Wen Yiduo proposed it? Sammi？ Namely. Beauty in music, painting and architecture? , laid the theoretical foundation of the new metrical poetry school. To a certain extent, it overcame and corrected the shortcomings of rambling vernacular poetry since the May 4th Movement, and made a unique contribution to the healthy development of modern poetry in China.
Poetic meter is the most important one in Mr. Wen Yiduo's series of poetic theories. In this paper, he systematically put forward? The power of poetry includes not only the beauty of music (syllables) and painting (words), but also the beauty of architecture (symmetry of knots and uniformity of sentences). ? Is this about new poetry? Sammi？ Advocate to become the theoretical program of the new metrical poetry school.
Mr. Wen Yiduo thinks that the musical beauty of poetry is the most important. He preached the rules, claiming? Poetry can completely stimulate emotion in its rhythm; Is the rhythm meter? The more enterprising a writer is, the more he has to dance in chains in order to dance happily and well. Only those who can't dance can blame the shackles for getting in the way, and only those who can't write poetry can feel the bondage of meter. For those who can't write poetry, meter is an obstacle to performance; For a writer, meter has become a sharp weapon of expression? Because there are only prose with simple rhythm in the world, there must be no poetry without rhythm. Poetry has never deviated from meter or rhythm. ? Think? Metrics can be said in two ways. Metrology belongs to the visual aspect, which has the symmetry of nodes and the unity of sentences. There are auditory formats, scales, levels and rhymes. ? Still think? It is an inevitable phenomenon of syllable harmony that the word is neat. Absolutely harmonious syllables must be neat words? He also put forward his own views on the problem of neat words but not necessarily harmonious syllables. That's because only the number of words is neat, and there is no standard? . In other words, the combination of musical factors such as scales and rhymes constitutes the rhythm and rhythm of poetry, and the harmony of syllables and rhymes constitutes the musical beauty of poetry and becomes the basic driving force of poetry. ? Weighing scale shows? Is Wen Yiduo's most proud discovery that he thinks at the end of the paper? New poetry is bound to enter a new construction period soon? .
The theory of painting beauty of new poetry is the inheritance of China traditional culture, which mainly refers to the words used in poetry, that is, the language of poetry requires beauty and color, and pays attention to the visual image and intuition of poetry. The homology of poetry and painting is a major feature of China culture. Among the sages, poems and paintings often complement each other and set each other off. Su Dongpo commented after reading Wang Wei's poems and paintings. A poem, which tastes like charm, has pictures in it; Look at the picture. There are poems in it. ? Banqiao's exquisite bamboo sticks stand out from the crowd in poetry and painting. In Mr. Wang's poems, there are often red, yellow, blue, purple, gold, black and white words and colorful objects. In addition, he also pays attention to the contrast of colors, so that poetry and painting are interlinked.
The theory of architectural beauty of new poetry was put forward by Mr. Wang according to the characteristics of Chinese. Our writing is pictographic, and at least half of our impressions of China people's appreciation of literature and art are conveyed through their eyes. It turns out that literature is an art that takes up both time and space. Since it takes up space, can't it make a concrete impression visually? This is the regret of European writing. Our words may create this impression. What a pity if we don't use it. If someone wants to ask what the characteristics of new poetry are, we should answer him: increasing the possibility of architectural beauty is one of the characteristics of new poetry. ? And compare it with the architectural beauty of rhythmic poetry, and draw a conclusion? (Rhyming) Is it much worse? Conclusion, because? Conventional poetry always has only one format, while new poetry has endless forms? Metric poetry has nothing to do with content, and the format of new poetry is based on the spirit of content? The format of regular poems is decided by others for us, and the format of new poems can be constructed by our own artists at any time? . The architectural beauty mentioned by Mr. Wang mainly means that the paragraphs should be symmetrical and the lines should be uniform from the overall appearance of the poem. Although it is not necessary to rigidly limit the number of words in each line to be equal, in order to have a sense of neatness, the differences between lines should not be too big.