cherish it." Su Shi's "Lun Hou": "How can a son with a lot of gold not die from a thief? His body is lovely, but a thief is not enough to die."
"The Analects of Confucius·Eight Hundreds": "You love his sheep, I love his etiquette." Liu Zongyuan's "Refutation of Revenge": "It is righteous not to love death."
Song Dynasty Wen Tianxiang's "Preface to the Guide": "At this point in the state affairs, I cannot love my body." - ⑦ Reluctant; stingy "Mencius" · King Hui of Liang, Part 1": "Although the state of Qi is small, why should I love an ox?"
"Mencius · King Hui of Liang, Part 1": "All the people love the king." "Laozi" Chapter 44: "Therefore, if you love too much, you will spend a lot of money, and if you hide too much, you will be rich and perish."
Han Jia Yi's "On the Passage of Qin": "If you don't love the fertile land with precious treasures and treasures." ⑧ Greedy "History of Song Dynasty·Yue Fei Biography": "Civil officials do not love money, military officials are willing to die, and the world is peaceful."
⑨Friendly "Zuo Zhuan·Yin Gong Three Years": "Brothers love and respect younger brothers." ⑩ Compassion, pity, sympathy "Zuo Zhuan·The Twenty-Two Years of Duke Xi": "If you love someone who is seriously injured, then do it as if you don't hurt it; if you love someone with two hairs, then treat it like a submissive one."
Press: àn①Use your hands Press. "Mengxi Bi Tan · Trapboard": "Press the surface with a flat plate, and the characters will be as flat as a stone."
"Shuowen": "Press, to lower. It means that the hand suppresses the object and makes it lower."
"Historical Records·Jianghou Zhoubo Family": "Then the emperor pressed the bridle and walked slowly." "Historical Records·Xiang Yu's Benji": "King Xiang pressed his sword and sat down and said."
② caress, hold. "Tombstone Story of Five People": "Tiqi moved forward with his sword."
③Control, restrain; put down. "Zi Zhi Tong Jian·Battle of Chibi": "Why don't you just tie up your armor and fight from the north."
"Guan Zi·Ba Yan": "Use the strong to help the weak." ④ Check and inspect.
Gao Qi's "Shu Bo Ji Zhe Shi": "The envoy Zang, an upstart, will go to Yuan via the county." 5. Verification, inspection.
Zhang Pu's "Tombstone Notes of Five People": "In response to the rebellion of the Wu people, they invited the court to punish the five people." This is the original meaning of "notes".
6. Pass "An". Settlement; stability "Book of Han·Gaodi Ji": "I have removed the Qin Fa, and the officials and the people have remained as before.
"
"Three Kingdoms: Biography of Guo Huai": "More than 3,000 Rou Di were caressed and moved to Guanzhong. "White: bái① white.
"Historical Records: Hongmen Banquet": "I hold a pair of white jade to offer to the king. "[Bai Ding] A person without fame.
Liu Yuxi's "Humble Room Inscription": "There is no Bai Ding. "Poetry·Qinfeng·Jianjia": "Jianjia is green, and the white dew is frost." "
——"Xunzi·Honor and Disgrace": "The eye can distinguish white from black, beauty from evil. "-"Warring States Policy·Yan Policy": "When the prince and guests know one of them, they all wear white hats to send him off. "
②Bright, bright. Du Fu's "Henan and Hebei were taken back by the government troops": "You must indulge in drinking when singing during the day, and youth is a good companion for returning home. "
Li He's "To the Wine Shop": "When the rooster sings, the whole world becomes white. "③ Pure and bright.
Bai Juyi's "Pipa Xing": "I only see the white moon in the middle of the river in autumn. "Yu Qian's "Song of Lime": "It's terrible to have your body broken into pieces. You must leave your innocence in the world. "
④ Understand; wash away the snow. Gao Qi's "Shu Bo Ji Zhe Shi": "However, it is useless to make your injustice not clear. "
⑤Report, tell. Liu Zongyuan's "Biography from Tong District": "The empty official is Baizhou, and the state is Baidafu. "
⑥ Significant. "Xunzi·Tian Lun": "If etiquette and justice are not added to the country, the merits will not be in vain. "
⑦Sincerity; Frankness. "Zhuangzi·Heaven and Earth": "If the conspiracy is in the heart, it will be pure and unprepared. "
Slander: bàng ① Publicly accuse others of their faults. "Warring States Policy·Zou Ji Satirized the King of Qi and Accepted Admonitions": "Those who can slander and ridicule the city and court and hear the ears of few people will be rewarded. "
"Shuowen": "Slander means slander. " Note: The truth of the slanderer is different from the false accusation.
The big words are called slander, the small words are called slander, and it is called ridicule. ② Slander, slander.
"Historical Records·Qu Yuan "Biography": "If you believe, you will be doubted; if you are loyal, you will be slandered. "③Curse.
"Zuo Zhuan: The Twenty-seventh Year of Duke Zhao": "Anyone who enters the palace will slander Ling Yin. "Bang: (1) Bào① is violent.
Pu Songling's "Promoting Weaving": "If you tease it repeatedly, the insect will be furious. "②Suddenly, suddenly.
"Lu's Spring and Autumn Period·Cha Jin": Stormy water is beneficial, Jing people don't know it." ③Irritable, impatient.
"The Peacock Flies Southeast": "I have a biological father and brother who are as violent as snow." ④ Brutal and brutal.
"Historical Records·Chen She Family": "The general was strong and sharp, and he attacked the unjust and punished the Qin Dynasty." 5. Bullying and infringement.
"Shishuo Xinyu·Zhou Chu": "There are dragons in the water and white-fronted tigers in the mountains, and they all violently attack the people." ⑥ Disaster, disaster.
Ji Yun's "Tang Weng Hunts Tigers": "There is a tiger violence near the city." 7.
Exposed, revealed. Sima Qian's "Book of Reporting to Ren An": "The merits of his defeat are enough to expose the world."
(2) pù①Shay. "Xunzi Encouraging Learning": "Although there is violence, if you can no longer stand up, let it be so."
②Exposed. Su Xun's "Treatise on the Six Kingdoms": "Sijue's ancestors exposed themselves to frost and cut thorns to create a sizeable land."
③ Revealed. Zhang Pu's "Tombstone Notes of Five People": "It is because Liaozhou Duke Zhou was loyal to the court, and he was given a posthumous title, beautiful appearance, and glory after his death."
Bēi: bēi① low, low. "Zizhi Tongjian·Battle of Feishui": "The southeast is humid and humid."
② Low status, humble, lowly. Zhuge Liang's "Chu Shi Biao": "The late emperor did not think that his ministers were despicable, and he was in vain. He looked at his ministers in the thatched cottage three times.
③ Demeaning, lowering. "Han Feizi·Youdu": "The name of the humble master , to show off oneself. "
④ Inferior, poor. Song Lian's "Preface to Ma Sheng in Dongyang": "Some of his profession is not good, but his virtue is not. 4. Junior high school classical Chinese (simple)
It’s easy to finish drinking, _ (to) ___________ (2) Hold a wine glass and compose a poem, drink _ (wine glass) ____________-
2. Article From the aspects of thought, personality, hobbies, and living conditions, he created an image of _(Hermit)________ and praised him_(Indifferent to fame and fortune, not envious of honor and gain, clean and self-sufficient, not complicit in the secular world, happy with poverty, returning to nature___)_ _The spirit of _
3. According to current understanding, the word "not seeking a thorough understanding" has a derogatory connotation. Why is it "good at reading, not seeking a thorough understanding"?
__Because Mr. Wuliu is not studying for fame and wealth, it is just a hobby ____________________________ 5. Detailed explanations of all ancient Chinese in the eighth grade
The translation of the eight ancient Chinese in the People's Education Press is as follows: Peach Blossom Spring During the Taiyuan period of the Eastern Jin Dynasty, there was a man from Wuling who took fishing as his occupation.
One day he rowed along the stream and forgot the distance. Suddenly I came across a peach blossom forest. The peach trees sandwiched both sides of the stream for hundreds of miles. There were no other trees in the middle. The vanilla on the ground was bright and beautiful, and the falling petals were numerous and mixed.
The fisherman was amazed by this beautiful scenery. Going forward, I want to finish the peach forest.
The peach grove disappeared where the stream originated. Then I saw a mountain with a small hole on the mountain, and there seemed to be light inside. The fisherman abandoned his boat and entered through the entrance of the cave.
At first, the entrance to the cave was very narrow, allowing only one person to pass through. After walking for a few dozen more times, it suddenly became open and bright.
The land here is flat and open, with neat houses, fertile fields, beautiful ponds, mulberry trees and bamboos. The fields and paths are intertwined, and the sounds of cocks and dogs can be heard in the villages.
People there come and go to work in the fields, and the men and women are dressed exactly like the people outside the Peach Blossom Spring. The old people and children are all leisurely and happy, enjoying themselves.
When people in Taoyuan saw the fisherman, they were surprised and asked where the fisherman came from. (The fisherman) answered him in detail.
He invited the fisherman to his home, served wine, killed chickens and cooked meals. When people in the village heard that there was such a man, they all came to inquire about him.
They themselves said that in order to avoid the disasters of the Qin Dynasty, their ancestors led their wives, children and fellow villagers to this place that was isolated from the world. They never left here again, so they communicated with the people outside the Peach Blossom Spring. Isolated. They asked what dynasty we were in now, but they didn't know that there was a Han Dynasty, let alone the Wei and Jin Dynasties.
The fisherman told them in detail what he knew about the situation one by one. After hearing this, those people sighed with regret. The other people invited the fisherman to their homes and entertained him with wine and food.
The fisherman stayed for a few days, then said goodbye and left. The people here told him: The situation here is not worth telling the world outside the Peach Blossom Spring.
After the fisherman came out, he found his boat and went back along the old road, marking everything along the way. Returning to the county, he went to see the prefect and reported the situation.
The prefect immediately sent someone to follow him to look for the mark he had made before, but he lost his way and could not find the original road again. Nanyang Liu Ziji, a noble scholar, heard about this and happily planned to go.
It was not realized and he died of illness soon after. After that, there were no more visitors.
Inscription on the Humble House 1. If the mountain is not high, it will be famous if there are immortals. If the water is not deep, if there is a dragon, it will be spiritual.
To be, to be. Noun, verb, famous.
Spiritual, efficacious, magical. Translation: A mountain is not high, it is famous if there are immortals.
Water does not depend on its depth, as long as there is a dragon, it will be effective. 2. This is a humble house, but I am virtuous.
Si, demonstrative pronoun, this, this. Only, only.
Xin, here refers to high moral character. Translation: This is a simple house, but my moral character is noble (so it doesn’t feel simple).
3. The upper steps of the moss marks are green, and the grass color is green into the curtain. Go up, grow to, spread to.
Translation: Traces of moss are green and grow on the steps; green grass is reflected in the bamboo curtains. 4. There are great scholars when talking and laughing, but there are no idle people when coming and going.
Hongru, a great scholar with profound knowledge. Hong, Tong "Hong", big.
Bai Ding, a commoner, here refers to a person with little knowledge. Lianglai is a compound word with partial meaning, and the meaning of the word is focused on "lai".
Translation: Those who come here to talk and laugh are all erudite scholars, and there are no people with shallow knowledge to associate with. 5. You can tune the piano and read the Golden Sutra.
Tune, play. Plain Qin, a Qin without decoration.
The Golden Sutra is a Buddhist scripture written in gold. Translation: You can play the undecorated guqin and read Buddhist scriptures written in gold.
6. There is no messy ears of silk and bamboo, and there is no laborious shape of case documents. Sizhu, here refers to the sound of playing music.
Official documents from the government. In other words, the independence of the sentence is cancelled, and no translation is performed.
Lao, to make... tired. Shape, form, body.
Translation: There is no music to disturb the eardrums, and no official documents to tire the body. 7. Zhuge Lu in Nanyang and Yunting in Western Shuzi.
Translation: There is Zhuge Liang’s thatched cottage in Nanyang, and there is a pavilion like Yangtze Cloud in Western Shu. (Although they are simple, they are admired by people because the people who live there are famous.)
8. Confucius said: "Why are they so simple?" Translation: Confucius said: "What is so simple? "Ailian said that there are many lovely flowers of various grasses and trees on the water and on the land. Tao Yuanming of the Jin Dynasty only loved chrysanthemums.
Since the Tang Dynasty, people in the world have loved peonies very much. I only love the lotus. It grows out of the mud but is not polluted. It has been washed in clear water but does not look charming. Its stems are straight in the middle and straight in appearance. They are not involved or branchy. The fragrance spreads far away, and becomes even more fragrant. It stands upright and clean. You can watch it from a distance, but you can't get close and play with it lightly.
I believe that the chrysanthemum is the hermit among flowers; the peony is the precious one among flowers; and the lotus is the gentleman among flowers. well! Tao Yuanming rarely heard of his hobby of chrysanthemums.
Who else is interested in lotuses like me? Of course, there are many people who are interested in peonies. He Zhou records that during the Ming Dynasty, there was a man named Wang Shuyuan who was particularly dexterous. He could use wood one inch in diameter to carve houses, appliances, people, as well as birds, animals, trees, and stones. He could imitate the shapes of those things according to the original shape of the wood. Each has his or her own mood.
Wang Shuyuan once gave me a small boat carved from a peach stone. It turned out to be a boat trip by Su Dongpo to visit Red Cliff. The boat is about eight minutes long from beginning to end and about two millet grains high.
The raised and open part in the middle is the cabin, which is covered with a canopy made of bamboo leaves. There are small windows on the side, four on each side and eight on each side.
Open the window and see that the carved railings face each other on the left and right. After closing the window, you can see the words "The mountain is high and the moon is small, the water will come to light" engraved on the right side, and the words "The breeze comes slowly, the water waves are slow" are engraved on the left side. The recesses with the engraved words are painted with azurite.
The one in the middle, wearing a tall hat and having many beards, is Su Dongpo, Foyin is on his right, and Huang Luzhi is on his left. Su Dongpo and Huang Luzhi looked at a calligraphy and painting banner together.
Su Dongpo held the right end of the calligraphy and painting banner with his right hand and gently pressed Lu Zhi's back with his left hand. Lu Zhi was holding the end of the banner with his left hand and pointing at the calligraphy and painting banner with his right hand, as if he was speaking something.
Su Dongpo showed his right foot, Huang Luzhi showed his left foot, each leaning slightly sideways, their knees close to each other hidden in the pleats under the calligraphy and painting banner. The Buddha seal is very similar to Mi.