1, bold style.
This is the ideal style that Su Shi deliberately pursues. He is full, passionate and even slightly sad, and writes the numbers to win with generous and heroic images and magnificent scenes.
2. Open-minded style.
This is a sentence that best represents Su Shi's thought and personality, expressing the poet's desire to live in seclusion, avoid troubled times and look forward to peace.
3. Elegant style.
The number of Su Shi's graceful words accounts for an absolute proportion in his total number of words. These words are pure and profound in feelings and healthy and lofty in style, and they are also the inheritance and development of traditional graceful words.
1 July, 079, Su Shi took office in Huzhou, was convicted and imprisoned for Wutai Poetry, and was exiled to Huangzhou in the following year1month. Before the poem case happened, Su Shi had served as a judge in Hangzhou in 107 1 and had outstanding achievements. Generally speaking, his poetry works are free and easy in the desert, but in content, they mostly point to official life to express political pride. After the poetry case, although there were times when I was a bachelor of official Hanlin, there were few bold and unrestrained embarrassment in my works, but more and more people turned to the understanding of nature and life. As for living in Danzhou, Huizhou in his later years, his indifferent and broad-minded state of mind is even more obvious. As soon as he inherited the style of Huangzhou's works, he converged all his life, and I moved things freely to achieve a suddenly quiet environment.
Taking Wutai Poetry Case as the boundary, Su Shi's poetry works have both inheritance and obvious differences in creation. Behind the "going home" complex throughout, we can see that the poet's brush strokes gradually turned to the helplessness of middle age and the broadmindedness of old age-getting older, maturing and becoming dull.
First of all, in terms of subject matter, Su Shi's early works mainly reflect his "specific political worries", while his later works mainly focus on "broad life worries", with evil as their resentment. When it comes to evil, it means "spit it out like a fly in Taiwan Province". His flowing works triggered the Wutai poetry case. Huangzhou's relegated life made him "ironic and cruel, sharp in writing style, nervous and angry, all of which disappeared and replaced by a brilliant, warm, kind, tolerant and harmonious understanding." Very sweet, very mature, very thorough and deep. "
Secondly, culturally, Confucianism was advocated in the early stage and Taoism in the later stage.
In the early stage, he had a sense of social responsibility advocated by Confucianism and was deeply concerned about the sufferings of the people; Later, especially after being demoted twice, he advocated Taoist culture more and returned to Buddhism in an attempt to get rid of religion. Inspired by Buddhism's "normal mind is the Tao", he lived a real peasant life in Huangzhou, Huizhou and Danzhou, and enjoyed it.
Thirdly, in style, the previous works are magnificent and unrestrained, like a flood bursting its banks and spilling thousands of miles; Later works are ethereal and meaningful, simple and light, such as Deep Willow and White Pear Flower.