1, which reflects the necessary ideological and spiritual value in poetry, novels, essays, plays and other literary works. Literary value depends on the quality of literary works, including aesthetics, thoughts and core values, mainly referring to the intrinsic artistic value of literary works. That is, the value that has positive significance to people.
2. The positive role of literary works.
Extended data
Be brave in understanding the value of China's contemporary literature.
There are several best writers and works in an era. Specifically, China's novels have the ability to deal with historical heritage and criticize the present reality, have the ability to narrate in Chinese, have the ability to enter the real culture and humanity of China in a unique way, and have the ability to summarize the profound novel art, so the literature of this era is established.
Of course, China's contemporary literature should be understood in the course of the development of modern world literature, which is a part of the modernity of the world and the embodiment of the internal differences of this modernity. Although the literature in China after the 1980s contains fractures, rebellions and turning points, it is not completely opposite to the literature in the 1950s and 1960s.
Radical modernity in 1950s and 1960s experienced "bringing order out of chaos" in 1980s. Although we can see its limitations, it is impossible to completely eliminate it from our literary tradition. China literature in 1950s and 1960s can't be summarized only by the word "politics". Only investing in the modern western world system cannot fully explain the reaction in the 1980s and 1990s.
The former has the heritage of "literature", while the latter has the irreducibility of "China experience". The combination of the two is the stubbornness of China's literature. In our literary history and criticism, these two eras are described as the relationship between confrontation and reaction, but at the same time, we should also see that they are not a substitute relationship.
Avant-garde opposes "grand narrative", which only shows historical changes and has nothing to do with "epic". Of course, later history will surpass the past, which does not mean that the past is useless.
The relationship between things is not either one or the other, nor is it based on simple good or bad logic. Some people call China literature in 1950s and 1960s "rotten apples", which is not only narrow and biased, but also gloomy.
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