Bamboo stone
insists that the green hills are not relaxed, and
the roots are rooted in the broken rocks.
you are still strong after thousands of blows,
you can let the wind blow from east to west, from north to south.
Assertion: It means that the roots are firmly rooted, just like biting a green hill and not letting go. Bamboo stone: Bamboo rooted in crevices. The poet is a famous painter, and the bamboo he painted is particularly famous. This is a poem he wrote on the bamboo stone painting. Bamboo-stone
bite: in this poem, it means to be firmly rooted in the soil. Take root: take root, take root. Original: originally, originally. Broken rock: Broken rock. Grinding: torture, frustration. Strike: strike. Perseverance: tenacity and rigidity. Ren: whatever. Joel: You.
Translation
Bamboo is not relaxed in grasping the green hills, and its roots are firmly rooted in the cracks in the rocks. Thousands of hardships and blows are still tough and straight, no matter what wind you blow.
Appreciation of famous sentences
1. This poem focuses on the tenacious and persistent quality of bamboo. It is an inscribed poem praising Yanzhu, and it is an object-chanting poem. At the beginning, it personifies Yanzhu and conveys its charm. The last two sentences further describe the character of Yanzhu. After numerous hardships, Yanzhu has grown into a particularly tall and straight posture, and has never been afraid of strong winds from east, west, north and south. Zheng Xie not only writes beautiful poems about bamboo with bamboo stone
, but also draws vivid bamboos, which, in his words, is "painting bamboos to comfort the laboring people in the world". Therefore, this poem is written on the surface of bamboo, but it is actually about people, the writer's own upright and stubborn character, and he will never bow to any evil forces. At the same time, this poem can also give us the touch of life, overcome difficulties in a tortuous and harsh environment, face reality, be as strong and brave as Yanzhu, and reflect the feelings of patriots.
Explanation
This is a poem with profound implications. The first two sentences say that bamboo is rooted in broken rocks and has a solid foundation. The second sentence says that no matter how hard the wind blows from all sides, the bamboo stones are still firm and strong. In praising Zhu Shi's firm and tenacious spirit, the author also expressed his indomitable spirit of not being afraid of any blow. This poem is often used to describe the revolutionary's firm stance in the struggle and his unshakable character when attacked by the enemy.
Author background
Zheng Xie, born in Xinghua, Jiangsu Province in 1693 and died in 1765, was a scholar in Kangxi, a juren in Yongzheng and a scholar in Qianlong. He lives in Yangzhou and sells paintings for a living. As one of the "Eight Eccentrics of Yangzhou", his poems, books and paintings are known as "three unique", and he is good at painting Lanzhu. Banqiao ancestors, three generations are scholars, great-grandfather Xin Wan, xiang was born; Grandfather Qing, Confucian official, father Li Ben, word Li An, lin was born. Guiyou in 1693, Kangxi was born in Gubanqiao, the east gate of Xinghua City on October 25th. The 4-year-old mother, Mrs. Wang, died; The 5-year-old father followed Mrs. Juhao. 14-year-old stepmother Mrs. Hao died. When I was young, I studied in Maojiaqiao, Zhenzhou, about years ago. At the age of 2, I wrote a poem from Mr. Lu Zhongyuan, a predecessor of Xinghua. At the age of 23, he married Xu, a native of Zhouyi. At the age of 24, he was a scholar and began to teach at the age of 26. Zheng Li 'an, a 3-year-old father, died. At the age of 31, he sold paintings in Yangzhou this year for about ten years. His son also died about this year. At the age of 39, in the ninth year of Yongzheng in 1731, his wife Xu died. At the age of 4, in 1732, in the tenth year of Yongzheng, Renzi went to Nanjing to take the provincial examination in the autumn, and he won a prize for "The Sound of De Nan Wei Jie". At the age of 43, he made an engagement with Rao Wu in the northern suburb of Yangzhou in February, with the title of "Xijiang Moon". 44-year-old, 1736 Bingchen, in the first year of Qianlong, took the exam in Beijing from February to March, and was the 88th Jinshi in China. 45-year-old, nurse Fei's pawn, recovered from Cheng Yuchen's support, Narao's. 5-year-old, 1742 Renxu, Qianlong for seven years, Fan County magistrate in spring, and Chaocheng County in summer. My 52-year-old concubine Rao has children. At the age of 54, he was changed from Fan County to Wei County, and was re-elected for seven years. At the end of 6, he was dismissed as a county official. At the age of 63, he collaborated with Li Chan and Li Fangying on Three Friends. At the age of 73, he wrote "Bamboo Stone Map" in April, and "Xiuzhu Niigata Map" on May 3. On December 12, 1765, in the year of Yiyou (thirty years of Qianlong), he died in the Green Garden beside Shengxian Dang in Xinghua City, leaving no children behind. He was adopted by Zheng Tian, the son of Zheng Mo, and was buried in Ruanzhuang, the tube of the east of the city (now the tube village of Daduo Town). Banqiao's "Living in Idleness" says: "Jing's wife wipes the inkstone and grinds new ink, while weak women learn regular script with stationery". Legend has it that Banqiao studies books, which is mistakenly referred to as respectfully practicing on Xu's body at night. Xu says, "Everyone has his own body." This sentence touched Banqiao, so he learned half from the ancient calligraphy and left half, and founded the "six-and-a-half book". "Seven Songs" states that Xu gave birth to two daughters and one son, and another daughter after 3 years old. As one of the "Eight Eccentrics of Yangzhou", Zheng Banqiao worked as a Seven-product official for 12 years. He was honest and upright. When he was in office, he painted a picture of ink and bamboo with the inscription: "My yamen is lying listening to the drizzly bamboo, which is suspected to be the voice of the people's sufferings. Some small collectors in Caozhou County, one branch and one leaf are always concerned. " He has a deep affection for the lower classes and a strong interest in people's feelings and customs. In his poems, paintings and calligraphy, he always reveals this fresh content and unique style from time to time. Tea is an important part of it. Tea is the companion of Zheng Banqiao's creation. "There is a hut, a number of poles in a new place, snow-white paper windows, slightly soaked in green. At this time, I sit alone among them, with a lamp of tea before the rain, a piece of inkstone, a piece of Xuanzhou paper and a few broken branches. When friends come, the wind and bamboo ring, the louder and quieter. " Zheng Banqiao's artistic achievements are the most brilliant and splendid part of his life. His works are thoughtful, creative and combative, which well unify the profound ideological content with the perfect artistic form and form his own unique artistic style-Banqiao style. His works have become the outstanding literary and artistic heritage of the Chinese nation, which is not only loved by the people of China, but also valued by writers and artists from many countries in the world. Zheng Banqiao is an artist full of personality and deeply loved by the people. He left many touching stories in his life, which have been widely circulated among the people. His great achievements in literature and art established his prominent position in the cultural history of China. In recent years, the introduction of Zheng Banqiao has become more and more popular in the cultural and academic circles, regardless of the in-depth study of him. TV stations have inserted TV dramas reflecting his life and interesting stories, and the publishing industry has launched a large number of valuable works such as The Complete Works of Zheng Banqiao and A Review of Zheng Banqiao. Zheng Banqiao is the pride of the people of Yangzhou. The artist who grew up and became famous in Yangzhou is getting more and more attention as a world cultural celebrity. [Appreciation] Zheng Banqiao (1693-1765) was born in Xinghua, Jiangsu Province. In 1736 (the first year of Qianlong), he was admitted to the Jinshi examination. He is a famous painter, calligrapher and writer in the Qing Dynasty. He is known as the "three wonders" of poetry, calligraphy and painting, and is one of the famous "Eight Eccentrics of Yangzhou". "Eight Eccentrics in Yangzhou" refers to a painting school in Yangzhou during the Qianlong period of Qing Dynasty. The main figures of this painting school are Wang Shishen, Huang Shen, Jin Nong, Li Wei, Zheng Xie, Li Fangying and Luo. ) Zheng Xie, a representative of the Eight Eccentrics, showed his discontented reality and defiant personality in his political attitude. Zheng Banqiao is especially fond of painting bamboo. The bamboo he painted is proud, vigorous and unique, with high artistic expression and appeal. Since the Song Dynasty, bamboo has been known as one of the "four gentlemen" of plum, orchid, bamboo and chrysanthemum. It, open-minded and upright, tall and straight and evergreen, has always been regarded as a symbol of nobleness, integrity, tenacity and tenacity. Zheng Banjieqiao likes painting bamboo because bamboo can best reflect his own personality characteristics. Zheng Banqiao is known as the "three wonders": poetry, books and paintings. He is extremely accomplished in these three aspects, forming a complete artistic whole. Form the so-called "three truths": the characteristics of true qi, true meaning and true interest. He is good at drawing orchid bamboo, and makes orchid leaves with the vertical long-skimming method in cursive script, which is more chaotic and less sparse, and his beauty is unparalleled. The painted bamboo is vigorous and cool, and it is sparse. Now he has made his own rules for calligraphy and painting: "Painting bamboo is more than buying bamboo money, and the paper is six feet high and costs three thousand yuan. Let's talk about the past and talk about it, only when the autumn wind passes by." Behind this elegant and ridiculous writing, there is a cruel exposure and ridicule of the secular. However, Zheng Xie attached great importance to friendship and kindness. He lost his mother since childhood and relied on Fei's wet nurse to bring him up. When he was a child, he used to carry Zheng Xie to play in the streets every day and buy him a cake with his own money. Zheng Xie and his wet nurse are as deep as children and live together. In a poem in memory of Fei's wet nurse, he said, "There are thousands of kinds of food, so it is better to have bread in your hand, and you are the only wet nurse in your life." It is sincere and touching to read. When he was young, Zheng Banqiao's family was poor, but he was uninhibited, and he often "talked loudly, hid no characters, and sat in a crazy name". (Zheng Fangkun's Biography of Zheng Xie). At the age of forty-three, after he was a scholar in high school, he served as a magistrate in Fanxian County and Weixian County, Shandong Province. During his tenure as an official, he did a lot of good things for the benefit of the people and won the people's love. However, he asked for relief for the people in famine years, but he offended the magistrate and local gentry. He is upright and outspoken, and he is concerned with the people and his lofty character of "getting rid of mud but not dyeing". He is ashamed to bend his back, so he despises the powerful, unties his seal, resolutely resigns from his post and returns to Yangzhou to sell paintings for a living. Just like his immortal inscription, "It is better to go home and plant sweet potatoes than to be an official and not work for the people." One of Zheng Banqiao's paintings in his later years, Bamboo Stone, is a portrayal of his proud and upright personality. The bamboo does not relax at all, and its roots are firmly embedded in the rock crevices. After thousands of torture and blows, it is still strong, whether it is the southeast wind, or the winter of the northwest wind, it can withstand, and will still be tough and straight. Zheng Banqiao is not only a master of Danqing, but also accomplished in writing lyrics and composing poems. The four short poems also show a vivid picture in front of the readers: under the chaotic cliff, several green bamboos stand proudly in the wind, stubbornly growing and expanding, and their tenacious and upright state is vividly on the paper. This poem is purely for scenery, but it is by no means a sketch and a copy of natural scenery. This picture has a distinct symbolic significance. The chaotic cliffs and evil winds destroyed the growth of bamboo branches, and it was associated with the cruel rule of the feudal dynasty. Isn't this the symbol and portrayal of the social environment at that time? Bamboo sticks "bite" in the green hills, take root in the cliffs and stand upright in the wind. Although they have been beaten by thousands of blows, they are still rising and standing proudly in summer and winter. Isn't this the reflection of the author's indomitable noble personality? The evil wind on the cliff is ferocious, but in the urging of evil forces, the bamboo branches not only did not yield, but became stronger and more upright. From this strong contrast, we can clearly feel the author's strong hatred of evil forces, and we can better appreciate the author's lofty praise for the strong personality symbolized by bamboo. The poet's high artistic skills and skillful artistic language make the bamboo described have personalized characteristics, which is not only reflected in the specific application of anthropomorphic techniques such as "persistence" and "unrelenting", but also in the description of bamboo branches. "Thousands of blows are still strong, and the winds are east, west, north and south." The bamboo here is clearly a tenacious fighter! The personification technique makes readers feel cordial and true, intoxicated not only by the natural beauty in the poem, but also by its sexual beauty. The poet's language is particularly accurate, vivid and vivid. He writes about evil forces with "thousands of blows" and evil forces everywhere with "East, West, North and South", which accurately summarizes the characteristics of that dark age. The use of verbs is even more unusual. The word "bite" shows a stubborn and tenacious character, and also shows endless charm and wonderful artistic conception. Starting with the word "bite", it is abrupt and extraordinary, and it is really amazing. The word "Ren Er, the east, the west, the north and the south" vividly and accurately describes the heroic spirit of standing proudly in the wind and fighting evil! The author depicts a tough, upright and unyielding image of bamboo branches, and through this vivid picture, expresses the author's character of fortitude, perseverance and integrity.
Appreciation of Poetry
Appreciation of a Bamboo Stone This is a poem with profound implications. The first two sentences say that bamboo is rooted in broken rocks and has a solid foundation. The second sentence says that no matter how hard the wind blows from all sides, the bamboo stones are still firm and strong. In praising Zhu Shi's firm and tenacious spirit, the author implied the strength of his own character. "Enduring all kinds of hardships, staying strong, letting the east, west, north and south wind prevail" is often used to describe the revolutionaries' firm stance in the struggle and their unshakable character in being attacked by the enemy. Appreciation 2 This poem focuses on the tenacious and persistent quality of bamboo. It is not only a poem praising Yanzhu's paintings, but also a poem chanting things. At the beginning, it personifies Yanzhu and conveys its charm. The last two sentences further describe Yan Zhu's character. After countless hardships, she has grown into a particularly tall and straight posture, and she is never afraid of the strong winds from east, west, north and south. Zheng Xie not only praised the beauty of bamboo poetry, but also painted bamboo vividly. In his words, he painted bamboo to comfort the laboring people in the world. Therefore, this poem is written on the surface of bamboo, but it is actually about people, the writer's own upright and stubborn character, and he will never bow to any evil forces. At the same time, this poem can also give us the touch of life, overcome difficulties and face reality in a tortuous and harsh environment, as strong and brave as Yanzhu. Appreciation 3. This poem was originally a painting poem, and later it gradually spread. "I insist that the green hills are not relaxed, and the roots are originally in the broken rocks." It is about the green bamboo firmly growing on the green hills, and its roots are deeply rooted in the cracks in the broken rocks. "It's still strong after thousands of blows, and it's the wind in the east, west, north and south." It's about the bamboo that grows in the crevices of rocks. After thousands of hardships, it is still tenacious, and you are allowed to blow gusts of wind from all directions. Poets use "thousands of blows", "east-west-north-south winds" and "broken rocks" to describe the difficulties of bamboo in the process of growth, but bamboo still has to "insist on the green hills and not relax" and "take root in the rocks" and take root deeply. With this spirit of bamboo, the poet expressed his indomitable and optimistic attitude towards life. I also want to learn the spirit of bamboo that is not afraid of difficulties. Appreciation IV This is an inscribed poem on a bamboo stone map. The author chants about bamboo stones, but it is not a general description of natural bamboo stones, but contains the author's profound thoughts and feelings. The author compares things to people, writes about bamboo, but praises people. The poet's green hills and hard rocks are the background and foundation, saying that bamboo "sticks to the green hills", "takes root and breaks the rocks" and "grinds thousands of blows". "perseverance" is a true portrayal of the man symbolized by this weathered bamboo and bamboo. Therefore, it can be said that poetry has created a glorious image of a indomitable and indomitable strong man by singing bamboo stones. The whole poem is fresh and smooth, with sincere feelings. Although the language is popular, it is profound and meaningful. Appreciation of Five This poem is purely a description of scenery on the surface, but it is by no means a sketch of natural scenery. This picture has a distinct symbolic significance. Breaking rocks and evil winds, suppressing and destroying the growth of bamboo branches, reminds people of the cruel rule of feudal dynasties, which is the symbol and portrayal of the decadent and dark social environment at that time. Bamboo sticks "bite" the green hills, take root in rocks, and stand upright in the wind. Although they have been beaten for thousands of times, they are still rising and standing proudly in hot summer and winter. How much tenacious power a word "bite" makes readers feel, isn't this the reflection of the author's indomitable noble personality? The evil wind of breaking rocks is ferocious, but in the urging of evil forces, the bamboo branches not only did not yield, but became stronger and more upright. Bamboo's "taking root and breaking rocks" is not only careless