What does it feel like ... the night has now given way to the ocean of the sun, and the old year has melted into a clear spring at a berth under the Beibao Mountain?

Commenting on these two poems in his Outlaws of the Marsh and Yue, Tang said: "Since the poet, this sentence is rare. Zhang (Zhang said) wrote the title of the town hall and showed his ability every time, making it a model. " It's a pity that Yin didn't explain to people what Zhang said, but two points are worth noting: first, these two poems were written in calligraphy by him, and second, "each showed his abilities and wrote in style". Good writing is all about the accuracy of words. For example, the words "Sheng" and "Ru" here not only make this couplet stable, but also link two unrelated things, namely "Sea Sun" and "Remnant Night" and "Jiang Chun" and "Old Year", which are also vivid. The sun rises a little from the dark sea, like a child leaving his mother's abdomen. The word "life" is really vivid. The sun has just risen, and the earth is still basically in darkness, but the night has been torn and the word "residual" has written an irresistible disappearance. Night is passive, but it is also helpless. It gave birth to the sun, but it faded because of the sun! The word "Jin" is more vivid. Although Jiangnan is still the winter of the old year, spring has painted a layer of spring scenery on the willows along the river. This word "such as" is very impolite, almost wedged, and it is a new spirit. The willow color is close to the author's boat, so it can be seen, and the word "Jiang" should be defined before "Spring", which also points out the environment and scene of "the next berth on Beibao Mountain". These words are concise and measured. Because he not only wrote the scenes of his old age and his old age, but also wrote the specific visual gap at this time, which is vivid and vivid. The old year refused to recede, but finally could not stop the power of new life; However, freshmen seem to be wedged in whether you like it or not. The word "Confucianism" does have an irresistible trend. Zhang said that he is good at supporting backwardness and is determined to reform, which is probably related to his appreciation of old and new poems. Maybe that's why he wants to talk about government hall? Among the outstanding poets in the prosperous Tang Dynasty, Wang Wan was not a man with outstanding achievements. However, the sentence "... in his poems," Night now gives way to the ocean of the sun, and the old year melts in freshness "has been highly appreciated by contemporary poets. Yin Kun commented in He Yue Ling's Album: "Since the poet, this sentence is rare." During the reign of Emperor Xuanzong of the Tang Dynasty, Zhang said that he wrote this poem in his own handwriting in the yamen. "Every time you show your ability, you can make it believe." Hu Yinglin in the Ming Dynasty also praised "describing the scenery, which is wonderful through the ages" in his poems. Then, how to explain this famous sentence that made Wang Wan occupy a seat in the poetry circle of the prosperous Tang Dynasty? The explanation of the textbook of Jiangsu Education Edition is: "Describing scenery in the alternation of time series implies the passage of time and contains natural interest." This explanation comes from the Appreciation Dictionary of Tang Poetry: "The beauty lies in the fact that the author has no intention of reasoning, but has a natural interest in describing scenery and festivals. The sea is born in the dead of night, which will drive away the darkness; Jiang Chun, the "spring" shown by the scenery on the river, broke into the old year and will drive away the severe winter. Not only is the scenery vivid and accurate, but it also shows a universal philosophy of life, giving people an optimistic, positive and upward artistic inspiration. " It is undoubtedly correct to say that this poem "depicts the scenery in the alternation of time series, implying the passage of time". The question is: Does this really "include natural interests"? What are "universal philosophy of life" and "optimistic and positive artistic inspiration"? In fact, this kind of explanation, in the author's reading, always has a feeling of itching and wanting more. First of all, this explanation ignores the rich and implicit lyricism in the poem. The ancients said: "A poet is full of emotion; If people are unmoved by reading it, it is not poetry. " Poetry is the art of lyricism. Here, people often appreciate the use of words such as "sound" and "ru" only from the perspective of refining Chinese characters, while ignoring the poet's lonely and helpless recollection caused by his sensitivity to time and the lyrical artistic conception contained in this poem as a whole. Imagine: how small the poet's boat is in the vast river; At dawn, a cold red sun is rising from the distant estuary; The poet may have been awake for a long time, the river is green and the night is cold; At this moment, the poet felt the passage of time and the silence of time; A new day has begun and a new year is about to begin, but the poet will continue this lonely and helpless wandering. It turns out that the birth of the sea and the spring of the river bank represent the beauty of new things and new hopes. But at this moment, the poet's road ahead is slim, he has no time to return to China, and even a letter from home can't be sent out, so there is a subtle contrast in the poet's heart, and a faint sadness and tingling can't help but come to mind. The poet's unique feeling has nothing to do with the so-called "universal life philosophy". Secondly, poetry has "physical differences". Tang people are interested and Song people are interested. Qian Zhongshu also said in Tan Yi Lu: "Tang poetry has good charm, and Song poetry has good bones and muscles." This argument is undoubtedly incisive. Poetry in the early Tang Dynasty, as an aesthetic expression of emotion, pursues the discovery of everything with the poet's emotions and thoughts, thus presenting a charming artistic conception, which often has a beauty that reflects the vigorous development of the times. So, what is rational interest? Simply put, "interest in reason" is philosophy. As far as interesting ancient poems are concerned, we (including students) are very familiar with Su Shi's Xilin Wall Topic and Zhu's My Reading Sense. Therefore, if this poem "..." Night now gives way to the ocean of the sun, and the old year melts in freshness "is understood in the meteorological background of the prosperous Tang Dynasty, it also focuses on interest, not reasons. Thirdly, as an emotional element of the poet, this kind of "sadness" implied in the "sense of time" is not isolated, but runs through the long history of China's classical poetry. For example, Cui Hao's "Only I look at my hometown, the twilight is fading, and there is a sad fog on the river waves", and Wang Anshi's "Spring breeze is green in Jiang Nanan, when will the bright moon shine on me?" As well as other famous sentences sung through the ages, all contain the words "... the night now gives way to the ocean of the sun, and the old year melts into new things and similar roaming images and artistic conception. From this point of view, Wang Wan is not alone. Because before and after him, many famous or unknown poets felt the same way, but the poetic language was expressed in different ways. Perhaps, not even a few words were left, but on an unknown hill, there was a figure who watched Hong return and disappeared into the twilight. It can be seen that the phrase "... the night now gives way to the ocean of the sun, and the old year melts in freshness" has nothing to do with the so-called "optimistic, positive and upward artistic inspiration". Modern dialogue theory holds that reading is a dynamic process in which readers interact with the text and construct meaning. Reading teaching is a dialogue process among students, teachers and texts. This new reading concept is also applicable to the teaching of ancient poetry. As an intermediary between the text and students, as an organizer of classroom reading activities, as a promoter of students' reading, teachers are also one of the interlocutors of reading. Especially ancient poetry, on the one hand, the form is short and pithy, the content is highly summarized, the language is concise and implicit, and the emotion is sincere and mellow. They often want to capture nature in a short space, create lyrical artistic conception, express extremely rich content in a few words, and it is more difficult to stand on the shoulders of giants and show their unique personality and talent. On the other hand, our recipients have many limitations, such as cultural knowledge, life experience, aesthetic level, language feelings and so on. Therefore, the dialogue between teachers and texts is even more important. "Every time you know something, you forget your fun", which is the reading realm of ancient Tao Yuanming. In "To Young Teachers", Mr. Qian Menglong also emphasized that the fundamental problem of reading teaching is to teach students to read articles, and to really teach students to read articles, we must first have a Chinese teacher who can read articles. In fact, reading a good article or poem is a great pleasure in life. The author's reinterpretation of Wang Wan's Poems ... "Tonight gives way to the ocean of the sun, and the old year melts into the clear spring" is not an argument for the gain and loss of a sentence, but an attempt to be an "intermediary" between the text and the students, truly respect the students' dominant position and give full play to the leading role of teachers.