"This body is in a forest of ice and snow, and peaches and plums are mixed with dust." With the help of Bai Mei, Wang Mian told the world about her unique independence. What the poet demands is not the glory in the secular sense, but the self-entertainment of life, which transcends the freedom of things. In Maslow's happiness hierarchy theory, it goes beyond the needs of food and clothing, safety, belonging, love and respect, and directly reaches the realization of self-worth in life!
"Suddenly a Ye Xiang, scattered for Gankun Wan Li Spring." In the process of life's growth, internal strength is cultivated by people to the best of their abilities, so the quality of life should be integrated with the natural state. From the perspective of the moral personality map of Nanming, it is that Wang Mian has reached the stage of benevolence between heaven and earth.
The poet not only showed his attitude and pursuit of life, but also lived an ideal life in the years. This is exactly what we want to learn. Language can't just stay in the mouth, but also fall on the feet.
In Mo Mei, Wang Mian tells us where he lives-"My first tree in Xiyan Lake is blooming and falling." Being able to write poetry and be good at painting, poetry nourishes the heart and painting nourishes people. With this accomplishment, I am not afraid of romantic love! This rich and awe-inspiring lifestyle reminds people of Lin Bu in the Song Dynasty.
Lin Hejing lived alone in a lonely mountain, and spent his life with his wife, Crane, indifferently, admiring the thin shadows by the lake and enjoying the fragrance floating under the moon. Lin Bu's Poem of Plum Blossoms is one of the most famous "Xiao Mei in the Mountain", and the phrase "The thin shadow is shallow and the faint fragrance floats at dusk" describes the aloof and noble plum blossom. As a result, the second part of "Xiao Mei in the Mountain Garden" ("The cut is still messy, and the painting is thick and thin." From spring to night, the daytime is thin and the first frost is deep, so you should be afraid of the cold at night. Immortals only cherish their neighbors, and it is too vulgar to look at them coldly. Recalling the old road in the south of the Yangtze River, the wine flag flutters obliquely, singing before the saddle and after the horse. ) Not many people are familiar with it. In Lin Bu's eyes, ("It is difficult to dry the cut pieces, but it is difficult to draw thick pictures on the back." ) Plum blossoms are like silk dotted with crisp cheese-like branches, and that posture and layout are really difficult to draw. It can be seen that Lin Bu may not be good at painting plums, otherwise there should be paintings circulating. It is also possible that Lin Bu, as a literati, is also skilled in poetry and calligraphy, but his poems are better.
Wang Mian is different. He not only inherited the elegance of his predecessor Lin Bu, but also surpassed the normal life of Lin Bu. He loves plum, raises plum, writes plum and draws plum. Lin Bu sells plums and Wang Mian sells plum paintings. "My home is the first tree in West Wild Goose Lake, with flowers blooming and falling with light ink marks." Wang Mian is full of joy and doing what he likes. In his eyes, the flowers on plum trees are as bright and fragrant as those on ink paper.
In the second sentence of the poem, I like "blossoming", and Wang Mian used "individual" in his illustrated poems. I emphasize modality description, so maybe Wang Mian should pay attention to quantity. After all, plum blossom painting is exquisite. Wang Mian pays attention to the posture of each flower from the perspective of composition, but I am still willing to see the blooming of a plum tree or a plum blossom from the standpoint of appreciating plum (whether natural or artistic). Flowers bloom and have the same personal meaning, but the fragrance of plum blossoms is scattered between the lips and teeth, and the flowers are more fragrant.
"Suddenly a Ye Xiang, scattered for Gankun Wan Li Spring." Wang Mian is more free and easy than Lin Bu's "sincere neighbors cherish only * * *, cold is too common to see". Hao is Hao, but Wang Mian is by no means grandstanding. He "don't be boastful, just leave the air full of dry Kun." Therefore, the plum blossoms in his works are all light ink marks. Ink looks simple, but it can be in various colors. On white rice paper, black characters and ink flowers on a white background are gorgeous enough! If the icing on the cake, it may really be gilding the lily.
In his last poem, Liu debated whether to stay or not.
In my opinion, it is an attitude to keep fresh and hope that the fresh air of life will always exist. It is a kind of domineering leakage of life vitality to hope that the lofty spirit of life will be endless. Whether it is staying or flowing, it is a matter of quality and writing. The pen and ink left behind are all there, and Gankun Wan Li has its own spring. Settle down and cultivate one's morality, which is inherent in Confucian scholars' bones. As for ruling the country and leveling the world, for Wang Mian, it was a dream of "helping the poor and helping the poor" abruptly cut off by the times.
A black plum, a black flower, a white skeleton, black is white, and white is black. Black is always touched by the eyes, white is always what the heart wants, painting is sincere and freehand, and poetry is straightforward. Behind the black-and-white poems and paintings stands an upright and upright poet.
"The skin doesn't exist, but the hair is connected!" Wang Mian, with unyielding personality strength, sprinkled color on rice paper and bloomed the brilliance of life; Wang Mian, with his exuberant breath of life, cast all the strength of personality in the blood of poetry and brewed the pure fragrance of personality. "Plum blossom painting must have plum blossom spirit, and people are as clear as plum blossoms."