This poem comes from the poem "The North Fort Mountain Down" written by the Tang Dynasty poet Wang Wan. The overall momentum of this poem is very grand. Among them, ... the night now gives way to the ocean of the sun, and the old year melts in the clear spring. This is the most beautiful sentence in the whole poem, which contains the poet's sorrow for the alternation of old and new things, his yearning for a better life in the future and his own homesickness. Next, let's analyze these two poems together.
Whole poem
A berth at the foot of Gubei Mountain.
Author Wang Wan, Tang Dynasty
Under the blue mountain, my boat and I meandered along the green water.
Until the river bank widens at low tide, and no wind blows my lonely sail.
... night gives way to the ocean of the sun, and the old year melts in freshness.
Finally, I can send my messenger, Wild Goose, back to Luoyang.
translate
The journey is beyond the green hills, sailing in front of the Qinghe River. The tide is high, and the water between the two banks is wide, so sail before the wind just hangs the sail high. The night hasn't faded, and the rising sun has already risen on the river surface of Ran Ran, and the Jiangnan in the old year has the breath of spring. I don't know when the letter from home will arrive. I hope the geese returning from the north will take it to Luoyang.
To annotate ...
(1) Time: Stay overnight during the journey, which means stopping.
(2) Beigushan: in the north of Zhenjiang, Jiangsu, surrounded by the Yangtze River on three sides.
(3) Guest Road: Journey.
(4) Widening of the banks until low tide: the water between the banks is wide at high tide.
(5) the wind is positive: downwind.
(6) suspension: suspension.
(7) Sea Day: the rising sun at sea.
(8) Residual Night: When the night is coming to an end.
(9) Jiang Chun: Spring in the south of the Yangtze River.
(10) Guiyan: the wild goose returning to the north. Wild geese fly to the south in autumn and to the north in spring every year. In ancient times, geese were used to deliver letters.
(1 1) Castle Peak: It refers to Beigushan Mountain.
(12) Home letter: Home letter.
Make an appreciative comment
When Yin Kun, a poet in the Tang Dynasty, wrote "Jiang Nanyi" with a berth under the North Fort Mountain, there were many different essays: "The south is full of new ideas, and the east is waiting for the first day. On both sides of the beach, the wind is hanging. ... night gives way to the ocean of the sun, and the old year melts in freshness. I have never observed the weather, but I am biased. "
This poem begins with a dialogue, which is both beautiful and detached. "Castle Peak" refers to "Beigushan". By boat, the author is walking towards the "green water" in front of him, towards the "green hill" and towards the distant "guest road" outside the "green hill". This couplet is written "Visiting the Road" first, and then "Sailing". Between the lines, he has revealed his wandering feelings in Jiangnan and Shenchi's hometown, taking care of the "hometown book" and "returning geese" at the end of the couplet.
The second couplet's "Widening the banks at low tide" and "Widening" are the results of "tidal flat". The spring tide is surging and the river is vast. Looking around, the river seems to be flat with the shore, which broadens the horizons of the people on board. This sentence is very grand, and the next sentence "No wind stirs my lonely sail" is even more exciting. "Hanging" means hanging straight from one end to the other. The poet uses "the wind is right" instead of "smooth sailing" because "smooth sailing" alone is not enough to ensure "sailing" Although the wind was smooth, it was strong and the sails bulged into an arc. Only under the condition of downwind and breeze can the sail be "hung". The word "positive" includes both "shun" and "harmony". Xiao Jing is quite vivid in this sentence. But not only that, as Wang Fuzhi pointed out, the beauty of this poem lies in its "small scenes to convey the god of big scenes" and "Jiang Zhai's poetry talk" It is conceivable that if you sail in a winding river, you always have to turn. Such a small scene is rare. If you sail in the Three Gorges, even if it is calm, it will still surge. Such a small scene is rare. The beauty of the poem lies in that through the small scene of "No wind stirs my lonely sail", it also shows the big scenes of Ye Ping's openness, DC and calmness.
The third link shows that the author sailed all night at the end of the year. The tide is flat without waves, smooth but not fierce. At close range, the river is green, while at a distance, the banks are open. This is obviously a mysterious night, revealing the breath of spring everywhere. A person sails slowly and feels that it has reached the end of the night. These triple, is the performance of rowing on the river, is about to dawn. This association has always been very popular. When the night has not subsided, a red sun has risen from the sea; The old year has not passed, and the river has shown spring. "Day after day" and "Spring into the Old Year" both indicate the alternation of time series, and in a hurry, I can't help thinking of this poet who walked on the "guest road". These two sentences are also very kung fu. The author regards "the sun" and "spring" as symbols of new beautiful things from the perspective of refinement, emphasizes them by mentioning the position of the subject, personifies them with words such as "life" and "ru", and endows them with human will and emotion. The beauty is that the author has no intention of reasoning, but he has a natural interest in reasoning when describing landscapes and festivals. The sea is born in the dead of night, which will drive away the darkness; Jiang Chun, the "spring" of river scenery, will break into the old year and drive away the severe winter. It not only depicts the scene truly and accurately, but also shows the universal truth of life, giving people optimistic, positive and upward artistic inspiration. This sentence is similar to Liu Yuxi's "Qian Fan on the side of a sunken ship and Wan Muchun in front of a diseased tree".
The sea is rising, and spring is budding. The poet puts the boat on the green water and continues to sail to the guest road outside Qingshan. At this time, a flock of geese returning to the north are walking through the clear sky. The geese are about to pass through Luoyang! The poet remembered the story of "The Wild Goose Delivers a Book", so he sent a message to the Wild Goose: When the Wild Goose flies over Luoyang, please greet your family for yourself. These two sentences are closely linked, and the whole article is shrouded in a faint homesickness.
Although the first five laws were widely known as the third place at that time and spread to future generations, there were not only two beautiful sentences; Generally speaking, it is also quite harmonious and beautiful.
Creation background
As a northern poet in the early years of Kaiyuan in the Tang Dynasty, Wang Wan "tasted all over Wu Chu" all his life, was fascinated by the beautiful scenery in the south of the Yangtze River, and was influenced by the delicate poetic style of Wuzhong poets at that time, and wrote some works praising the landscape in the south of the Yangtze River. This "a berth under the North Fort Mountain" is one of them. These five laws were first seen in the Collection of National Repairs edited by Rui in Tang Dynasty. This is the poet's journey from Chu to Wu in late winter and early spring. When he was sailing at a berth at the foot of Beibao Mountain, the tide was flat and the shore was wide, and he returned to yan zhen at night, which aroused his feelings and became this historic masterpiece.
Brief introduction of the author
Wang Wan was a poet in the Tang Dynasty. Luoyang (now Henan) people. Inherent Jinshi, official Luoyang Wei. He traveled between Wu Chu. There are many books. Kaiyuan is a pawn. There are ten complete Tang poems.